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Dorothy (a 10-year-old Fairuza Balk in her debut) is back in Kansas, where Aunt Em (Piper Laurie) is at the end of her rope: her niece is not sleeping and going on about a place called Oz. Therapy may be the answer, but luckily the scary clinic goes dark before Dorothy can be, er, cured (but the lead-up will scare the munchkins out of most kids). She wakes up in the land of Oz, now in tatters, and searches for its king, the Scarecrow. A new set of friends, including a tin soldier, a talking chicken, and a pumpkin man, help her against new villains, including Princess Mombi (Jean Marsh)--complete with a set of detachable heads--and the evil Nome King (Nicol Williamson with a great assist from Will Vinton's Claymation). The sole directorial effort of Oscar-winning editor Walter Murch is stuffed with marvelous effects that foreshadow later works by Tim Burton and the Henson non-Muppet films. --Doug Thomas
I grew up (like every other person in America)with memories of the 1939 musical--but even as a kid I hated the fact that the MGM musical messed so much with the dangerous and frightening aspects of Oz, turning everything into a candy-coated Technicolor dream.
Thus, when I finally saw RETURN TO OZ (based on two books, OZMA of OZ and THE LAND of OZ), I realized that the filmmakers had actually sat down and read the books. Gone were the happy go-lucky images of a very safe place (was Judy Garland's Dorothy ever truly in danger?!?) and in its place was a fairyland full of dark dreams, scary villains, and entirely unique characters. And yet, most of America kept asking, "Where's the Munchkins?"
In fact, the film critic for our local paper so trashed the film on its release that I (as a lowly high school sophomore) wrote him a detailed letter explaining what he had missed in the film by spending all his time comparing it to the MGM film. He (like most of America) missed some wonderful moments: Fairuza Balk's film debut as a real, brave, and sometimes scared little girl being called on to save an entire country from extinction, the Oscar-nominated special effects that brought to life characters that had only existed on paper (like Tik-Tok, Jack Pumpkinhead, and the Nomes), and the great performances by British actors Nicol Williamson and Jean March as the villains.
Walter Murch and his team got everything right with this one, even down to character design: look at how closely the Oz chracters (Tik-Tok, the Scarecrow, the Tin Woodsman, etc.
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