11 of 11 people found the following review helpful:
4.0 out of 5 stars
Return of the King, July 21, 2010
This review is from: Return Of The King Elvis Presley's Great Comeback (Genuine Jawbone Books) (Paperback)
A very interesting perspective of this pivotal point of Elvis' career. Very well rounded selection of interviews that bring a more intimate look at a story that's been well documented. I do have a few issues with this book. The Jerry Reed portion isn't quite accurate, although Elvis wasn't aware, they leaned on Jerry much harder than the book leads you to believe. Maybe a small point, but it's one of many things that I disliked about some of the people around him. There are a few people that all Elvis writers should be warned to stay away from at all costs. If your last name ends in Stanley or West you have no credibility, too many years of lies for anyone to start believing you now, to the author's credit, there's just the one quote. I was really hoping that the book would end around '71, unfortunately it didn't. Like the vast majority of books about Elvis, once you get past the Aloha from Hawaii portion, it gets convoluted and wildly inaccurate. This book follows that pattern. Listen to Jerry Schilling, Dr. Nick, to a degree Joe E when he speaks in less generalities. The last years of his life were filled with painful physical ailments, depression, fad diets, overwork, reliance on prescriptions (as a means of function), and loneliness, unless he was on a stage, and even then, there were times when that wasn't enough. It's not fair to bundle all that as due to an addiction and then trudge on to some other self-destructive point with no understanding or perspective of reference. Everything up to the American and Stax sessions was well thought out from a fresh perspective, detail oriented and a great read, from chapter 6 on, it's well, it's the exact opposite.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars
Elvis' Last Stand, August 10, 2010
This review is from: Return Of The King Elvis Presley's Great Comeback (Genuine Jawbone Books) (Paperback)
By 1968 Elvis Presley was the King of Rock `n' Roll, and a has been. Rock music had moved beyond and transcended him. He spent his post army years making movies and movie soundtracks of lessening quality with each passing one. Gillian Gaar's "Return of the King: Elvis Presley's Great Comeback" spotlights Presley's December 1968 "comeback special" that revitalized Elvis and his career for a brief few years until Elvis fell back into old habits and relied on management that increasingly took for granted Elvis' creative needs, and an entourage of yes men.
The comeback special featured Elvis in production numbers and in what could be designated the first "unplugged" performance, Elvis on a small stage with Scotty Moore and DJ Fontana surrounded by fans as he and the boys reminisced in between playing Elvis' songs live. The show also introduced new songs that would soon become Elvis classics such as "Guitar Man" and In The Ghetto." The special not only proved to the world that Elvis was a force to be reckoned with, it bolstered Elvis' self-confidence and proved to himself that he could still be a vital and creative force in music.
In the aftermath of the special, Elvis felt a creative resurgence that led to some of Elvis' most creative and productive recording sessions at the American Studios in Memphis. Another after effect of the comeback special was Elvis' return to live performance the first of which would be in the newly built International Hotel where an excited Elvis assembled a band and back-up singers who challenged and enhanced Elvis' performances. As Elvis' manager Col. Tom Parker smelled the money in the air, the live performances quickly became a new kind of trap for Elvis.
It's clear that one of Elvis' major problems was his obsessive reliance on Col. Tom Parker. Parker, a former carny huckster should have been a transitional figure in Elvis' life. However Elvis felt indebted to Parker, and Parker took advantage of Elvis treating him like a serf. When Parker found projects that at first engaged Elvis and offered a creative outlet, like the movies and later the Vegas live shows, Parker jumped on it and ran it into the ground booking Elvis for the same type of engagements regardless of quality or the toll it took on Elvis until all Elvis could do is joyless parodies of his former self.
The other detrimental factor for Elvis was his entourage. A group that treated Elvis with kid gloves and encouraged the worst aspects of Elvis' personality. Ironically, it was with producers that challenged Elvis and told him the truth who got the better performances out of him.
Gillian Gaar does an excellent job of documenting this aspect of Elvis' career. Gaar interviewed the members of the comeback special's production team, the musicians and producers who recorded with Elvis and the musicians and singers who played live with Elvis (rarely were the groups the same). There are endnotes for each chapter, there's a comprehensive listing of all of Elvis' live performances between 1968 and 1970, and a selected discography and bibliography.
I'm not one to recommend a publisher or their whole catalog but Jawbone Press is publishing high quality books in both content and the actual physical book. If you're a rock fan I would highly recommend other Jawbone Press books such as "
Forever Changes: Arthur Lee and the Book of Love" and "
Becoming Elektra: The True Story of Jac Holzman's Visionary Record Label" as well as checking their catalog for other books that may be of interest. I've made a space in my bookcase for Jawbone Press books.
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4 of 5 people found the following review helpful:
5.0 out of 5 stars
Important addition to Elvis' literature, July 15, 2010
This review is from: Return Of The King Elvis Presley's Great Comeback (Genuine Jawbone Books) (Paperback)
I'm rarely moved to review on Amazon, however this book about the '68 Comeback Special and its aftermath has done so. I consider myself well versed on the King, however this book has taught me a thing or two to say the least. It covers the period preceding the Singer Special and the time up until his decline...Well written and informative.
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