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| Song Title | Time | Price | ||
|---|---|---|---|---|
| 1. Revealing the Tones | 4:26 | Not Available | ||
| 2. Night Vigil | 2:38 | Not Available | ||
| 3. Revealing the Commas | 5:29 | Not Available | ||
| 4. Tone Cloud I | 8:14 | Not Available | ||
| 5. Homage to La Monte | 5:38 | Not Available | ||
| 6. Tone Cloud II | 8:47 | Not Available | ||
| 7. Night Vigil II | 3:08 | Not Available | ||
| 8. Vision in the Desert | 3:22 | Not Available | ||
| 9. Carillon | 6:38 | Not Available | ||
| 10. Tone Cloud III | 5:13 | Not Available | ||
| 11. Finale | 5:25 | Not Available | ||
| 12. Tone Cloud IV | 12:56 | Not Available |
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Most Helpful Customer Reviews
6 of 6 people found the following review helpful:
5.0 out of 5 stars
This Truly is a Revelation,
By musiclover (New York NY) - See all my reviews
This review is from: Michael Harrison: Revelation (Audio CD)
Michael Harrison: Revelation
Because I pay attention to music critics--this was on the best of lists for the New York Times and then the Boston Globe and in Time Out New York--I purchased this recording. I love traditional classical music, so when I heard this, and played it through a great pair of headphones and then on amazing speakers, the muisc was a true discovery. I had no idea the piano could sound like this. I am truly blown away. At times I think it sounds like two pianos playing, not one. This is both a musical journey and a spiritual one as well. It is like discovering a new cuisine--truly a feast for the ears. Congrats to Cantaloupe and the brilliant engineer who made this CD--you have brought stunning new music to the world.
11 of 17 people found the following review helpful:
2.0 out of 5 stars
Interesting Sonority,
By
This review is from: Michael Harrison: Revelation (Audio CD)
The sound of this piano, with its alternate tuning, can be a means towards greater extremes, greater consonance as well as dissonance. However, unlike Charles Ives experiments with quarter-tones in the 1920s: Charles Ives: Three Quarter-Tone Pieces; Five Take-offs; Hallowe'en; Sunrise, the compositions here are rather insipid and hackneyed in their typical "new-age" aimlessness. Once the novelty of the sound wears off, there is not much of interest.
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