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Revolver [Hardcover]

Matt Kindt (Author)
3.0 out of 5 stars  See all reviews (5 customer reviews)


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Book Description

July 20, 2010 Revolver
REVOLVER is a tale of two worlds, and how the both test a man to his limits...

Almost thirty and living in Seattle, Sam shuffles to his bed after a night out at the bars. The next morning he wakes up and catches the bus into the city, starting another day of his dead end life. But today on the radio he hears that the stock market has crashed, news of a bird-flu epidemic erupting in Asia pushes past a report of "radioactive-material-gone-missing-in-Russia." Did Sam really wake up this morning? The world has gone crazy--turned on its head. Sam thinks about riding the bus full loop, going home and pretending that the day hadn't started.

This terrible day is capped with the destruction of Seattle...

But when Sam wakes up in his small studio apartment the next morning he's confused. On the bus ride to work he listens to the radio. The world is fine...

Realities begin to bleed into one another as Sam jumps between his dull-drum, everyday life and a dark apocalyptic society...but which is the real one and which one will he have to live with forever? And the most important question: does he have a choice?

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Editorial Reviews

From Publishers Weekly

Kindt takes a good idea and runs with it in this follow-up to his award-winning Super Spy. His main character, Sam, a born loser in the everyday world, goes to bed one night and wakes up in a postapocalyptic nightmare. But is it a nightmare? There, Sam is suddenly able to be the strong, decisive man he isn't in his real life. He helps found a revolutionary watchdog newspaper, murders in self-defense, and gets it on with the lady boss who always looked down on him. So when Sam wakes up back in the world he's always known, it sort of seems like that's the bad dream. Soon, Sam understands that he's destined to go back and forth between the two realities like clockwork every day and soon figures out how to use information gained in one world to his advantage in the other--and the id unleashed in the war-torn world begins to show up in the first. Kindt's use of ticker-tape news items at the bottom of the pages and alternating color alert the reader to the nature of whichever world we're in. A good concept is occasionally dragged down by heavy exposition, circular philosophizing, and cliché characterization (particularly of the female characters), but overall it's a thought-provoking foray into postapocalyptic mayhem.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal

Gr 10 Up–Sam goes to bed after another boring and predictable day, only to discover when he wakes up that the world has changed. It is suddenly beset by disasters including an outbreak of avian flu and a rapidly escalating war. These events begin to change the characters in a "desperate times call for desperate measures" kind of way, and Sam finds himself doing things he would never have guessed. If this plot device had been the main core of this book, it would have been a good read. But what turns it into an astounding read is that when Sam wakes up the next day he finds himself back in his ordinary world where he leads a humdrum existence and his girlfriend doesn't understand him. Then the next day he's back in the postapocalyptic world where Seattle has been destroyed and Sam's sexual tension with his boss is escalating. Each day he alternates between these two worlds, where some things are completely different and others are the same. Sam soon realizes that he is one of several constants between the two worlds, and he embarks on a dangerous journey to try to save humanity and change both worlds for the better. Kindt's artwork is dark and gritty, simplistic at times but able to convey a range of emotions. The cover image is especially effective at grabbing prospective readers' attention. Teens who give this book a try will be richly rewarded with a very unusual story.Andrea Lipinski, New York Public Library
© Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Product Details

  • Hardcover: 192 pages
  • Publisher: Vertigo (July 20, 2010)
  • Language: English
  • ISBN-10: 1401222412
  • ISBN-13: 978-1401222413
  • Product Dimensions: 6.9 x 0.5 x 10.5 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #965,455 in Books (See Top 100 in Books)

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Customer Reviews

5 Reviews
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Average Customer Review
3.0 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

1.0 out of 5 stars Easily one of the worst comic books I've ever read, February 1, 2012
This review is from: Revolver (Paperback)
Do you love reading books that are badly written, badly drawn, have no convincing dialogue or characters, and present everything in a half-baked fashion? Do you like wasting your free time reading trite and worthless books? Look no further because Matt "Can't Write, Can't Draw" Kindt has written just the book for you - "Revolver".

The book is about a guy who lives in two different worlds, one which is much like ours and the other where the world has gone to hell. Every day at 11.11pm he makes the switch.

There's no attempt to explain why this man has this sudden power, except for a pathetic coda which if that really was how it happened then this is officially the stupidest comic book ever written. For some strange reason the survivors in the damaged world put all of their effort into writing a dull newsletter to drop on people in a plane called "Revolver". Why or how they thought this would make an impact doesn't matter because it doesn't and is a total dud as a plot device.

Kindt's attempt at dialogue is painful to read. If you try and read this mess, wait until the scene with the war veteran and see how utterly lacking Kindt's ability to convey drama, emotion, or cohesion is when trying to construct a semblance of the character's humanity that would make him seem real. But he has this problem with all of his characters. The girlfriend of the man is a two dimensional material girl who spends her time reading catalogues and furnishing her home. The man is against this because materialism is bad. Watch how he becomes increasingly angered by the material nature of some humans in the 21st century - it's bad! He gets so mad he knocks over her coffee table!

But the main character, I forget his name, is by far the worst of the bunch. To call him a character is laughable, he has none. He's an office drone and a malcontent who does nothing to change his life until he is forced to do so. Then he assumes non-ideas as his new outlook on life - possessions possess you man, we all need to live in the moment. And he's so unlikeable, I just wanted him to die and the book to end.

The art is just plain horrible. His drawing style is so unpleasant and awkward to look at, that even when you look closely at the page it still looks like you're peering through swamp water at an image.

The sci-fi angle of switching between parallel worlds has been done to death, and the way the book is written, the way the characters are written, shows no originality of concept or execution. How anyone at Vertigo thought this was a book that deserved to be published is astonishing. Matt Kindt, you are the least interesting writer/artist in comics (somehow) working today and "Revolver" is a comic book that I urge anyone thinking of purchasing, to avoid like the turd on the pavement it is.
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4.0 out of 5 stars Really enjoyable story and art, November 10, 2010
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David Perkins (Orange, CA United States) - See all my reviews
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This review is from: Revolver (Hardcover)
Really good story. I enjoyed it. The protagonist's feelings about his job and outlook on life definitely hit home with me. The story did end abruptly I thought and that's why i gave it only 4 stars. Definitely worth $16.
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4.0 out of 5 stars A look at two sides of the same dream..., October 26, 2010
This review is from: Revolver (Hardcover)
Revolver will not change your life outlook by the impact of its story. The art here is well-described by

others as stark and spidery sketches - the subdued tones of the colorist help to ground the reader in

each reality and set the tone for a man struggling with understanding and accepting that he's caught

between two realities and disposable in both.

The story of revolver shines a light on the everyday of so many of us as his struggles in the alternate

reality mark the futility and failure of his life is in his own waking world. Like I said initially, this story

won't open smoothly nor wrap up cleanly for readers. What it will do, if viewed as a slice of time in our

protagonist's ongoing life, is act as a thought provoking look at life and what we are doing with it.

Revolver doesn't function as an open and shut story we're familiar with and may turn some readers off

this way, but for many it will shine on the merit of the introspection it can usher along.
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