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Rewrite: A Step-by-Step Guide to Strengthen Structure, Characters, and Drama in your Screenplay
 
 
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Rewrite: A Step-by-Step Guide to Strengthen Structure, Characters, and Drama in your Screenplay [Paperback]

Paul Chitlik (Author)
4.6 out of 5 stars  See all reviews (28 customer reviews)

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Book Description

March 1, 2008
Professional screenwriters know that the rewriting process is what separates the money-makers from the neophytes.

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Product Details

  • Paperback: 173 pages
  • Publisher: Michael Wiese Productions (March 1, 2008)
  • Language: English
  • ISBN-10: 1932907394
  • ISBN-13: 978-1932907391
  • Product Dimensions: 8.9 x 6.3 x 0.4 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (28 customer reviews)
  • Amazon Best Sellers Rank: #351,207 in Books (See Top 100 in Books)

More About the Author

Paul Chitlik wrote and directed his first play when he was eleven, considered somewhat late by many studio executives barely out of their teens.
As a college student, he went to Spain to study at the University of Madrid. There, he also learned how to duck water cannons and charging horses.
After receiving his degree in comparative literature and tear gas at UC, Berkeley, Chitlik traveled all over Europe, finally landing in London where he worked as a translator and journalist for several years. When he returned to Los Angeles he began teaching English as a second language at Long Beach Community College. Soon, he was an administrator devising programs for non-literate students, a skill that has enabled him to read unsolicited manuscripts without flinching.
During this time he was also on the board of directors of La Escuela Laboral, a bilingual school for adults in East Los Angeles, and the Human Powered Transit Association, a bicycle advocacy group. He also served as Executive Director of AVAZ International Dance Theatre. He was appointed by Governor Jerry Brown to attend the first White House Conference on Library and Information Services.
Chitlik has served on the School Facilities Committee of Burbank, overseeing the expenditure of $200 million in the rebuilding of the city's schools for ten years, nine as chair. He also serves as President of Project Chicken Soup, an organization that provides kosher meals to people with HIV/AIDS.
In 1984, he did a career about-face and began to write for television, first as the executive story editor for a syndicated series, "Guilty or Innocent," and later as a staff
writer with writing partner, Jeremy Bertrand Finch, for the Showtime series, "Brothers." Chitlik and Finch wrote for CBS' "The Twilight Zone," ABC's "Who's the Boss?," and NBC's "Amen."
When "The Twilight Zone" was revived for syndication, Chitlik and Finch were brought on board by to set the direction and tone of the program as story editors. Chitlik and Finch won a Writers Guild of America award nomination for one of the "Twilight Zone" episodes they wrote during this time.
Chitlik and Finch developed "Poltergeist" for television for a partnership of MGM, Paragon Pictures, and ARD; sold a romantic comedy to Bay Productions of Vancouver; created a sit-com for Republic Pictures; wrote a pilot for "Lifetime;" and developed "Alcohol Lake," with KCET for American Playhouse.
Chitlik went on to be coordinating producer for 'Real Stories of the Highway Patrol.' In addition to overseeing the story development, scripting, directing, and editing of over 260 reenactment segments, he field produced and directed more than a dozen himself. From Real Stories, Chitlik went to 'U.S. Customs Classified' a syndicated series starring Stephen J. Cannell.
He has also written features for Rysher Entertainment, Promark Entertainment, NuImage, and Mainline Releasing, one of which won a Genesis Award for outstanding children's movie.
Chitlik wrote and produced 'Alien Abduction ' The McPherson Tape', a movie for television for UPN and dick clark productions, for whom he has written episodes of 'Beyond Belief.' He also contributed episodes to 'Los Beltr'n,' a Spanish language sitcom for Telemundo, one of which was nominated for a GLAAD Media Award.
In 1996, Chitlik founded The Dime Novel Co. and published a complete mystery novel as a magazine supported solely by advertising. In the summer of 1997, he published the second edition, featuring 'Deviant Numbers,' a science fiction novela about cloning. His most recent book, Rewrite, is published by MWP.
Chitlik is a visiting assistant professor in UCLA's School of Theater, Film, and Television, as well as a lecturer at Loyola Marymount University. He has also given master classes in screenwriting at the University of Barcelona's film school, and consults for the government of Chile's film development program.


 

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34 of 36 people found the following review helpful:
5.0 out of 5 stars A Personal Script Doctor in Paperback, May 3, 2008
By 
C. J. Singh (Berkeley, California, USA) - See all my reviews
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This review is from: Rewrite: A Step-by-Step Guide to Strengthen Structure, Characters, and Drama in your Screenplay (Paperback)
Paul Chitlik, the author of "Rewrite," has many years' experience teaching MFA workshops in screenwriting. His tone is amiably authoritative, guiding with the attention of an experienced script doctor. Here are samples of the "To Do" items, chapter-by-chapter.

1. Clarifying Story and Structure for Impact. "To Do: Briefly outline your story in terms of seven points" (p 11): Ordinary Life; Inciting Incident; End of Act One; Midpoint or Turning Point; The Low Point; The Final Challenge; The Return to (the Now-Changed-Forever) Normal Life. Next "To Do" is to write a beatsheet or list of the scenes in your screenplay. The book's appendix presents an excellent example of a 67-item beatsheet with subheadings corresponding to the seven points.

2. The Powerful Protagonist. "Write your premise now. Do not tell the story, only the idea of the truth you want to prove." Does your protagonist help prove your premise? If not, adjust his profile. Ten more "To Do" items include the protagonist's apparent goal, what the goal changes to at the midpoint, and the personality flaw.

3. The Worthy Antagonist. "Write one line saying what your antagonist wants" (p 43).

4. Ensuring Dynamic Scenes. "Go through your beatsheet and examine each scene for conflict. Write what, exactly, is the conflict of each scene under your description of the scene. If there is no conflict, there is no scene. Sometimes you'll need to group several beats to make a whole scene, so not every beat will have conflict" (p 47).

5. Making Descriptions Leap Off the Page. "Go through the descriptive paragraphs in your screenplay and see if you can take out all the adverbs and as many adjectives and nouns as possible. Shorten your sentences. Shorten your paragraphs" (p 61). "To Do. Find a scene that is heavy in dialogue and try to express it completely in action and description" (p 62).

6. Life Support for Your Protagonist. "Go through your story and identify the supporting characters who are most important. Beef up their screen presence by giving them a quirk of some sort. Make them stand out. Have the quirk relate to their personality or function regarding your protagonist or your antagonist" (p 67).

7. Paring It Down. "Choose a ten-page excerpt from your script that you think is pretty tight already. Now cut a page from it. Use any tricks you can think of, but get it down to nine pages" (p 72). Chitlik presents an example from his own screenwriting: an 11-page excerpt pared down to 9 pages.

8. Where Am I? The "To Do" item asks you to complete the suggested Script Status Report on your rewrite.

9. The Right Look. The "To Do" items include standard formatting, correcting grammatical errors, and culling out camera directions.

10. Finishing: The "To Do" item is to go back and rewrite. How many rewrites? "A professional writer might revise a script 30 times.... In fact, a script isn't done until the final cut is made, and it goes into wide release. Even then some writers would like to do more" (p 111).

An eminent script doctor in paperback, Chitlik's REWRITE merits five shining stars.
-- C J Singh



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15 of 20 people found the following review helpful:
5.0 out of 5 stars The Best Book on Rewriting, March 14, 2008
This review is from: Rewrite: A Step-by-Step Guide to Strengthen Structure, Characters, and Drama in your Screenplay (Paperback)
Paul Chitlik is one of the better instructors at UCLA and for those lucky enough to have taken his classes, you will realize the book is just like having Paul teach you.

It's written in a personal way, just like he teaches (I am one of the lucky ones to have been taught by him). While the book is written with screenplays in mind, it is also a great way to rewrite any story (play, novel, short story...).

There are tons of books on how to write the first draft (and maybe Paul will write one one day), but screenplays are rewritten many times and it is easy to get lost or overwhelmed by the sheer amount of energy it takes to rewrite. Paul helps you break it down into manageable chunks and in the process, allows for a better and deeper rewrite than you might be able to do on your own.

I tend to give books away after I read them... I am keeping this one in my library.
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3 of 4 people found the following review helpful:
5.0 out of 5 stars A MUST FOR ALL SCREENWRITERS!, March 23, 2008
This review is from: Rewrite: A Step-by-Step Guide to Strengthen Structure, Characters, and Drama in your Screenplay (Paperback)
Rewrite: A Step-by-Step Guide to Strengthen Structure, Characters, and Drama in your Screenplay


REWRITE is an essential for every screenwriter!!!! REWRITE is not only a book, it is a screenwriting course. It's not even just a screenwriting course, it is your own private tutorial. Paul Chitlik states and explains each step in the screenwriting process in a well defined and understandable manner. He then literally waits for the writer to complete the task at hand, before moving on to the next step! You feel like he is in the room with you, guiding you and patiently waiting while you use his tools. And, boy, is he patient! Using his tools might take a minute, an hour, a few hours or even a day. But he is right there, when you return!


Paul Chitlik's book is not solely for rewrites. This book should be used before you even begin to write your first draft. REWRITE is a user-friendly and well-organized "workbook" pared down to the essentials.


This is one of the most accessible books on screenwriting that I have ever read. Paul Chitlik uses words that are simple and clear; he follows up each screenwriting step with perfect examples; he then explains how to deal with the issue at hand. Sometimes dealing with an issue means taking a break from your writing, and he even tells you how to do that!

The examples he uses address the most difficult of scenarios. What if your protagonist dies in the end? THELMA AND LOUISE takes care of that. You will refer to REWRITE for examples and solutions to basically all of your needs. He's covered it all.

Paul Chitlik makes sure that every step in the screenwriting process is covered. The unique trait of his book is that it is relevant whether you are writing your first script, rewriting your first script, writing your 7th script, or rewriting your 10th script. You will keep this in your library forever. You will refer to it each step of the way, on any and every draft you will ever write.

REWRITE is compact. If you have a quick question, you don't have to wade through pages and pages of rambling prose. You can go straight to the page you need, review the element on which you need to work, and follow as his guide explains how to take the first step in solving your issue. He doesn't stop there. Once you take your first step, Paul Chitlik makes sure you continue working until the problem is solved!

REWRITE, using the 7 points of screenwriting, is written like a perfect screenplay. Everything Paul Chitlik tells you to do in your script, he has done in his book. He has focused on only the essentials in a structure that flows. He has made the reader the character in his book. He even addresses us as "you"! And he has cut out all excess.

This book is personal, accessible and a valuable asset to every screenwriter - be it a novice or a highly paid professional. IT IS A MUST!!!!!!!!!!!!

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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
inciting incident
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Perfect Storm, Brad Pitt, Howard Brackett, Star Wars, Baby Romy, Act One
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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