Rhythm is the backbone of music, and the development of a varied rhythmic vocabulary is a must for any creative musician. Rhythms Volume Four is part of a series of books that take a student from simple to very complex rhythmic situations. Any instrumentalist seeking to expand their understanding of this aspect of music can benefit from them. Volume Five concentrates on sixteenth note rhythms in a 3/4 time signature and is a thesaurus of rhythmic patterns. All examples use one pitch, allowing the student to focus completely on time and rhythm. Audio files for all the exercises found in this book can be downloaded from the internet. This breakthrough in music instruction allows the student to hear each example to check accuracy and proper exucution. Midifiles for all exercises can be downloaded for free from the internet at muse-eek Free midifile players for Mac and Windows compatible computers are also available at this site. These Midifile players will allow you to choose your own tempo so beginning to advanced students will benefit.
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About the Author
Guitarist Bruce Arnold has developed an extensive reputation as a composer educator and guitar virtuoso. He has created a unique signature sound that stems from his combination of jazz techniques and 20th Century compositional methods. He has played with such diverse musicians as Stuart Hamm, Peter Erskine, Joe Pass, Joe Lovano, Randy Brecker, Stanley Clarke, the Boston Symphony Orchestra. Mr. Arnold is also deeply devoted to music education and had written more than 50 music instruction. He heads the guitar departments at NYU and Princeton University and is the director of the New York University Summer Guitar Intensive He has taught at some of the most prestigious music schools in America, including the New England Conservatory of Music, Dartmouth College, Berklee College of Music, New School University, and City College of New York.
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More About the Author
Guitarist Bruce Arnold has developed an extensive reputation as a composer educator and guitar virtuoso. He has created a unique signature sound that stems from his combination of jazz techniques and 20th Century compositional methods. He has played with such diverse musicians as Stuart Hamm, Peter Erskine, Joe Pass, Joe Lovano, Randy Brecker, Stanley Clarke, the Boston Symphony Orchestra. Mr. Arnold is also deeply devoted to music education and had written more than 60 music instruction. He heads the guitar departments at NYU and Princeton University and is the director of the New York University Summer Guitar Intensive He has taught at some of the most prestigious music schools in America, including the New England Conservatory of Music, Dartmouth College, Berklee College of Music, New School University, and City College of New York.
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