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Richard III (The Criterion Collection)


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Product Details

  • Actors: Laurence Olivier, Wally Bascoe, Claire Bloom, Pamela Brown, Alec Clunes
  • Format: Anamorphic, Color, Special Edition, Widescreen, NTSC
  • Language: English (Dolby Digital 2.0 Mono)
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 2
  • Rated: NR (Not Rated)
  • Studio: Criterion
  • DVD Release Date: February 24, 2004
  • Run Time: 158 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (101 customer reviews)
  • ASIN: B00014K5ZA
  • Amazon Best Sellers Rank: #290,857 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Richard III (The Criterion Collection)" on IMDb

Special Features

  • New high-definition digital transfer of full-length film, including newly discovered footage from the original theatrical release, with restored image and sound
  • Commentary by playwright and state director Russell Lees, joined by John Wilders, former Governor of the Royal Shakespeare Company
  • Great Acting: Laurence Olivier, a 1966 BBC interview with Olivier, hosted by renowned theater critic Kenneth Tynan
  • Gallery of on-set and production stillls and posters, featuring excerpts from Olivier's autobiography On Acting
  • 12-minute television trailer
  • Essay by historian Bruce Eder

Editorial Reviews

The story of Richard of Gloucester, a man twisted both in mind and body, as he schemes for the throne of England.
Genre: Feature Film-Drama
Rating: R
Release Date: 24-FEB-2004
Media Type: DVD

Customer Reviews

Highly recommended to any Shakespeare lover.
Gustavo Coutinho
The fact that Richard can successfully woo even the audience makes me feel a palpable element of parody in the film, which gives it a sense of depth I really enjoy.
Andrew Clark Adair
As expected, excellent performance by the great Laurence Olivier.
Carmen

Most Helpful Customer Reviews

102 of 106 people found the following review helpful By Robert Morris HALL OF FAMETOP 100 REVIEWERVINE VOICE on February 24, 2004
Format: DVD
Those who criticize Laurence Olivier and Alan Dent -- co-authors of the screenplay -- for taking certain liberties with Shakespeare's play should also criticize Shakespeare for taking certain liberties with the historical material on which he often relied so heavily. In this instance, Holinshed's Chronicles of England, Scotland and Ireland, Vol. 6, and various Tudor Historians. In my opinion, such quibbling is a fool's errand. This much we do know about the historical Richard III. He was born in 1452 in Fotheringay Castle, Northamptonshire, the youngest son of Richard, Duke of York. He was created Duke of Gloucester by his brother, Edward IV, in 1461, accompanied him into exile (1470), and played a key role in his restoration (1471). Rewarded with part of the Neville inheritance, he exercised vice regal powers, and in 1482 re-captured Berwick-upon-Tweed from the Scots. When Edward died (1483) and was succeeded by his under-age son, Edward V, Richard acted first as protector, but within three months, he had overthrown the Woodvilles (relations of Edward IV's queen), arranged for the execution of Lord Hastings (c.1430-83), and had himself proclaimed and crowned as the rightful king. Young Edward and his brother were probably murdered in the Tower on Richard's orders, although not all historians agree. He tried to stabilize his position but failed to win broad-based support. His rival Henry Tudor (later Henry VII), confronted him in battle at Bosworth Field (August 22, 1485), when Richard died fighting bravely against heavy odds. Though ruthless, he was not the absolute monster Tudor historians portrayed him to be, nor is there proof he was a hunchback.
Cleverly, this film begins with the final scene of Henry IV, Part III, the coronation of Edward IV (Cedric Hardwicke).
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46 of 46 people found the following review helpful By IA on April 29, 2001
Format: VHS Tape
Only two of Orson Welles' Shakespeare films rival "Richard III" for the title of greatest Shakespeare movie ever made. That said, Olivier's film may contain the most sheerly enjoyable performance any actor gave on film. His Duke of Gloucester is the definitive performance. Elia Kazan once said Olivier had a certain girlish quality, and that quality is used in the film: His Richard is seductive--a prancing, charming monster whose voice sounds like "honey mixed with razor blades." But one look into his black eyes, framed by false hawk nose, violently angled eyebrows and fright pageboy wig, will tell you that he's also stone-cold pure evil. Richard enacts all our homicidal, plotting fantasies as he cheerfully knocks off all his stuffy relatives and rivals.
Olivier emphasizes the black comedy and wittiness of Shakespeare's play, which he cut and refashioned into a star vehicle for himself. Though Sirs Gielgud, Richardson and Hardwicke co-star, they don't make much of an impression. (Blame that on Shakespeare too) Interestingly, Olivier later regretted not having cast Orson Welles as Buckingham.
You experience two major innovations concerning the filming of Shakespeare: the first is Olivier's old custom of using extremely stylized, artificial sets, thereby making Shakespeare's stylized, artificial verse fit in with the settings. The second is the source of Olivier's triumph: he delivers his soliloquys directly to the camera. This daring move destroys the fourth wall and takes true advantage of what the movies offer. He becomes our friend and confidante and we become complicit in his mounting evil. The production values are top-notch: we get deliriously vibrant technicolour, William Walton's pompous, irresistible music of pageantry, and the book-of-hours sets.
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11 of 11 people found the following review helpful By Classic Movie watcher on August 17, 2006
Format: DVD
No one could rival Laurence Olivier (Hamlet, Henry V, Richard III) as the scheming, ruthless youngest son of the 3rd Duke of York, who stopped at nothing to be King Richard III. His first appearance was deceptive. I noticed only a big nose and recognized him only after he spoke. Burdened with a crooked back, limp and shrunk hand, his ambition for kingship only burnt more feverishly. With disguised humbleness, he made peace with other royalties. His words were sugar-coated and gay. He killed Warwick, the 'KingMaker' who helped enthrone his elder brother as King Edward IV, and wooed Warwick's daughter Anne(the beautiful Claire Bloom) to marry him shortly after killing her husband. His planned murders of his elder brother Duke of Clarence, Lord Hastings, his young nephews (heirs-to-be), his wife Anne made even today's politics pale and unexciting.

Yet the movie about such a dark character was beautiful in VistaColour, set and costumes, cinematography. Scenes of executions, naïve Lord Hastings (Alec Clunes) walking into his death trap, innocent heirs-to-be greeting uncle Richard and Richard's final battle are memorable. All the other characters exuded integraity, royality and humanity. They were handsome in appearance and noble in heart, so different from Richard III. Even the once accomplice Duke of Buckingham (Ralph Richardson), without whose help there would be no Richard III, showed a moment of caution in doing any more evil. Perhaps it's this great contrast between Richard and everyone else that made the movie luring and tragic. In his last battle of Bosworth Field, Laurence Olivier showed a more reflective and human side of Richard III.
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Topic From this Discussion
Opening soliloquy
You should probably mention that while the beginning is from Richard III, a good-sized chunk of this is from Henry VI p3 (at least 2 different scenes).
Feb 18, 2010 by J. Lillie |  See all 2 posts
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