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| Disc: 1 | |||
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| 1. Capriccio, opera, Op. 85 (TrV 279): Einleitung (Sextett) | |||
| 2. Capriccio, opera, Op. 85 (TrV 279): Bezaubernd ist sie heute wieder! | |||
| 3. Capriccio, opera, Op. 85 (TrV 279): Bei sanfter Musik schläft sich's am besten | |||
| 4. Capriccio, opera, Op. 85 (TrV 279): Der Strom der Töne trug mich fort | |||
| 5. Capriccio, opera, Op. 85 (TrV 279): Die Bühne ist fertig, wir können beginnen | |||
| 6. Capriccio, opera, Op. 85 (TrV 279): Ihr geht. Entließ euch schon die Macht | |||
| 7. Capriccio, opera, Op. 85 (TrV 279): Bravo, Bravo! Sie sind wirklich kein Laie | |||
| 8. Capriccio, opera, Op. 85 (TrV 279): Kein Andres, das mir so im Herzen loht | |||
| 9. Capriccio, opera, Op. 85 (TrV 279): Wie schön die Worte, kaum kenn' ich sie wieder! | |||
| 10. Capriccio, opera, Op. 85 (TrV 279): Verraten hab ich meine Gefühle! | |||
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| Disc: 2 | |||
| 1. Capriccio, opera, Op. 85 (TrV 279): Darf ich Sie nach Paris zurückbringen?... / Oktett 1 'Lach-Ensemble' / Ein passierlicher Einfall! | |||
| 2. Capriccio, opera, Op. 85 (TrV 279): Er ist heroisch und hochdramatisch / Oktett 2 'Streit-Ensemble' / Aber so hört doch! | |||
| 3. Capriccio, opera, Op. 85 (TrV 279): Holà, ihr Streiter in Apoll! | |||
| 4. Capriccio, opera, Op. 85 (TrV 279): La Roche, du bist groß | |||
| 5. Capriccio, opera, Op. 85 (TrV 279): Adieu La Roche! | |||
| 6. Capriccio, opera, Op. 85 (TrV 279): Herr Direktor! Herr Direktor! | |||
| 7. Capriccio, opera, Op. 85 (TrV 279): Zwischenspiel (Mondscheinmusik) | |||
| 8. Capriccio, opera, Op. 85 (TrV 279): Wo ist mein Bruder? | |||
| 9. Capriccio, opera, Op. 85 (TrV 279): Morgen mittag um elf! | |||
| 10. Capriccio, opera, Op. 85 (TrV 279): Ihre Liebe schlägt mir entgegen | |||
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Most Helpful Customer Reviews
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Die Aufnahme ist grossartig! Nimm, Gaetano!,
By Ben Brouwer (Minneapolis, MN USA) - See all my reviews
This review is from: Richard Strauss: Capriccio (Audio CD)
It's a travesty that this recording has existed, with its excellent live sound quality and dream-team cast, in a vault (or a dingy basement) somewhere for the last 44 years. It's also a travesty that this performance contains cuts. If two travesties weren't enough, there's a third: Orfeo still refuses to include a printed libretto.
This recording makes an excellent companion to the 1959 Sawallisch studio effort on EMI (which, incidentally, is uncut and includes a libretto). Each recording is utter perfection in its own way, and both have beyond-exemplary casts. Documents like this are solid proof that postwar casts are unequalled in this repertoire. (May my prejudices be clear...)
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