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Most Helpful Customer Reviews
39 of 40 people found the following review helpful:
5.0 out of 5 stars
Living Hell in your own living room.,
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This review is from: Richard Strauss - Salome / Peter Hall · Edward Downes · Maria Ewing, · ROH Covent Garden (DVD)
I have seen "Salome" at Covent Garden (not this production) and the Met, but I have never felt so felt its intensity. I think this may be, in a curious way, a "chamber" opera; its focus is so on nuances of obsession (usually sexual, of course) that it benefits from close quarters. I have seen Maria Ewing only in this one role, but in this she is stunning; first sinister, then frightening (because wierdly believable), then monstrous. Her two foils are this production's Herod: coward, lecher, bully, but in the end convincingly holding to some limit to indecency; and Johannan (the Baptist), chaste as ivory (as the lady says) and as passionately so as the lady is vile. The orchestra is good, the musical interpretation is right (neither tame nor manic) and the staging, with its creepy moon, suggestive dungeon, and hommages to Klimpt and Beardsley just exactly right. Terrific! Turn your own living room into Sodom and Gommorah.
50 of 53 people found the following review helpful:
4.0 out of 5 stars
"Salome" (finally) on DVD,
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This review is from: Richard Strauss - Salome / Peter Hall · Edward Downes · Maria Ewing, · ROH Covent Garden (DVD)
When I found out that a version of "Salome" had finally come out on DVD, I became very excited. For one thing, this was one version I didn't already own on videotape. I also wanted to see for myself Maria Ewing's infamous portrayal of Salome, which I had heard quite a bit about. Of course, much of this infamy comes from her willingness to take the "Dance of the Seven Veils" to its logical extreme... without even a flesh-colored body stocking to make it more "acceptable" to staid opera fans. Aside from the obvious tabloid titillation of this aspect of her performance, her singing of the role might seem controversial as well. I will concede that, unlike a diligent opera singer, she doesn't hit all the notes "properly." But then, this ain`t bel canto opera. In my opinion, it actually adds an interesting dimension to the role.... rather than going "back" to Richard Wagner, Ewing occasionally takes the role "forward" to Kurt Weill, growling like a cabaret singer, sometimes teetering on the brink of sprechstimme (listen as she waits impatiently for the severed head of Jochanaan, the object of Salome`s sexual obsession). As Jochanaan, Michael Devlin looks appropriately emaciated with pale blue body makeup and beyond-waist-length hair, making him resemble that musical anti-Christ Marilyn Manson (even though Strauss actually preceded him in that category by about a century). Devlin's Jochanaan is also more pleading in spreading the gospel than singers in other versions, who make him seem more of a great proclaimer. Nonetheless, he still does come off as fanatical... just with a slightly more hysterical edge than other Jochanaans. Considering the opera's time period, the nods to Aubrey Beardsley and Gustav Klimt in the stage design are very appropriate. I definitely prefer this to Luc Bondy's humorless and snottily spare stage design in the Dohnanyi/Malfitano/Terfel video, which looks like someone set things up for Alban Berg's "Wozzeck" by mistake. And if you want realism, you have it in the deathly pale and bloody severed head that Salome cavorts with in the final scene. The Covent Garden Orchestra under Edward Downes plays quite well. But then, one has to work hard to mess up "Salome" (like making it tamer than it really is). When compared with other versions, however, the orchestra does not attack the "loud" sections with as much verve and flare as others, such as the Deutsche Oper Berlin in the Sinopoli/Malfitano/Estes video. On the other hand, the orchestra seems more at home in the more waltz-like sections. As the first "Salome" on DVD, this is a very welcome addition to my relatively small DVD collection. Ingenues to the opera should be sufficiently entertained, and there's enough orchestral flare and campy humor to please die-hard "Salome" fans (particularly stepdad Herod's requisite lechery and mama Herodias` Mrs Slocombe-like hairdo). Nevertheless, I still prefer the Sinopoli/Malfitano/Estes video overall. I can only hope that it will also be taken out of VHS limbo soon and placed on DVD.
14 of 15 people found the following review helpful:
4.0 out of 5 stars
salome with rough edges,
This review is from: Richard Strauss - Salome / Peter Hall · Edward Downes · Maria Ewing, · ROH Covent Garden (DVD)
The production concentrates on the opera as it was written, that is without glossing over the difficulties (for instance, it is nearly impossible to sing Salome's part without doing what Maria Ewing does - crying and shrieking at certain points is almost certainly what Strauss intended). And, while it is surely not on the cards that there will evr be a child soprano who can sing the part, Maria Ewing is at least credible as a petulant young woman who will literally stop at nothing to get her way.
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