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Richard Yates: A Novel Paperback – September 7, 2010

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Product Details

  • Paperback: 208 pages
  • Publisher: Melville House; First Edition edition (September 7, 2010)
  • Language: English
  • ISBN-10: 1935554158
  • ISBN-13: 978-1935554158
  • Product Dimensions: 7.5 x 5.5 x 0.6 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (32 customer reviews)
  • Amazon Best Sellers Rank: #412,376 in Books (See Top 100 in Books)

Editorial Reviews Review

Guest Reviewer: Bill Clegg

Bill Clegg, the author of Portrait of an Addict as a Young Man reviews Tao Lin’s new novel, Richard Yates.

Tao Lin’s second novel is called Richard Yates. The two main characters are named Dakota Fanning and Haley Joel Osment. Dakota Fanning. Haley Joel Osment. Richard Yates. Three names. To varying degrees and depending on when and in which circles they get mentioned, famous names. Richard Yates was a writer who achieved some fame, was basically forgotten and then, after his death, became appreciated again. Tao Lin used to use his own name and other not famous names for his protagonists and now he doesn’t. Or at least in this novel he didn’t. Haley Joel Osment is a more famous name than Tao Lin. There is much to suggest – in this book and most everywhere – that fame is a wanted thing. To be seen. To be recognized. To be witnessed. To be special. And now, because of the many portals available to access that status, being seen/witnessed/famous/special is achievable, to varying degrees, for everyone. Haley and Dakota meet through one of those portals online. They talk and text like most everyone. Like this. Like that. He said. She said. You get the idea. And so, the story: He’s 22. She’s 16. They text. They chat. They talk. Eventually, they meet. She binges, barfs, steals stuff, lies. He catches her. He tells her he cares. She promises to stop all the stuff he catches her doing. He reads a novel by Richard Yates. Doubt ensues. A gulf widens. Their future together looks less likely. A formal feeling follows. Everyone ends up a little sadder than before.

There’s a poem by Daniel Halpern called White Field that was written long before the internet happened. I kept thinking about it when I read Richard Yates. It’s about the end of a relationship, starting fresh and looking back at that time and that thing that is now over. That time and that thing are depicted as footprints in snow, filling with new snow, soon to disappear. There’s a line in the poem, near the middle, that reads, All day long you tell yourself how you feel. In Richard Yate, Haley and Dakota tell themselves how they feel. All day long. All night long. In chat rooms, in e-mails, in texts, on the phone. They hear each other for a little while and then hear themselves more. And so the novel, with its famous name characters and its once famous, now famous again name title, wants to be seen and paid attention to; and if you happen to look, you’ll see that it’s saying– shrewdly, brilliantly, in the numb meticulousness of a generation that posts photographs on-line of half-sucked cough drops, about-to-be-eaten meals, and pillows they are about to lay their heads on – that you do, too.

From Publishers Weekly

This slick yet affecting novel depicts the manically self-absorbed days and nights of "Dakota Fanning" and "Haley Joel Osment." That the two share names with famous child stars, and that the title references a celebrated novelist, indicates our specific moment in time, but otherwise this is not a book "about" either the actors or the author. Born in 1983, Lin (Shoplifting from American Apparel) portrays a generation unable to engage and left lost, lonely, and dangerously obsessive as a result. Gmail chat and text message appear in heavy rotation, as the young lovers become more and more incapable of anything beyond their melancholic fixation with each other. The prose is rhythmic and lean, but strangely captivating, ultimately serving to echo the lack of interest the characters seem to have in anything other than themselves. Following them proves disconcerting and exhausting, especially as nothing keeps happening. Lin's sensibility is hip and ironic, but also feels ominously clairvoyant. As the author himself has become something of an icon to the very generation he portrays, one gets the sense that the disaffected youth are in on something the rest of us can only read about; given how bleak that world appears, reading about it feels relentless enough.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

More About the Author

Tao Lin (b. 1983) is the author of 7 books of fiction & poetry. His 3rd novel TAIPEI was published by Vintage on June 4, 2013. His work has been published by New York Times, New York Times Book Review, Granta, Noon, Mississippi Review, New York Observer, Vice, Gawker, The Believer, Poetry Foundation. He has taught a graduate course on "The Contemporary Short Story" at Sarah Lawrence College. He edits the literary press Muumuu House & lives in Manhattan. (Photo by Noah Kalina.)

Customer Reviews

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See all 32 customer reviews
I'm not saying this is a bad book.
The characters are worse than hollow, worse than cardboard, I don't think there's a dimension bland enough to describe them.
Bjorn Reddy
I read Richard Yates in one day and felt nihilistic.
Johnny Truant

Most Helpful Customer Reviews

12 of 15 people found the following review helpful By Shannon on July 27, 2011
Format: Paperback Verified Purchase
I agree with the other reviewers that say this novel is high on style but low on substance, that it's affected. I like that it's slow-burning and constantly shifting, and the way my brain gets into a new grove of reading/hearing/seeing facts and short statements, so that my perception of the world is changed for a bit when I stop reading and go to make dinner, or whatever. Never mind its main characters are sort of terrible -- and not in a compelling way, just in a, oh, come on, sort of way.

But when I allowed my suspension of disbelief to snap, when I stopped trusting the author, it all came crumbling down, and I couldn't read more than a few sentences without rolling my eyes. It felt like listening to the kid in your freshman dorm who seemed so wise and fascinating, and then meeting him again three years later and thinking he's just full of it. The type who wears lamé American Apparel leggings and an artfully holey American Apparel tank top at 3 pm on a Wednesday in the Lower East Side. Just, no thanks.

To get a feel for the style of the writing, check out some of the other reviews here, especially the top ones. They're written in the same way as the book. Short sentences with simple structures that say facts. One after another. Maybe repeating words from the previous one, to really dig deep. Seems fresh at the beginning, and I liked doing the extra work that this style masterfully encourages, but after a while, it just grated on me.

Worth picking up to see what all the fuss is about, and I can't wait to see what Tao Lin does when his less-than-subtle style matures a bit. But for now, this isn't my favorite book. Even though I'm 25 and live in Brooklyn.
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1 of 1 people found the following review helpful By W. J. TAYLOR on November 19, 2013
Format: Paperback
This novel by Tao Lin will challenge the reader’s concept of art in much the same way that Andy Warhol did with this Campbell’s Soup can and his eight-hour movie of a man sleeping. Lin’s novel has insistent deadpan dialogue and a slew of emails just as insistently deadpan. A random—I swear—choice: “What’s going to happen”” said Haley Joel Osment. / “I don’t know. I can’t leave here. She won’t let me leave.”/ “Is she calling the police?” said Haley Joel Osment. / “No, I don’t think she will. I have to go. She’s here.” / “ I don’t know what to say,” said Haley Joel Osment. . . . And that was one of the more exciting exchanges. Just as Warhol argued that the act of freezing something completely realistic into an artifact de facto turns it into art, Lin must believe that freezing banal conversations between a sixteen year old girl and a twenty-three year old young author too constitutes art. And I’m not arguing the fact.
Moreover, I believe his two—three if you count the mother—all change in this novel. For the worse, unfortunately for each. The two younger characters seem involved in a folie a deux much akin to the characters in Angela Carter’s lovely but depressing novel LOVE. I’m not a stickler who claims that there must be at least one likeable character in every novel. Nope. Not at all. My overall reaction to this short novel (206 pages) is that it was painful to read. Painful in a good way in that the wandering exchanges were so angst-filled and young; painful in a bad way in that there seemed to be little or no arc in the novel’s plot—which is nearly non-existent, other than the changes that the characters undergo ever so slowly.
One last criticism, and this isn’t of the novel, but of a review I read of it: I’m loathe to identify Haley Joel Osment with Tao Lin.
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Format: Paperback Verified Purchase
Now when first beginning this book, I thought with an eager, albeit naive sense of hope that it would turn out to be some genius (perhaps dadaist) piece of insurgent avant garde literature. However, I was gravely mistaken, and to reiterate- extraordinarily naive in having such hope.

I will say one nice thing about this book. It was quick to the point in proving that it is utter s***.

As an artist who primarily paints, but founded his passion of expression in poetry and literature, I like to give all aspiring voices a chance- and consider myself a well understanding reader. Still, as I tried desperately to find any shred to cling to that could make this (I almost dare not even call it a book) appear to have any legitimacy- I simply could not.

I was given to bouts of pulling my hair and laughing with maniacal rage as it progressed and remained the same droll superficial style. I should have given up immediately upon seeing that the main characters were so "cleverly" named after celebrities that I couldn't even give two s***s about in what movies they've starred in. That Amazon's own review impotently attempts to give depth to this cheap device of name dropping just shows how obvious it is that this book would need expertise pitchman skills to convince one to read it.

I will say this one positive bit as well. If a books got by on cover art alone, I'd say this cover photo would be a prime example of how to market. That is to say, I like the cover photo. I may tear it off, cut off all evidence of it being linked to Tao Lin and pin it on my wall before tossing the bulk of this unfortunate publication in the trash.
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