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The Civil War of battlefields and plantation houses is nowhere to be seen here. Instead we see the war as an improvised and largely blundering but very bloody feud among neighbors in the border state of Missouri. In this bucolic war zone--more than a little reminiscent of the Balkans in the late 1990s--the Taiwanese-born director Ang Lee (Sense and Sensibility) traces the destinies of several young Southern bushwhackers (guerrilla fighters) as they experience violence, the seasons, and different kinds of love. Skeet Ulrich draws the aristocratic glamour role (and top billing), but he's overshadowed by Tobey Maguire as a first-generation American, the magnificent Jeffrey Wright (a shameful oversight at Oscar time) as a freed slave fighting beside his former master, and singer Jewel in a very natural acting debut as the young widow who graces all their lives. The title The Birth of a Nation was already taken, but by the end of this movie you feel it would have applied here. -- Richard T. Jameson
Set on the Missouri/Kansas border during the American Civil War, the movie faithfully recreates the story told by Daniel Woodrell in his wonderful novel, Woe To Live On. The book is worth reading for the dialogue alone and the movie is worth watching simply for James Schamus' magnificent screenplay: But there is much move to love about this movie.
The tapestry upon which the story of Ride With The Devil is painted is a violent one but, apart from some very graphic scenes, is more about human nature than anything else. Indeed, the depth of the violence only adds to the poignancy of the surprisingly frequent gentle scenes that occur in the movie. Tobey Macguire is perfect in the lead role, Jewel gives a surprisingly intuitive performance, and Jefrey Wright almost steals the show with his low-key, but passionate performance as a freed slave riding with a gang of white bushwhackers. Jonathan Rhys-Meyers, Macguire's nemesis, has a small part but is death himself. (His final confrontation with Macguire is brief and chilling --- and encapsulates the entire sense and sensibility of the movie.)
Sadly, this movie will probably go unnoticed by the general public since it seems to have had a limited release in the US and gone almost immediately from the theater to the rental market. Hopefully word-of-mouth will build interest in this truly remarkable American classic. Watch it --- but read the book too.