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Product Details
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What makes Joy Ride scary is its believability, this kind of thing can actually happen, probably not to the extreme as portrayed in the film, but people do play jokes on each other constantly, and some do get carried away. Composed of a relatively young cast, Steve Zahn (Fuller Thomas,) Paul Walker (Lewis Thomas) and Leelee Sobieski (Venna) did a good job keeping the audiences attention glued to the screen, the pacing was actually well done because there was not a dull moment on this road trip. Unfortunately, with this genre there is usually little character development, which is true for Joy Ride, but it isn't necessarily a bad thing here.
Joy Ride was an entertaining and short movie that doesn't take itself too seriously, the direction was tight and the script was decent, it's a great film for adults and teenager alike. Just remember, it's all fun and games until someone gets hurt, and do unto others as you would have them done to you.
THE PLOT: The film's instantly likeable hero, Lewis, played by Paul Walker (The Fast and The Furious) a scholarship student at Berkeley, buys a battered 1971 car so he can pick up Venna (Leelee Sobieski), who he has a major crush for, from the University of Colorado and drive her to the East Coast for summer vacation. However, on the way he unexpectedly has to pick up his irresponsible older brother Fuller (the always excellent Steve Zahn) who's in a Salt Lake City jail on a drunk-and-disorderly charge. During the journey Fuller buys a cheap CB radio and involves Lewis in an unpleasant practical joke at the expense of a truck driver with the CB handle 'Rusty Nail' but they find themselves in fear for their lives when old Rusty turns out to be a psychopath who takes a violent dislike to them. From then on, they themselves become the objects of the unseen Rusty Nail's revenge. After several hair-raising encounters, they resolve not to tell Venna of their adventures when they pick her up at the clean, well-lit Colorado campus.
It would be easy to criticise Joy Ride (known as Road kill in the UK). Its premise is hardly original and its reliance on a CB radio as a plot device harks back to the seventies, rather than the present day when everybody (except in this movie) has a cell phone.
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