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The Rider on the White Horse (New York Review Books Classics) Paperback – January 27, 2009


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The Rider on the White Horse (New York Review Books Classics) + Rock Crystal (New York Review Books Classics) + The Golden Pot and Other Tales: A New Translation by Ritchie Robertson (Oxford World's Classics)
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Product Details

  • Series: New York Review Books Classics
  • Paperback: 288 pages
  • Publisher: NYRB Classics (January 27, 2009)
  • Language: English
  • ISBN-10: 1590173015
  • ISBN-13: 978-1590173015
  • Product Dimensions: 7.9 x 5 x 0.9 inches
  • Shipping Weight: 9.9 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #613,436 in Books (See Top 100 in Books)

Editorial Reviews

From The New Yorker

The novella was a form beloved of nineteenth-century Germans, who favored the spooky variety. This, from 1888, is one of the greats. Hauke Haien, a young Frisian man, builds a new dike for his town, to shield it from the furies of the North Sea. The townspeople are against him; in the end, so is God, or nature. Like other novellas, “The Rider” is short on psychology but long on atmosphere; no one has ever described storms like Storm. (Hauke on his white horse, gazing at the sea: “Where was the other shore? He stood there face to face with sheer mountains of water.”) Hauke is defeated. Yet in the dark and stormy night outside the inn where this tale is told around the hearth, a ghost rider gallops past on a ghostly white horse. Storm is neglected. This republication of Wright’s gorgeous translation, with a selection of Storm’s other stories, should correct that.
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About the Author

Theodor Storm (1817–1888) was born in Husun, a town on the North Sea in the region of Schleswig, a German-speaking area that was then under Danish rule but is now part of Germany. His mother came from a rich family, and his father, whose people had been farmers and milliners, was a lawyer. Husun was notorious for its violent weather, and a sea storm devastated the town when Storm was a boy, an experience that would leave a deep mark on his writing. On completing his studies, Storm settled down as a lawyer in Husun (which he famously called “the gray town by the sea”), though his opposition to Danish rule led to an extended period of exile during which he wrote his celebrated story “Immensee” and made his name as a poet (often writing in response to the romantic complications of his personal life) and as the author of short fiction. In the 1864 Treaty of Vienna, which brought an end to the Prusso-Danish wars, Schleswig was ceded to Prussia, and Storm returned home where he served as a judge until his retirement in 1881. Suffering from stomach cancer, he completed his masterpiece, “The Rider on the White Horse,” in 1884 and died four months later. Storm refused religious rites, and by his request his funeral was conducted in silence.

James Wright (1927–1980) was born in Martins Ferry, Ohio, the son of a factory worker. After graduating from high school in 1946, he was stationed with the United States Army in occupied Japan. He attended Kenyon College on the G.I. Bill, then traveled as a Fulbright fellow to Austria, where he studied the work Theodor Storm and Georg Trakl at the University of Vienna. In 1957, Wright’s first book of poems, The Green Wall, was chosen by W.H. Auden for the Yale Younger Poets Series. Wright was elected a fellow of the Academy of American Poets in 1971 and in 1972 he received the Pulitzer Prize for poetry for his Collected Poems.

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26 of 26 people found the following review helpful By Giordano Bruno on May 17, 2009
Format: Paperback Verified Purchase
If you've managed to pass several semesters of college German, you've almost certainly encountered Theodor Storm (1817-1888) in the original. He's as venerated a classic of German literature as Maupassant of French or Turgenev of Russian, and like those two masters, his finest works were 'novellas' -- long short stories with certain formal structural elements. Storm was extremely well-known to American and English readers in the 19th Century, but his fame has faded during the 20th. This translation of eight of his fifty-plus stories, including his acknowledged masterpiece "Der Schimmelreiter - The Rider on the White Horse", by the American poet James Wright, makes a convincing case that Storm's work is still worth reading.

Like Goethe, Storm spent much of his energy in public life. He was a jurist by training. As a young 'nationalist' on behalf of the German-speaking population of Danish-governed Schleswig, Storm was vociferous enough to get exiled to Prussia, and then to a mountain village in Thuringia, where he worked as a judge and wrote many of his novellas. In 1864, Prussia seized control of Schleswig and Storm hurried home to be acclaimed as "Landsvogt" in his native region, an administrative position responsible for civil order and justice. Eventually, despite personal tragedies, he rose to the position of Chief Justice of the Court of Appeals.

No one ever wrote love stories more redolent of spring blossoms and sunshine than Theodor Storm. His prose in such tales is as mellow as vintage Riesling. For a man with feet planted stoutly in the running of life in the present, Storm had a musician's ear for the language of nostalgia. The closest comparison in American literature might be to Washington Irving or Nathaniel Hawthorne, without the nagging Puritan guilt.
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