This collection of wonderfully evocative black-and-white photographs is a love song to jazz and to the musicians whose live performances were captured mid-note during 40 years of beautiful music. Photographer and amateur drummer Ron Hudson was already a devout fan of the Monterey Jazz Festival when he started shooting pictures backstage in 1973, and his images document historic Monterey performances as well as jazz singers, horn players, pianists, drummers and other music-makers, in concert at festivals and clubs from Honolulu to Port Townsend to Atlanta to Montreux. Hudson s work is introduced in an enthusiastic foreword by Dr. Herb Wong, esteemed jazz historian and producer. What makes Hudson s book special is his sensitivity to the artists and the music, reflected by the haunting cover shot of the late Milt Jackson, poised over his vibes in a moment that seems to define rapture. What makes it personal is Hudson s brief remembrances about what was happening in the photos when he took them. What makes it admirable is Hudson s mastery of a technical challenge: black-and-white images shot at night against dark backdrops, using manual equipment and available light. He often adds technical notes about how he did it. He processed his thousands of rolls of film himself, chose the winners, printed and framed them, and often gave the artists a copy. Then there are the late jazz artists who live on in Hudson s unique images: Miles Davis dressed in velvet with an angry glance masked by sunglasses in Honolulu, where that look is called stink-eye; resplendently gowned Carmen McRae at Monterey holding a breathless audience of 6,000 in her hand along with the mike; sax-playing Dexter Gordon sporting a button that identifies him as an Artist at 1978 Monterey, as if anyone didn t know. The newer wave of jazz artists who caught Hudson s eyes and ears, are in turn captured in their motions and emotions, such as singer Nnenna Freelon, whose fervor is barely contained in a frame, and saxophonist Joshua Redman, hopping from one foot to another with too much music in him just to stand there on two feet. The bands play on, and times change. Hudson has added a digital camera to his bag, and jazz is again attracting budding stars from the ranks of high-school bands, like those in Seattle which Hudson supports, and others who step up to the stage and excel. Jazz fans everywhere, celebrate. You ll love this book, and it will bring you right down front, (where the photographers work), even if you can t quite hear the music.
