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As a prelude to a systematic treatment of singularism and multiplism in human practices, let us first consider the case of the interpretation of musical scores as classically construed.
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Van Gogh, New York, Karl Popper, Joseph Margolis, Michael Krausz, Beethoven's First Symphony, Richard Rorty, Tago Athieno, Charles Taylor, Cleanth Brooks, Clifford Geertz, David Novitz, Leopold Stokowski, Nicholas Wolterstorff, Notre Dame University Press, Riccardo Muti, Alexander Nehamas, Clarendon Press, Donald Davidson, The Constructionist Theory of History, Basil Blackwell, Critical Inquiry, Hilary Putnam, Ian Jarvie, Monroe Beardsley
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