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39 of 40 people found the following review helpful:
5.0 out of 5 stars
Added Substance to the Well-Known Plot, July 19, 2004
This review is from: Ring (Ring Series, Book 1) (Paperback)
Being a big fan of both "Ringu" and its American remake "The Ring," I was intrigued to read the book that started it all. As one might suspect, much of the plot will be very similar to those who have seen one or both of the films. However, the book does hold a few of it's own surprises. Asakawa is a reporter who unintentionally comes across a story while taking a cab home from work. The cabdriver is explaining how a young man died on the street one day right next to his car. The day and time he notes that the event took place is the same day and time that Asakawa's niece died. Both deaths were described as sudden heart failure. Odd coincidence? Further digging reveals that two other young adults died the same night, at approximately the same time, from the same strange unknown cause. Asakawa's investigation leads him to a resort in the woods, where he discovers and watches the infamous mysterious videotape with the odd, surreal images. Asakawa enlists the aid of his friend Ryuji, a philosophy professor, to help him solve the riddle and save his life. Together they are in a race against time to survive an ill fate. The two gradually peel away layers of a distant past, and a child named Sadako who was known to have psychic powers. What is Sadako's wish? What is the ultimate purpose of her tape? Will Ryuji and Asakawa discover the truth in time to save themselves? Some of the differences between the book and the movies are small, such as the fact that the main character in both films was female while the reporter and main character in the book is a male. In addition, the age difference between the reporter's child in both films was slightly older than the child in the book. However, there are some major differences as well. I loved the differences in the plot surrounding Sadako and her mother, as well as the video Sadako mentally produced. The process of discovery varies immensely as well in the book, and for the better in my opinion. The book did a wonderful job of keeping the tension level high as Ryuji and Asakawa painstakingly researched every tidbit of information they could ascertain from the videotape. Every aspect every step of the way is described with great detail and in a way that is easily understood by the reader. The author never asks the reader to take any great logical leaps. Yet another big difference is the way that the deaths of Sadako's victims are described. Clearly the directors of both versions of the film took a great deal of artistic liberty in this area, which is what was needed in order to make this book into a scarier film. Don't get me wrong, the story is still quite intense and even scary. However, it is quite different in the form of text. Suzuki focuses on the thrills and the detective-like inquiry rather than the in-your-face horror and vividly gory description that might have detracted from the plot. Furthermore, the bond between Ryuji and Asakawa and their clashing personalities are expertly described and make for an intriguing side-plot. Overall this is a great book that any fan of the movies, or even horror or suspense in general, should definitely read. Koji Suzuki gives the reader a slightly different and highly unique spin on the well-known films that should not be over-looked. I most definitely look forward to reading "Spiral" and "Loop" next!
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21 of 22 people found the following review helpful:
5.0 out of 5 stars
Whoa..., June 17, 2004
This review is from: Ring (Ring Series, Book 1) (Paperback)
Koji Suzuki, Ring (Vertical, 1991) So you've seen The Ring. Or, better yet, the Japanese film Ringu. Or both. (You should watch both. See Ringu first.) Or you haven't. It doesn't matter. You must read Ring. The story is relatively similar, but both Nakata and Verbinski took very large liberties with the original text (for example, both made Asakawa's character female-- which allowed the world to get weak-kneed at seeing Nanako Matsushima and Naomi Watts gracing screens again, but was otherwise seemingly gratuitous), including some major messing with the backstory. So if you've seen the films, the book will be familiar, but will still end up being a whole new experience. Asakawa is a reporter. He was disgraced a couple of years ago during a sudden, unexplained outburst of popularity of stories about the occult in Japan (though you don't find out exactly how early on). One night, on the way home, he catches a cab, and he and the driver strike up a conversation about an event that happened a month previously to the cabdriver: a kid on a motorbike died of sudden heart failure. The death is eerily similar to that of Asakawa's niece on the same night. And from that coincidence, Asakawa starts to research the connection between the two deaths, which turns out to be far more than he bargained for. What made for a creepily effective thriller on screen actually reads more like a hardboiled detective thriller (those familiar with the premise will note the obvious similarity to certain crime films of the past, notably D. O. A.). Suzuki keeps the horrors even farther offscreen than did Nakata (and the difference in the "revelation" at the end will surely startle those who are expecting the same kind of special-effects extravaganza Nakata used as a payoff), focusing on the mystery and the bond between Asakawa and his best friend, Ryuji, who gets involved in the investigation with him. The book's flaws are minor, and conducive to mystery writing. Asakawa's edtor is a dead ringer for Tony Vincenzo (the editor in "Kolchak: The Night Stalker"), and a few of the other minor characters are about as shallow. Still, there are less obvious "kill me" characters running around, and the minor characters aren't really given enough screen time to make it an issue. Compelling, well-written, expertly translated, and full of twists, even for those who have seen the movie. Highly recommended, and a shoo-in for this year's ten-best list. **** ½
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15 of 15 people found the following review helpful:
4.0 out of 5 stars
First you see the Ring..., April 29, 2005
This review is from: Ring (Ring Series, Book 1) (Paperback)
Koji Suzuki could easily be considered the Stephen King of Japanese horror, with several movies (and remakes) of his bestseller novels -- particularly "Ring." Yes, that one. The one where you die in a week after seeing the cursed tape. While not quite the same as either film, Suzuki's original novel is a quiet, understated horror classic. Four teenagers watch a seemingly cursed videotape, which will kill them in one week's time. Seven days later, all four die of heart attacks, including one young man simply keeling off his motorcycle. The uncle of one girl, Kazuyuki Asakawa, also finds the videotape and watches it. Now he has seven days to figure out the mysterious instructions, which happen to be missing. If he doesn't, he's dead. Accompanied by a less-than-pristine professor, Ryuji Takayama, Asakawa goes in search of what is going on -- he suspects a virus that causes a heart attack. As he goes hunting through the woods for the secret to the videotape, he discovers a legacy of death and terror, left behind by the malevolent Sadako Yamamura. Asakawa's time is running out -- how can he unravel the mystery of the Ring? Don't expect a carbon copy of the "Ring" movies: No TV apparitions, the lead is a man, and despite her beautiful female appearance, Sadako is a hermaphrodite. However, the "Ring" book is far more horrifying, solidifying Suzuki's position as a classic horror writer. It's impossible not to shiver when you look at the TV, after seeing this. Suzuki's skill is in calmly, coolly describing horrific events in simple words. It packs a more visceral punch than if he just had floods of blood and gore in detail. The scene where Takayama sees the curse working on his own body is enough to make your skin crawl. And as good horror writers do, he creates a horrific plot based on something everyday. It's so easy to set off the curse, and that is what is so terrifying. As Suzuki often does, he doesn't make his characters all sympathetic and noble. Asakawa is a cynical, rather self-absorbed man -- although this is what the plot hinges on -- and Takayama is a nihilistic rapist. It weakens the book slightly to not care much about either. Though in a way, the book is more about the "curse" -- which is more a virus -- and about Sadako than either of these men. Perhaps that's a part of Suzuki's subtle cultural critiques in here, as well as Japanese supernatural beliefs -- nensha, for example, which is how Sadako created the lethal tape -- and the male and female roles in society. Finally he takes a hard look at this question: Should you allow your loved ones and yourself to die, or risk contaminating the world with the lethal videotape? There's an almost apocalyptic note to the finale of "Ring," although it resulted in two more books. And Suzuki's original, deeply creepy novel is a must-read.
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