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Risen Sons: Flannery O'Connor's Vision of History
 
 
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Risen Sons: Flannery O'Connor's Vision of History [Hardcover]

John F. Desmond (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

August 1, 1987
Though stressing that Flannery O'Connor was first and foremost a writer of fiction, John Desmond maintains in Risen Sons that her orthodox Catholic theology stands at the center of her vision, providing the metaphysical base from which the fiction evolved. Given this religious context, Desmond contends that O'Connor's stated view of fiction-writing as an "incarnational act" suggests a direct connection between the practice of fiction-writing and the Incarnation of Christ--the pivotal historic event which her fiction seeks to imitate and through which her vision is revealed.

O'Connor's attempts to create images that would connect the Incarnation with fictional incarnation, Mystery with mystery, were not immediately realized in her early works. It was only with Wise Blood that she came to recognize Christian historical vision as her particular fictional subject and the analogical method as the appropriate fictional strategy. This discovery made possible the convergence of her metaphysics, historical vision, and artistic technique, providing the thematic and structural basis for the quality of "unique wholeness" that distinguishes all her works.

Desmond suggests that O'Connor achieved the fullest development of her analogical vision and most complete identification of thought and technique in her novel The Violent Bear It Away. Her dramatic rendering of the route Tarwater takes before he can comprehend the transcendent, mysterious source of personality and the meaning of personhood in history parallels the actions of Christ, embodying O'Connor's complex and dramatic vision of the mind's engagement with history in all its ultimate extensions of meaning.


Editorial Reviews

Review

"Desmond sets O'Connor's thought and work in the broad context of cultural and intellectual history. . . Combining clarity with sophistication and subtlety, this book is a rare example of wide knowledge that gives credibility to interdisciplinary work. This excellent work of scholarship is a mature book designed for mature audiences."--Choice

About the Author

John F. Desmond is Mary A. Denny Professor of English at Whitman College in Walla Walla, Washington. He is the author of Risen Sons, Walker Percy's Search for Community (both Georgia), and At the Crossroads.

Product Details

  • Hardcover: 144 pages
  • Publisher: University of Georgia Press (August 1, 1987)
  • Language: English
  • ISBN-10: 0820309451
  • ISBN-13: 978-0820309453
  • Product Dimensions: 8.9 x 6.2 x 0.8 inches
  • Shipping Weight: 0.8 ounces
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,954,935 in Books (See Top 100 in Books)

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1 of 1 people found the following review helpful:
5.0 out of 5 stars Examines the metaphysical basis of O'Connor's art and explores how her "vision of history" relates to her creative practice..., July 19, 2008
This review is from: Risen Sons: Flannery O'Connor's Vision of History (Hardcover)
Desmond explores how O'Connor's "vision of history" relates to her creative practice as a literary artist. Argues that the crucial questions "about her vision of history, about the relationship between past and present, about her artistic practice -- ultimately lead back to the metaphysical foundation: her radical sense of the order of reality."

Disputes assertions by critics that her "sense of the order of reality is fundamentally Manichean." Contends instead, that her "metaphysics, historical vision, and artistic technique all derive specifically from her belief in Christ's Incarnation and Redemption of human history." Regards the impact of this belief to be so strong as to make her artistic and historical vision "inseparable within the creative act."

Examines the metaphysical basis of O'Connor's art and considers her growth in sophistication and technique as a writer for the purpose of determining whether it is connected to her own theological development, thinking, and vision. Explores this issue "to emphasize the dynamic of her growth against the habit [by many critics] of seeing her thought and art in a totally monolithic way."

R. Neil Scott / Middle Tennessee State University
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