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Author Michael Crichton and director Philip Kaufman had a falling-out over the script for this film, based on Crichton's best-selling novel (which was controversial for its take on the Japanese invasion of American business in the early '90s). Kaufman ultimately won, doing an above-average job creating a murder mystery based on the culture clash between Los Angeles cops and Japanese multinational business interests. When a prostitute is murdered at the opening of a new L.A. headquarters for a Japanese company, detective Wesley Snipes is forced to call upon retired cop (and Japanophile) Sean Connery to help solve the murder. But he runs into obstruction from the Japanese, as well as a high-tech cover-up, while having to deal with anti-Japanese sentiments from people on his own team. Intriguing if overlong.
--Marshall Fine
Philip Kaufman's witty, luxuriantly sinister mystery thriller is set in contemporary Los Angeles: a sleek, corporate environment that isn't merely shady and deceitful, but fundamentally inauthentic, like virtual reality. The murder of a blond party girl in the boardroom of a powerful Japanese corporation exposes a dense network of connections-among business enterprises (Japanese and American), politicians, the police, and the press. The L.A.P.D. detectives investigating the case-Connor (Sean Connery), a Japan expert, and Smith (Wesley Snipes), his young partner-don't stand heroically apart from this alluring corporate culture; they're ambiguous heroes in a looking-glass world. Connery and Snipes are both wonderful here. Kaufman treats cop-movie narrative conventions and film-noir visual style with a kind of affectionate irony; the picture provides plenty of creepy atmosphere and violent action, and its pace is relentless, but the over-all mood is playful, almost giddy. This detective story is a thrilling and eerily suggestive tour of a territory whose boundaries are maddeningly elusive, murderously fluid. The terrific supporting cast includes Harvey Keitel, Cary-Hiroyuki Tagawa, Tia Carrere, Ray Wise, Kevin Anderson, and Mako. Cinematography by Michael Chapman; music by the great Toru Takemitsu. Based on the novel by Michael Crichton. -Terrence Rafferty
Copyright © 2006
The New Yorker