From Publishers Weekly
This compelling volume is the first in a new series of three graphic novellas that build on the successful 1930s-era Road to Perdition graphic novel and film. Together, they chronicle a six-month period unexplored in the original story. Once again, the protagonist is Michael O'Sullivan, a hit man in John Looney's Irish mob. When O'Sullivan's son and namesake, Michael, witnesses his father's on-the-job activities, Looney's son responds by slaughtering O'Sullivan's family (save for O'Sullivan and his son). O'Sullivan swears revenge, and he and young Michael set off on a cross-country journey, robbing banks of their mob "blood money" and pitting them against the forces of the Looney mob and those of Al Capone. Their journey to Perdition, where young Michael's aunt and uncle live, is fraught with tragedy, violence and death. Veteran author Collins has returned to graphic novels to continue this tale, and he's clearly comfortable with this material and era. In this volume, readers learn how the O'Sullivans rob banks and how their time together allows them to grow closer. Their bank jobs are hindered when young Michael gets scarlet fever and O'Sullivan must avoid the mob hit men and find someplace for his son to recover. Will Michael's illness slow them down enough to allow their pursuers to stop them both permanently? Although Garcia-Lopez and Rubinstein's highly detailed b&w art isn't as meticulous as that of original series artist Richard Piers Rayner's, it still has a realistic cinematic style and winning characterizations.
Copyright 2003 Reed Business Information, Inc.
--This text refers to an alternate
Paperback
edition.
With
Detour, Collins completes a graphic trilogy that expands upon
The Road to Perdition (1998), the basis of the hit movie. Hitman Michael O'Sullivan, the "Angel of Death," continues putting the squeeze on the Capone gang by robbing banks across the Midwest in which it has stashed its loot. The heists are designed to force the Capones to turn over mad-dog killer Connor Looney, who brutally murdered O'Sullivan's wife and younger son, and who is out to kill O'Sullivan and his older boy, the narrator of the film and this story. Fast-paced action leads to a suspenseful confrontation in Kansas City's red-light district between O'Sullivan and the pair of bounty hunters Capone's right-hand man Frank Nitti has dispatched to eliminate the O'Sullivans. As best demonstrated in his prose-only PI series featuring Nate Heller, Collins is a past master of period crime stories, and if superhero mainstay artist Jose Luis Garcia-Lopez isn't nearly as successful with the Depression-era setting as director Sam Mendes was in the
Perdition movie, at least he conveys the story clearly.
Gordon FlaggCopyright © American Library Association. All rights reserved