Amazon.com Review
What is it about the inhospitable corners of the world that so attracts the imagination? Scott in the Antarctic, Hillary on top of Everest, and a multitude of wanderers--from Wilfred Thesiger and T. E. Lawrence to Gertrude Bell--wandering through the vast, empty sands of "the empty quarter" in what is now Saudi Arabia; each of these explorers has been drawn to places most of us would never think of going and found there an unexpected window onto their own souls. In
The Road to Ubar, filmmaker Nicholas Clapp follows in the footsteps of earlier visitors to the Arabian peninsula as he seeks the legendary city of Ubar. Going back at least two millennia, stories about a vast city filled with gold that disappeared almost in an instant haunt the literature and lore of Arabia. And for almost as long as the stories have been around, so have the rogues and dreamers who have tried to find it. His interest sparked by the accounts of earlier travelers in the region such as Thesiger and Bertram Thomas, Clapp decided to put together his own team in hopes of finding and filming the lost city.
Using both modern tools (photographs taken from space, courtesy of NASA) as well as old ones (maps, descriptions, and written accounts), Clapp and his team slowly pieced together the clues until they arrived, at last, at the site where they would spend the next four years digging. How they got to the end of The Road to Ubar and what they found there is at the heart of this unusual travel memoir.
From Publishers Weekly
For centuries, the city of Ubar was the object of legend, quests and uncertainty. An ancient trading outpost in Arabia, it had, according to the Koran, sunk into the desert sands as a result of God's wrath upon its sinful population. In the 1980s, Clapp, a documentary filmmaker, undertook to find the city. After exhaustive research that took him from ancient texts to satellite photos, he eventually led an expedition that finally located Ubar in what is now Oman. Clapp first learned of the then-chimerical city in the early 1980s, when working on a film about the oryx (a tough and graceful desert antelope). His interest was piqued further as he read of 19th-century British expeditions, which he synopsizes along with other relevant tales. Like Indiana Jones, Clapp is as comfortable in the library as in reconnaissance helicopters or on the sands, and his efforts to separate myth from possible reality make for a gripping intellectual adventure. Clapp's team, including his wife and expedition manager, Kay, and a host affable experts, weren't sure what they'd found in a giant sinkhole until they spent weeks digging and putting pieces of pottery together with knowledge of the ancient trade in frankincense. What they found was not only Ubar but also a fitting resolution to Clapp's engaging story of the excitement of discovery, of a mystery solved and of the spirit of adventure.
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