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Roadkill on the Three-Chord Highway: Art and Trash in American Popular Music
 
 
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Roadkill on the Three-Chord Highway: Art and Trash in American Popular Music [Paperback]

Colin Escott (Author)

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Book Description

July 28, 2002
It's the real stories, not the publicists' confections, that concern Colin Escott. We hear Perry Como's story in his own words: it wasn't all smooth. We learn about the astonishing twists and turns in Roy Orbison's life, and the stories behind the songs we know so well. And we go down with Vernon Oxford, the last great honky tonk singer, who came to Nashville just a little too late. These are stories for anyone who loves what Escott calls "little songs from great sorrows." They will fascinate even the most casual fan of popular music, and they're told here in sympathetic, engaging, and illuminating prose.

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Editorial Reviews

From Library Journal

Rockabilly expert Escott (e.g., Hank Williams: The Biography) here promises to look at the "forgotten ones" of early rock'n'roll. He is most effective when chronicling the modest successes and crushing tribulations of rockabilly journeymen such as Sonny Burgess, Wanda Jackson, the Collins Kids, and Onie Wheeler and such country singers as Wynn Stewart and Vernon Oxford. But while the 14 profiles are uniformly well written and informative, a few of them seem forced and out of place in a book about early hit makers who quickly faded from public view. Fifties crooner and television personality Perry Como, pop singer Patti Page, rock icon Roy Orbison, and country legend Jim Reeves hardly seem to qualify as "roadkill on the three-chord highway" of rock'n'roll dreams. Despite his lack of focus, the author provides some interesting glimpses into the lives of musicians who helped form country music and rock'n'roll nearly 50 years ago. Recommended for music fans who want to expand their knowledge of rockabilly and country. Dave Szatmary, Univ. of Washington Lib., Seattle
Copyright 2002 Cahners Business Information, Inc.

About the Author

Colin Escott lives outside of Nashville, TN. He is the author of Tattooed on Their Tongues: Journeys through the Backrooms of American Music and Hank Williams: The Biography, and coauthor of Hank Williams: Snapshots from the Lost Highway, and Good Rockin' Tonight: The Sun Records Story. He has annotated over 500 recordings, and has won numerous awards for his writing, including a Grammy for historic documentation and an Lifetime Achievement Award from the ARSC (Association for Recorded Sound Collections), a nonprofit group dedicated to preserving the history of recorded sound.

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More About the Author

Colin Escott (b. 1949), the foremost authority on Sun Records, first wrote the company's history in 1975 and has revised and expanded it several times since. He has published several other volumes on the early days of country music, including a biography of Hank Williams and The Grand Ole Opry: The Making of an American Icon. He won a Grammy for his work on Mercury Records' The Complete Hank Williams, and in 2010 received a Tony nomination for Million Dollar Quartet, a Broadway musical about the legendary one-night jam session of Elvis Presley, Johnny Cash, Carl Perkins, and Jerry Lee Lewis, scheduled to open in London in February 2011. In 2010, he was nominated for a Grammy for producing Hank Williams: The Complete Mother's Best Recordings.

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Inside This Book (learn more)
First Sentence:
F. Scott Fitzgerald surely couldn't have written "There are no second acts in American lives" if he'd witnessed Roy Orbison's astonishing rebirth. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Roy Orbison, Jim Reeves, Sam Phillips, Ken Nelson, New York, Patti Page, Collins Kids, Courtesy Colin Escott, Perry Como, Wynn Stewart, Chet Atkins, Los Angeles, Fred Foster, Wesley Rose, Bob Neal, Don Law, Teen Kings, Courtesy Bear Family Archive, Fabor Robison, United States, West Coast, Ralph Mooney, Town Hall Party, Buck Owens, Elvis Presley
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