Rob Roy (Oxford World's Classics) [Paperback]

Walter Scott (Author), Ian Duncan (Editor)

Book Description

Publication Date: November 19, 1998 | Series: Oxford World's Classics

By turns thrilling and comic, Rob Roy contains Scott's most sophisticated treatment of the Scottish Highlands as an imaginary space where the modern and the primitive come together. Newly edited from the `Magnum Opus' text of 1830, this edition includes full explanatory notes and a critical introduction exploring the originality and complexity of Scott's achievement.

Editorial Reviews

Amazon.com Review

This novel, first published in 1817, achieved a huge success and helped establish the historical novel as a literary form. In rich prose and vivid description, Rob Roy follows the adventures of a businessman's son, Frank Osbaldistone, who is sent to Scotland and finds himself drawn to the powerful, enigmatic figure of Rob Roy MacGregor, the romantic outlaw who fights for justice and dignity for the Scots. This is an incomparable portrait of the haunted Highlands and Scotland's glorious past. --This text refers to an out of print or unavailable edition of this title.

Review

When I think of Rob Roy I am impatient with all other novels. -- Robert Louis Stevenson --This text refers to an alternate Paperback edition.

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Product Details

• Paperback: 560 pages
• Publisher: Oxford University Press, USA (November 19, 1998)
• Language: English
• ISBN-10: 0192817639
• ISBN-13: 978-0192817631
• Product Dimensions: 7.6 x 5 x 1.1 inches
• Shipping Weight: 13.4 ounces
• Average Customer Review: 4.2 out of 5 stars  See all reviews (28 customer reviews)
• Amazon Best Sellers Rank: #1,304,132 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

18 of 18 people found the following review helpful:

5.0 out of 5 stars A Classic Tale of High Adventure!, March 15, 2000

By 

Zack Davisson "japanreviewed" (Seattle, WA, USA) - See all my reviews
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This review is from: Rob Roy (Mass Market Paperback)

This is a great Scottish novel, with all of the lovely scenery and steadfast heroes desired in this type of book. Even a bit of the Gaelic! I love the tragic character of Helen McGregor, and the classic brutal honor of Robert Roy.

The scottish scenary is a vital character. I read this book when I was living in Glasgow, and the descriptions of the city's early days were amazing. I also fell in love with Loch Lomand.

Modern readers be warned! This book was written in 1817, when attention spans were longer. The pace is slow, and the story takes awhile to unfold.

I was riveted by this book and I highly recommend it

15 of 15 people found the following review helpful:

4.0 out of 5 stars Quaint Story of a Bohemian and his Guardian Angel, July 9, 2002

By 

Eric Franklin (Seattle, WA) - See all my reviews

This review is from: Rob Roy (Oxford World's Classics) (Paperback)

Francis Osbaldistone forgoes a position in his father's firm to pursue an existence closer to his own ideals, travel and adventure. In order to even maintain a sufficent income from his father, however, he is sent on an errand to visit relatives in Northern England, and there to locate a replacement for himself in his father's firm from amongst his cousins. Due to a mishap on the road there, however, Francis is cast into a difficult legal situation and quickly learns that there are political and passionate motives behind his being unjustly accused.

This book really reads almost as if it it two different novels. The first half of the book concerns the time that Francis spends at Osbaldistone hall, where he learns that there are undisclosed secrets, some of which implicate him without his knowledge. It is also here that he falls head over heels in love with an unattainable woman. The tension that these scenes create is palpable and enjoyable. Scott is wonderful with English dialogue and his description of the English countryside, its inhabitants, and the activities that consume their day to day existence.

Somewhere along the way, however, the book shifts gears rather dramatically, merely echoing its previous sentimentality and thought. The book becomes more active and more of a travel narrative in Scotland, where a good deal of lawlessness occurs in the hills. Here you'll find the title elusive title character embroiled in his own local political intrigues while also endeavoring to support Francis in his own quest.

Scottish dialect, while faithfully recorded, makes the reading difficult, and at some times arduous. I did find, though, that if you read these phonetically, that you quickly attain the language necessary to follow along. Take the time up front to figure out the Scottish translations and you'll be better suited when it becomes a large part of the latter half of the book.

All in all, I found this to be quite an enjoyable read, although not on the same level as "Ivanhoe," which I think is superior in just about every way. If you've already read "Ivanhoe," and enjoyed it, you will probably like this book as well. I could have potentially given this book 5 stars if I felt that if the protagonist did not have to shift gears so suddenly.

19 of 20 people found the following review helpful:

4.0 out of 5 stars Highly Entertaining Historical Fiction, May 14, 2002

By 

Jeffrey Leach (Omaha, NE USA) - See all my reviews
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This review is from: Rob Roy (Penguin Classics) (Paperback)

Sir Walter Scott is widely acknowledged as the creator of the historical fiction genre. His best known book is Ivanhoe, which I have not read. I instead decided to read Rob Roy, a book I became familiar with due to the 1995 movie of the same name starring Liam Neeson and Tim Roth. Rob Roy, written in 1817, takes us back in time to the 1715 Jacobite uprising.

Surprisingly, Rob Roy is not the main character of the book. Rob Roy's appearances in the book are spotty, at best. Instead, Francis Osbaldistone is both narrator and main character. Francis, we quickly find out, is more interested in poetry than in business. His father, who hoped for Francis to take over the family business, becomes angry with his son and banishes him to his brother's estate, Osbaldistone Hall. Francis's relatives are all country hicks, with the exception of Diana Vernon, an astonishingly beautiful "cousin" who stays with the Osbaldistones for reasons best left unrevealed here. Francis also encounters the treacherous Rashleigh Osbaldistone, the cousin who is to replace Francis at his father's business. Francis soon becomes embroiled in several adventures, usually with Scottish sidekick/groundskeeper Andrew Fairservice and Glasgow businessman Nicol Jarvie at his side. Needless to say, Francis falls in love with Diana Vernon and becomes entangled in the machinations of the Jacobite rebellion.

I found myself amazed at Scott's depictions of women in this book. Diana Vernon is not only beautiful; she's smart, self-assured, and a very dominant figure. Rob Roy's wife, Helen MacGregor, also is presented as strong and domineering. I find this fascinating in a novel written in the early 19th century. Even more surprising is Francis; he is depicted as weak and easily dominated. Between Rashleigh, Rob Roy, and Diana, Francis never seems to know what is happening and is easily brought to emotional frenzies by the other characters. You quickly begin to wonder how this guy can get anything done.

There are two minor problems in Rob Roy. First, I'll mention the Scottish dialect. Scott, in an effort to be authentic, makes liberal use of the Scottish accent. This isn't much of a problem in the first part of the book, but in the second half it becomes a serious issue. Even worse, Scott uses the Scottish characters to reveal major plot points. Therefore, if you can't read the dialect, you're in trouble. This wouldn't be bad if a glossary had been included in the book, but there isn't one. After awhile, I realized that "bluid" was blood, and that "muckle" meant much, but the inclusion of many Scottish idioms had me totally dumbfounded. Other Scott novels in the Penguin series include a glossary of Scottish terms, but not their edition of Rob Roy.

Second, the pacing of the book is most unusual. For some 200 pages, nothing much happens. I've read many novels from this time period, and most move faster than Scott. This doesn't make Rob Roy a bad book, but it does take patience to get to the end. Even when the plot starts to thicken, Scott still takes a lot of time to unfold events. In some aspects, this lends a distinct quaintness to the book. At other times, it can become annoying. It is easy to understand how many people would lose patience with the book and give up.

This is still an entertaining book, and I highly recommend it to those interested in historical fiction. Despite a few problems I had with the book, I would like to read more of Scott's work in the future. I shall certainly look for editions with glossaries so I can navigate the Scottish words. By the way, the man on the cover of the Penguin edition is William, 18th Earl of Sutherland.