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Robert Rauschenberg: Combines Hardcover – November 15, 2005


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Product Details

  • Hardcover: 324 pages
  • Publisher: The Museum of Contemporary Art, Los Angeles (November 15, 2005)
  • Language: English
  • ISBN-10: 3865211453
  • ISBN-13: 978-3865211453
  • Product Dimensions: 1.5 x 9.5 x 12.4 inches
  • Shipping Weight: 5.4 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #525,389 in Books (See Top 100 in Books)

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21 of 23 people found the following review helpful By Amazon Customer on February 9, 2006
Format: Hardcover
This book is a catalogue for current exhibit at the Metropolitan Museum of Art, New York, and then the Museum of Contemporary Art, LA, and in Europe at the Pompidou Center, Paris and the Moderna Museet, Stockholm.

As installed at the Metropolitan Museum of art, the show is stunning. It's astonishing that this exhibit is the first time these works from the 1950's have been shown together. These "combines" -- art somewhere between painting, collage, and sculpture -- are a foundation of modern art, so much so that art of the second half of the century is hardly conceivable without them. This makes looking at the work afresh more difficult than usual, since seeing these pieces together in 2006 means also viewing through a legacy and school of influence.

But what phenomenal pieces they are! You can see Rauschenberg gobbling down visual techniques whole - collage, assemblage, juxtaposing printed images, materials, sculpture. They are daringly junky and breathtakingly beautiful. I have know idea whether you'd call this conceptual art, or the most luscious, messy opposite of conceptual art you've ever seen. The works are fearlessness. Really inspiring.

The catalogue has excellent reproductions, and the photography is quite good at conveying the depth of the pieces - some of the works are presented from several angles so the more sculptural pieces are well conveyed.
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11 of 12 people found the following review helpful By Grady Harp HALL OF FAMETOP 50 REVIEWERVINE VOICE on February 6, 2006
Format: Hardcover
ROBERT RAUSCHENBERG: COMBIINES is the name of an exhibition currently on display and one garnering some of the warmest acceptance by both critics and public alike of any retrospective survey in years. Not that Rauschenberg is a 'discovery' unearthed by this generous volume: there have been many excellent monographs and catalogues printed about this extraordinarily gifted artist who for the past half century has been creating art from found and constructed objects.

Rauschenberg's art has always had secondary messages - political, anti-war, ethnic, sexual, and ecological statements - housed in the fascinatingly complex assemblages that are part of the collections of the major museums around the world. This fine book limits its survey to the prescient years 1954 to 1964, that period during which Rauschenberg became well known and highly respected for his art and beliefs. Curator Paul Schimmel writes a fine essay about this period and accompanies his own perceptions with those garnered from a very informative shared conversation with Rauschenberg himself. Likewise Thomas Crow writes an immensely readable chapter on just how Rauschenberg came in this realm of artistic expression and from Crow's writing we learn much about the mid-century changes in American art.

The reproductions of the art works are excellent and if there aren't as many images as one would wish, it is because of the self-imposed limited time frame in Rauschenberg's career of the exhibition. A fine volume, highly recommended for all art history majors and for those under the spell of this great artist. Grady Harp, February 06
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2 of 2 people found the following review helpful By E. Lindsay on October 2, 2007
Format: Hardcover
Living in a place where its rare to see an original Rauschenberg combine, this book has standout photgraphs of the works, with detailed views to complement the full image- the first two essays also provide some keen insights into the processes and influences on Rauschenberg's life and work. Definitely recommend for artists
or interested art followers. These works constitute what I think were the finest in his career.
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