Robinson Crusoe (Barnes & Noble Classics Series) (B&N Classics) [Mass Market Paperback]

Daniel Defoe (Author), L. J. Swingle (Introduction)

Book Description

Series: B&N Classics | Publication Date: April 1, 2003

Robinson Crusoe, by Daniel Defoe, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

 

Widely regarded as the first English novel, Daniel Defoe’s Robinson Crusoe is one of the most popular and influential adventure stories of all time. This classic tale of shipwreck and survival on an uninhabited island was an instant success when first published in 1719 and has inspired countless imitations.

In his own words, Robinson Crusoe tells of the terrible storm that drowned all his shipmates and left him marooned on a deserted island. Forced to overcome despair, doubt, and self-pity, he struggles to create a life for himself in the wilderness. From practically nothing, Crusoe painstakingly learns how to make pottery, grow crops, domesticate livestock, and build a house. His many adventures are recounted in vivid detail, including a fierce battle with cannibals and his rescue of Friday, the man who becomes his trusted companion.

Full of enchanting detail and daring heroics, Robinson Crusoe is a celebration of courage, patience, ingenuity, and hard work.



L. J. Swingle is Professor Emeritus of English Literature at the University of Kentucky, where his primary field of study is the intellectual contexts of British Romanticism as reflected in the works of eighteenth- and nineteenth-century poets and novelists.

Editorial Reviews

Excerpt. © Reprinted by permission. All rights reserved.

From L. J. Swingle's Introduction to Robinson Crusoe

People who have never actually read Daniel Defoe's Robinson Crusoe often think of it as a children's book. It is a tale, so they suppose, that belongs on the shelf upstairs in the playroom alongside Lassie, the Hardy Boys books, and Charlotte's Web. But to discover the fallacy of this notion we need only sit down with a child and start trying to read the book. Reading Robinson Crusoe to a child usually turns out to be a different, somewhat less amiable adventure than telling the child about Robinson Crusoe in our own words. The child can eagerly attend to our retelling of the Crusoe story, relatively inept storytellers though we may be. The experiences of a man shipwrecked alone on a desert island-his initial fears, his efforts to escape, his struggle to secure food and shelter, his discovery of a footprint in the sand-all these things take powerful hold on a child's imagination. But if plunged into Defoe's original narrative of Crusoe's experiences, a child immediately senses that the waters of storytelling have suddenly gotten uncomfortably deep, that the exciting shallows of the story as Mom or Dad would tell it at bedtime have been left behind, that many things going on around the margins of the adventure story in Defoe's book are not attractively adventurous. How can a person possibly wade through this strange book that pretends to be Robinson Crusoe? Some sort of incomprehensible adult trickery must be going on here.

Published in 1719, Robinson Crusoe is a novel for grown-up minds that has been kidnapped for, though obviously not by, the kids. In this respect it's interestingly akin to another supposed children's book that would be published midway into the next century, Lewis Carroll's Alice's Adventures in Wonderland (1865). Like Crusoe, Alice presents us with the story of a person transported from our own familiar world into foreign territory that offers opportunity for exciting adventure, obviously, but also for an encounter with some complex intellectual issues. A child, responding eagerly to the adventure but brought up short by the intellectual issues, is likely to sense immediately that neither Crusoe nor Alice is a book for the playroom. Both belong in the library downstairs, where adults retreat to contemplate the shadowy mysteries of their own minds and experience.

Once we adults rescue Robinson Crusoe from the playroom and begin thinking about its significance for ourselves, it is helpful to consider some things we might expect to find in the novel that either do not appear there at all or that appear in unfamiliar forms. Writing Robinson Crusoe in the early years of the eighteenth century, Defoe reveals himself to be in several important respects not quite of our mind. True, he's an intellectual precursor of the modern mind and, as such, some aspects of his basic interests and values are relatively close to our own. Rudiments of the Crusoe story exert considerable contemporary popular appeal, and not just to small children. Many movie adaptations have been made of the story. In the last few years alone, for example, we've had Aidan Quinn play Crusoe in a 1988 film of that name; we've had Pierce Brosnan, of James Bond fame, play Crusoe in the 1996 Robinson Crusoe; we've had Tom Hanks play a rather interesting loose translation of Crusoe as a plane-wrecked Federal Express man in the 2000 film Cast Away. The name "Robinson Crusoe" itself has entered the public domain; like "Gatsby," "Tarzan," "Superman," and "Mickey Mouse," it has become a useful shorthand term in contemporary popular thought, meaningful to people who have never encountered the literary source.

But if we go back to the novel Robinson Crusoe and see what Defoe made of the story in 1719, we run into some intriguing basic differences from common inclinations of thought in more recent centuries. These differences constitute an important part of what makes Robinson Crusoe not simply entertaining-occasionally almost more puzzling, or even more irritating than entertaining-but thereby greatly worth reading for the mind's sake.

Product Details

• Mass Market Paperback: 352 pages
• Publisher: Barnes & Noble Classics (April 1, 2003)
• Language: English
• ISBN-10: 1593080115
• ISBN-13: 978-1593080112
• Product Dimensions: 6.7 x 4.1 x 1.1 inches
• Shipping Weight: 7.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #35,770 in Books (See Top 100 in Books)
  • #37 in Books > 4-for-3 Books > Teens > Literature & Fiction > Classics

Customer Reviews

Most Helpful Customer Reviews

9 of 10 people found the following review helpful:

4.0 out of 5 stars A surprisingly readable 300 year-old adventure, though the early 18th century evidently lacked editors, December 25, 2008

By 

Christopher Culver - See all my reviews
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This review is from: Robinson Crusoe (Barnes & Noble Classics Series) (B&N Classics) (Mass Market Paperback)

The name "Robinson Crusoe" readily conjures up images of a sad castaway on a desert island, who after years of solitude comes up a man's footprint in the sand. But in reading Daniel Defoe's novel of 1719, I was surprised how different the work is from its common stereotype. Not until about 50 pages in does Crusoe end up a castaway, having before hand some misadventures as a young sailor. Instead of washing up on his island with just the clothes on his back, he in fact is able to get a great many useful tools and implements from his still intact wreck. And the man's footprint, instead of being the sign of another Crusoe subsequently encounters, is just a sign that some cannibals from the mainland visit the island on occassion.

All in all ROBINSON CRUSOE is an entertaining novel, one with much adventure and intrigue. One gets a lot of pleasure from reading of how Crusoe turns the basic furnishings of the island to his own use, having by the end of his confinement there such things as cheese, three houses, two canoes, and pottery. ROBINSON CRUSOE is also an interesting portrait of the times, for it was much influenced by popular attitudes of the early 1700s. Crusoe occasionally voices his dislike of the Spaniards, their atrocities in the Americas, and their Roman Catholic religion. But Defoe is hardly more charitable to the Native Americans, whose ignorance and godless depravity Crusoe deplores constantly.

To criticize a 300 year-old classic might be a silly exercise, but I doubt many readers will find this novel an elegantly crafted work. It's repetitive, for one. How many times do we need to read that Crusoe is reluctant to kill the maneaters? And the writer didn't seem to know when to stop, for after Crusoe's return to civilization we get an unnecessary battle with wolves in the woods of France. No wonder that the novel has so often circulated in abridgement.

I read this book in the Penguin Popular Classics edition, ISBN 0140623154, which I would recommend if you just want some reading material without making a permanent addition to your library. It is printed on poor quality paper, but is priced quite low. It has no notes or commentary, but you really don't need them. Indeed, I'm surprised how smoothly readable ROBINSON CRUSOE is considering that it was written in the English of 300 years ago (even later works like TRISTRAM SHANDY present more of a challenge), and I'd even recommend it to a young person wanting just a fun adventure story.

2 of 3 people found the following review helpful:

5.0 out of 5 stars English Non-fiction Cast Away by Puritans - a novel idea, May 6, 2010

By 

C. C. Evans "polymath" (Chicago, IL USA) - See all my reviews
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This review is from: Robinson Crusoe (Barnes & Noble Classics Series) (B&N Classics) (Mass Market Paperback)

This is one of my favorite books. I like the way the story begins like the surf. Successive waves lap the pages as the story is told and then retold. I like the prominence of Providence. I like the admonition of virtue. I like the layers of irony found in a story whose fictional protagonist warns the reader of the vices which landed him in the calamitous situations of the story that interested the reader enough to read the story in the first place. Perhaps someday keeping the commandments will be as compelling a story as breaking them is.

It is nice that the rest of the Crusoe "trilogy" is getting a little easier to find... I haven't read the third, pseudopigraphical one yet.
2. The Farther Adventures Of Robinson Crusoe: Being The Second And Last Part Of His Life, And Of The Strange, Surprising Account Of His Travels Round Three Parts Of The Globe
3. Robinson Crusoe; Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe, With His Vision of the Angelic World

0 of 7 people found the following review helpful:

3.0 out of 5 stars Leading with Violence, June 16, 2011

By 

Timothy (New York City) - See all my reviews

This review is from: Robinson Crusoe (Barnes & Noble Classics Series) (B&N Classics) (Mass Market Paperback)

I found also that the island I was in was barren and, as I saw good reason to believe, uninhabited, except by wild beasts, of whom, however, I saw none, yet I saw abundance of fowls, but knew not their kinds, neither when I killed them could I tell what was fit for food, and what not; at my coming back, I shot at a great bin which I saw sitting upon a tree on the side of a great wood. I believe it was the first gun that had been fired there since the creation of the world; I had no sooner fired but from all the parts of the wood there arose an innumerable number of fowls of many sorts, making a confused screaming, and crying every one according to his usual note; but not one of them of any kind that I knew. As for the creature I killed, I took it to be kind of a hawk, its colour more than common; its flesh was carrion and fit for nothing. - Daniel Defoe's Robinson Crusoe.

Daniel Defoe points out the problem with western world values. They shoot first and ask questions later. Only what western leaders destroy cannot always be renewed. The worse part of it is that people of the west never learn from their mistakes, they destroy time and time again. Let us take our current war on Libya. The west is bombing Libyan soldiers in order to help rebels. They do not know who the rebels are. Sometimes western bombers do not even know which soldiers are fighting for the rebels. The west does not know what the rebels have planned for Libya, but it does not matter, they will keep bombing and sort out the particulars later. Eastern leaders either join in the madness or allow the leaders of the west to operate without restriction. Is it any wonder why nature itself is reacting?