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Robinson [Paperback]

Muriel Spark (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

February 1987
A suspense novel about three castaways marooned on an island owned by an eccentric recluse. January Marlow, a heroine with a Catholic outlook of the most unsentimental stripe, is one of three survivors out of twenty-nine souls when her plane crashes, blazing, on Robinson's island. Presumed dead for months, the three survivors must wait for the annual return of the pomegranate boat. Robinson, a determined loner, proves a fair if misanthropic host to his uninvited guests; he encourages January to keep a journal: as "an occupation for my mind, and I fancied that I might later dress it up for a novel. That was most peculiar, as things transpired, for I did not then anticipate how the journal would turn upon me, so that having survived the plane disaster, I should nearly meet my death through it." In Robinson, Muriel Spark's wonderful second novel, under the tropical glare and strange fogs of the tiny island, we find a volcano, a ping-pong playing cat, a dealer in occult as well as lucky charms, flying ants, sexual tension, a disappearance, blackmail, and—perhaps—murder.

Everything astounds, confounds, and convinces, frighteningly. "She is," as Charles Alva Hoyt once put it, "the Jane Austen of the Surrealists." Robinson, a unique and marvelous novel, is another display of the powers of "the most gifted and innovative British novelist" (The New York Times). In the work of Dame Muriel—in the last words of Robinson— "immediately all things are possible."

--This text refers to an alternate Paperback edition.


Editorial Reviews

Review

A rare writer...wickedly funny...Astonishingly talented and truly inimitable. -- San Francisco Examiner-Chronicle

Deserves to be back in print. -- South Bay Weekly, Bondo Wyszpolski, 20 March 2003

It takes a gifted surrealist like Muriel Spark to show just how unrealistic so-called reality TV is. -- Islands, Tony Gibbs, 1 June 2003

Muriel Spark has written some of the best sentences in English. -- The New Yorker

Spark is completely, searingly original. There is nobody remotely like her writing today. -- Independent

Spark's second novel and one of her best (which is saying a great deal). -- John Wilson, Christianity Today, 8 December 2003

To read Spark is to encounter delight after delight. -- Georgia Review --This text refers to an alternate Paperback edition.

Product Details

  • Paperback
  • Publisher: Avon Books (Mm) (February 1987)
  • Language: English
  • ISBN-10: 0380013886
  • ISBN-13: 978-0380013883
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #8,171,110 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
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3 of 4 people found the following review helpful:
5.0 out of 5 stars Muriel Spark, Robinson, July 30, 2006
By 
zugenia (Fayetteville, Argentina) - See all my reviews
(REAL NAME)   
I sometimes find it ironic that Defoe's Robinson Crusoe (1719) is generally identified as the beginning of realism in English literature. While Crusoe does, arguably, bookend a tradition of novelistic prose defined by a rational approach to observation, description, and narration of events, it also spawned a tradition of desert-island stories that demonstrate, again and again, how the isolated individual's ability to represent what is "real" strains the devices of realism to the point that they inevitably shudder and break down. From the inexplicable single footprint that sends Defoe's Crusoe into an existential crisis, to the bizarre supernatual whispers of the island on ABC's Lost, the shipwrecked narrator is one of western culture's most durable reminders of how, sometimes, the most realistic way we have of telling it like it is plunges quickly into the downright surreal.

Muriel Spark's second novel, Robinson (1958), is an exemplary part of this tradition. More conventionally realist in style than her other novels, its familiar novelistic lexicon, passages of descriptive detail, and explicit invocation of the iconic Crusoe tale lull one into a sense of readerly security--that trust, so vital to realism, that one knows from the words on the page just what is going on around here. Spark's narrator, January, relies on her own powers of observation and rational deduction to make sense of her surroundings and situation, and we in turn rely on her; by the time she, and we too, realize that "the real" behaves differently on an island--or, rather, for the solitary individual mind, untempered by social negotiation--eluding the formula of empirical evidence and rational judgment, more is at stake than we bargained for: for January, her very life; for us, our ability to believe that she, our only guide, is the best conduit of her own story. While those readers expecting a book full of Spark's signature piquancy might be disappointed (which is not to say it's not there; for example, one of January's wreck-mates speaks a "peculiar idiom of English speech ... acquired first from a Swiss uncle, using Shakespeare and some seventeenth-century poets as textbooks, and Fowler's Modern English Usage as a guide," and his dialogue is consistently hilarious), Robinson seems to me an excellent instance of a non-realist's foray into realism, illuminating the genre's frequently forgotten--even disavowed--quirks and mysteries.
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1 of 2 people found the following review helpful:
3.0 out of 5 stars An interesting lesser work, May 31, 2006
By 
David Robinson (Oakland, CA United States) - See all my reviews
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With Muriel Spark's 2006 death, I had an interest in reading one of her less well-known novels. "Robinson" was worth the trip, but it should not dethrone Spark's masterpieces "The Prime of Miss Jean Brodie" and "The Abbess of Crewe" from their rightful place at the top of the list of her novels.

Robinson uses the genre of "wrecked on a desert island" to explore how people's true personalities come out in this unusual environment. An interesting side-riff is the contrast between Roman Catholic veneration of religious objects and quasi-pagan beliefs in lucky charms. The novel has an interesting plot twist that maintains the reader's interest to the end of the book, but the prose is stilted. Too often the narrator makes double comments on what she said, what she thought, and what she now wished she had said. This gets tedious.

Careful reading of an author's minor works can enhance our enjoyment of the masterpieces and that is the case here.
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First Sentence:
If you ask me how I remember the island, what it was like to be stranded there by misadventure for nearly three months, I would answer that it was a time and landscape of the mind if I did not have the visible signs to summon its materiality: my journal, the cat, the newspaper cuttings, the curiosity of my friends ; and my sisters - how they always look at me, I think, as one returned from the dead. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
pomegranate boat, mustard field
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Tom Wells, Ian Brodie, South Arm, Jimmie Waterford, Curly Lonsdale, North Arm, Ethel of the Well, Blessed Virgin, Pomegranate Bay, Santa Maria, Vasco da Gama's Bay
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