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Robyn Extra tracks


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Audio CD, Extra tracks, April 29, 2008
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Curriculum Vitae (featuring Swingfly) [Explicit] 1:54$0.99  Buy MP3 
listen  2. Konichiwa Bitches 2:38$1.29  Buy MP3 
listen  3. Cobrastyle 4:12$1.29  Buy MP3 
listen  4. Handle Me 3:49$1.29  Buy MP3 
listen  5. Bum Like You 3:30$1.29  Buy MP3 
listen  6. Be Mine! 3:28$1.29  Buy MP3 
listen  7. With Every Heartbeat - with Kleerup 4:15$1.29  Buy MP3 
listen  8. Who's That Girl? 3:49$0.99  Buy MP3 
listen  9. Bionic Woman (Interlude)0:18$0.99  Buy MP3 
listen10. Crash And Burn Girl 3:37$0.99  Buy MP3 
listen11. Robotboy 3:30$0.99  Buy MP3 
listen12. Eclipse 3:31$0.99  Buy MP3 
listen13. Should Have Known [Explicit] 4:01$0.99  Buy MP3 
listen14. Any Time You Like 3:54$0.99  Buy MP3 
listen15. Dream On (New Version) 4:44$0.99  Buy MP3 
listen16. Handle Me (RedOne Remix - Cherrytree Bonus Track) 4:09$1.29  Buy MP3 

Amazon's Robyn Store

Music

Image of album by Robyn

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Videos

Robyn Body Talking from San Francisco

Biography

She is Robyn. The most killingest pop star on the planet. A pint-sized atom bomb dosed to the tits on electric and dispensing wisdom in three-minute modernist pop bulletins on the post-adolescent condition.

The dust has barely had time to settle since the arrival of Body Talk 1, the first instalment of Robyn's ambitious three-part album release plan for this year. Lead single Dancing ... Read more in Amazon's Robyn Store

Visit Amazon's Robyn Store
for 36 albums, 5 photos, videos, and 1 full streaming song.

Product Details

  • Audio CD (April 29, 2008)
  • Original Release Date: 2008
  • Number of Discs: 1
  • Format: Extra tracks
  • Label: CherryTree
  • ASIN: B0013PVGJ0
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (37 customer reviews)
  • Amazon Best Sellers Rank: #167,612 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

International pressing of the worldwide #1 album from this Swedish songstress features the same tracklisting as the UK edition and contains one bonus track over the Swedish edition ('With Every Heartbeat'). Robin Miriam Carlsson AKA Robyn is a Swedish pop singer-songwriter and is widely known in her home country. Robyn was known in the late '90s for her dance-pop hits "Show Me Love" and "Do You Know (What it Takes)". She has since started to gain mainstream success in the United Kingdom again, due to the massive critical and commercial success of her single "With Every Heartbeat". Universal. 2008.

About the Artist

She is Robyn. The most killingest pop star on the planet. A pint-sized atom bomb dosed to the hilt on electric and dispensing wisdom in three-minute modernist pop bulletins on the post-adolescent condition. `Robyn' is also a collection of ultra-concise pop moments - that rarest of things, a classic pop album. It's a sad-eyed, super-strong battery of nuclear-powered pop that, along with her arresting voice, are her lethal weapons.

Robin Miriam Carlsson was born in Stockholm in 1979. She spent the first seven years of her life touring with her director father and actress mother in their Constructivist-inspired theatre company. At the age of 14 she was discovered by Swedish pop singer Meja when singing a sad, self-written song about her parents' divorce in a school workshop and was immediately signed to BMG. A debut album of R&B-influenced pop in 1995 saw her paired with future Britney-hitwrangler Max Martin, and the global success of the sweet, soulful single `Show Me Love' in 1997 cemented Robyn as an bonified pop star. Shellshocked by the lack of artistic control offered by her label, however, Robyn migrated to a sister company for her third album, but felt disillusioned by their attempt to ship her to America to be shoehorned into the pre-fabricated boy-toy template that was depressingly omnipotent in 2002.

"I think the third record I made was a big compromise," she says. "I felt like it wasn't fun anymore. Once you make the record and you give it to the record company, it's not your record anymore! And I hated that situation. "I was going backwards. I wasn't doing what I wanted to."

In 2003, Robyn returned home, defeated, to Stockholm. Upon returning, she stumbled across a new CD by a mysterious local brother-sister duo. The CD, titled `Deep Cuts', was a passionate, hallucinatory reading of pop music carved from geometric blocks of pure texture. Karin Dreijer Andersson and Olof Dreijer called themselves The Knife, and with `Deep Cuts' they had sketched a blueprint for a kind of abstract future pop. "I was amazed by it," gasps Robyn. "I thought it was the best thing I'd heard in years. I just felt like wow this is really what I've always been looking for - and not only was it good, it was Swedish."

Energised by the potential atom-splitting that could occur if she harnessed her own piercingly honest pop to The Knife's uncompromising, peculiarly Swedish energy source, Robyn approached Karin and Olof to work on a potential single. The result was `Who's That Girl' - unquestionably one of the freshest pop moments of the past five years. Injecting herself into the very heart of The Knife's towering, architectural synthpop - a shifting, interlocking grid of color and beats, hard enough to break your fists on - Robyn emptied all of her frustration, insecurity and desperation. The lyrics, specifically, railed against her contractual purgatory, but `Who's That Girl's loaded despair resonates powerfully with anyone - any girl left beaten by the capriciousness of gender or image politics. In the song, Robyn soars. Her anger is rocket fuel for the titanium-strong music which encases her, projects her, makes her indestructible. Although Robyn had always written songs, this stark piece of brutalist pop should be considered The First Robyn Song. Unbelievably, her label hated it. "They just thought it was weird," sighs Robyn. "They just didn't understand it. I guess they didn't consider it to be pop music, which I think is crazy. It's TOTALLY pop music! Modern, inventive music - that's what pop music should try to be."

Exasperated to the point of resignation, Robyn looked to how her new comrades Karin and Olof self-financed and released their work. In a completely unprecedented move for a mainstream pop artist, Robyn bought herself off her label. "So then I was free but I was not really happy to go back and sign with a major label again. It was totally illogical. Why would I do that? I felt like either I quit making music or I start my own record company." Six months later, Robyn was CEO and founder of Konichiwa Records. In her back pocket she had `Who's That Girl', the opening song for a new album that would be her story. She also had a new sidekick. Klas Åhlund is the main man behind Teddybears, Stockholm's amazing bricolage pop group who have variously been fronted by Annie and Neneh Cherry, Iggy Pop and Mad Cobra. "I'd never thought we were gonna work together, cos what Teddybears do is... boy music." Robyn giggles. "I didn't think he could embrace a girl perspective." Nevertheless, the first thing Klas brought to the Konichiwa table was the basic frame for a song depicting intense unrequited love, that Robyn would color in with every kind of craving. In `Be Mine!,' every word that Robyn sings - `It's a good thing tears never show in the pouring rain/As if a good thing ever can make up for all the pain' - sounds like it's being crumpled up and clutched to her chest. In the bridge, the `song' just falls clean away, leaving a spoken word Polaroid that chews at your heart: "I saw you at the station. You had your arm around whatsername. She had on that scarf I gave you, and you got down to tie her laces. You looked happy - and that's great. I just miss you, that's all."

"I wanted to feel like I was 15 or 16 again, and big emotions were REALLY BIG. Y'know, if you were in love you were IN LOVE and if you were heartbroken you were HEARTBROKEN! "Cos that's what people want music to be for them," explains Robyn. "I know I do when I listen to music."

The sparse production to `Be Mine!' makes its simplicity all the more brutal. Just strings that slice in, all gasps and sighs, and a flutter of drum machine that emulates a racing pulse. "I still wanted to write pop music," affirms Robyn. "I wanted it to be simple, I wanted it to be sparse, and I wanted it to be hard."

Robyn may now be the kickingest label CEO around, but she was out on a limb here. A lifetime's earnings had been ploughed into a dream. The conflict of liberation and anxiety about the project, as well as galvanizing Robyn, seemed to polarize her character. One half of `Robyn' is all hip-thrusting-fuck-you-cool, but in the gentle suite of ballads that wind everything down there is a smaller, sadder Robyn. "I'm a Gemini maybe that's what it is!" she exclaims. "Because I am this very outgoing person people think that I'm always sure what I'm gonna do, which I'm not! I always question myself! The perfect example is `Konichiwa Bitches'. That song was made because I was so scared! I was like ARGH what am I DOING? I had to like bang my chest and go RAR! I'm the shit! I'm the best girl in the world!" `Konichiwa Bitches' is Robyn's signature tune. Over pixellated hip-pop beats, Robyn unloads like a manga Missy Elliott. Its biggest inspiration was Bugs Bunny, and the way he'd totally front on Yosemite Sam with big-ass ACME boxing gloves. Robyn describes it as "a concentrate of attitude. It's like a baby ninja! Like really dangerous but really small and cute! It's like a child with a huge machine gun." It kicks your face. It's Robyn.

What `Robyn' really represents is the story of one ass-kicking little blonde woman who blasted through the industry b.s. and made a startling, profound, honest pop music all of her own. It is music with one message - Be your own star.

Customer Reviews

Still amazing though, and one of the best tracks on the album.
Benjamin Norman
Rarely has an artist made me want to write a glowing review of their music.
S. Rys
Her voice oozed smoothly with beats that rocked and swayed you.
M. J. Cross

Most Helpful Customer Reviews

35 of 39 people found the following review helpful By RobynFan on April 30, 2008
Format: MP3 Music
This is a totally rad album. However, as sold by Amazon, at least two of the tracks in MP3 format are censored.

1) The censoring is glaringly obvious in "Should Have Known", which completely guts the song. The f-word is muted a total of 8 times, in the middle of each chorus. I've heard the original. This ain't it.

2) "Curriculum Vitae" also has the f-word muted, in the middle of a monologue.

3) "Dream On" has about 1.5 minutes of silence at the end, which is very annoying, apparently as buffer time before the final 'bonus' track.

Amazon should label which tracks have been censored, so customers will know if they are buying damaged goods. Concerning (1) and (2), if you want the originals, look elsewhere.
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Format: Audio CD
Robyn is that strange and elusive thing - a pop artist that is creative, catchy, wears well over time, and is almost totally unknown by the general public. Hopefully that last part will change, because Robyn is one of my very favorite pop artists.

She writes her own songs, and you can tell - the lyrics are unusual and creative, and are delivered with conviction and relish. The music pushes the envelope, and in any album of hers, but especially this one, you can see different genres utilized and the evidence of her playing and just having a great time creating something new.

Crash and Burn Girl, With Every Heartbeat, Konichiwa Bitches, and Be Mine are the top standouts on this album, but you won't find any of the tracks annoying or filler. The songs stay fresh and new with every listen, and if you can get a hold of the single of With Every Heartbeat, with all of the remixes, you won't be sorry to have spent the money.

This is a must-buy album for any pop fan, for sure. Get the whole thing and don't bother downloading tracks, you will want it all.
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3 of 3 people found the following review helpful By Mysti VINE VOICE on May 1, 2008
Format: Audio CD
I just read about this album in last weeks People Magazine, which is the first, and still the only place, that I have heard about it. It was given 3.5 out of 4 stars by the reviewer, which I thought was pretty good. They also mentioned that it was a dance/pop album and I love dance so I decided to check it out. I first listened to the samples of it on Amazon. Then I went to Myspace TV and looked up all the songs/videos and completely fell in love!!! I chose to go the itunes route to purchase it, mainly because I have an ipod and I like getting the booklets. I bought the explicit version and the song "Handle Me" is the only one with a bleep in it, (censored word). I think that Robyn herself or her record label edited the word "Nazi". That's the only time anything is edited. So if Amazon doesn't sell the explicit version, now you know where to go.

Okay about why I gave the album 5 stars...

This is just an absolutely creative, unique, passion filled, meaningful, spectacular album. With all the Fergies, Britneys, Ashlees and Gwens out there, (not knocking them...),this album is in a completely different league, a better one at that too! It's so pleasing to the ear but it sounds like nothing I have ever heard before. If I could compare it to anything it would be to Cyndi Lauper with a little old school Madonna and a touch of Kylie Minogue.

Favorite tracks are... well... ALL OF THEM!!!! To be honest this is a "listen to the whole way through" album!

But I can't stop listening to "Be Mine"!!! I STRONGLY RECOMMEND DOWNLOADING THE BALLAD VERSION AS WELL!!! If you haven't heard it, look it up!! There is a live version of it on Myspace TV and You Tube. Another reason I love Robyn, her live voice gives me goosebumps!
Read more ›
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2 of 2 people found the following review helpful By Bradford Wilson on May 8, 2008
Format: Audio CD
This is easily the best pop album I've heard in the past decade. I'm not one to make hysterical claims like that, but this album is THAT good.

Words literally escape me in describing how good this CD is. Unfortunately, none of her work in the past several years has been available in the US. Then she bursts on the scene (literally!) with this unbelievable record. Every song is great, even the slower jams.

Let me back up just a little bit. The first two thirds of the album are fast-paced dance tracks or perfect pop confections. The disc opens with Konichiwa Bitches, a catchy, self-promoting dance jam filled with blips and bleeps that almost seems ridiculous until you listen to the rest of the CD where she backs up her claims and then some.

She then launches into high-energy dance tracks (the cover of the Teddybears' jam "Cobrastyle") and radio-friendly pop-dance ("Handle Me" and "Be Mine"). Every track oozes tight production, but not over-production; you can tell Robyn had a hand in crafting every synth-beat of every single song.

To close out the album, she busts out some slow jams ("Robotboy," "Should have Known") that may seem all saccharine at first, but on 2nd and 3rd listen deep emotional meaning surfaces.

If you're a fan of pop and/or dance music, this album is a must have. Think Madonna's Ray of Light album but better; techno beats with heart and deep personal meaning. It has been a very long time since I was this excited about an album from any artist. Buy this, now!!
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