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| 1. Rock Steady (Intro) |
| 2. Hella Good |
| 3. Hey Baby |
| 4. Making Out |
| 5. Underneath It All |
| 6. Detective |
| 7. Don't Let Me Down |
| 8. Start the Fire |
| 9. Running |
| 10. In My Head |
| 11. Platinum Blonde Life |
| 12. Waiting Room |
| 13. Rock Steady |
I know all of the die-hard old school No Doubt fans are probably (...) off. To be honest, I was a little at first. I mean, their old stuff...her words are so powerful and the sound was something I don't think anyone else had. But listen...before Tragic Kingdom, No Doubt had been a band for 9 years doing ska-type music. And how many years ago did Tragic Kingdom come out? 1995...so um...6..almost 7 years or so. Gwen was fifteen when she
started, she's now 32. Your music tastes change. The band has evolved and each album you can hear the change. This is another evolution of No Doubt. You can say "Oh, it's pop music...blah blah...". But I don't think the average pop album has what Rock Steady has. This is the exact same thing people said when the new Garbage album came out. Beautifulgarbage, as it is titled, is a wonderful CD. Sure, they aren't as hard or loud as in the past but it is still a great CD. I think No Doubt has gone though the same thing. If you compare the lyrics between Tragic Kingdom and Rock Steady, the lyrics have no less depth, you wouldn't be able to tell them apart without hearing the song. When people say that No Doubt has sold out, I look at it as taking a big risk. Hello? They had already sold over 10 million copies of Tragic Kingdom alone...they are already a "hit" band. They wanted to experiment with some new sounds, and I applaud them for it.
I think Tragic Kingdom is still my favorite ND CD (I have all 5 of their albums), but I would have to go with Rock Steady as my second favorite. I mean...how boring would it be if they repeated almost the same type of song over and over from album to album? You've got to change somewhere to keep people interested in you. I love this new CD and I urge everyone who is mad that they've changed their style a bit to re-listen to it. It really is a great CD. I think my favorite track right now is Hella Good. Maybe I'll change my mind, I don't know.
Always the explorationists, the group takes a new creative step in their sound and music. Released only a year after their 2000 smash Return To Saturn, the boys and girl of No Doubt fall into no particular formulaic pattern. Rather than boring their listeners by treading the same musical ground of past hit albums, the band expands and further defines its own unique brand of So Cal ska.
Innovating instead of reduplicating, Rock Steady takes chances and experiments with new soundscapes. The album takes its cue from dancehall-reggae, hip hop and new wave, never juxtaposing but intermixing - exploring their influences in the genres like never before.
Songs indicative of this newfound exploration include the lead single, "Hey Baby," the dance numbers "Hella Good" and "Start The Fire" and the retro-pop of "Underneath It All," which harks back to the second wave ska of The Specials.
Working with a mix of producers ranging from hip-hop virtuosos the Neptunes (Mystikal, Kelis), Nelle Hooper (U2, Björk), reggae duo Sly & Robbie and former Cars frontman Ric Ocasek, who provides the songs "Making Out" and "In My Head," the album is musically eclectic while managing to stay conceptually cohesive.
Vocally, it's still Gwen's show, but the album offers one noteworthy guest appearance. The artist once again known as Prince, a long time No Doubt collaborator who offered his services for the group's last LP and various B-sides, reappears with "Waiting Room," a tribal, funk-laced duet. On a majority of the songs, Stefani's vocals are strong and assured accentuating nicely with her band's sound.
Lyrically, the songwriting is less confessional and regret-oriented due in large part to No Doubt's decision to include new writers. You won't find a syrupy ballad in the vein of "Don't Speak" or "Simple Kind Of Life" here; the vibe of Rock Steady is contextually mid-tempo with emphasis on bass speaker approval - dealing with everything from raucous fans to the typical Stefani templates of longing love and bedazzlement. All night parties and good times seem to be the principal theme of the group's dancehall tinged melodies and upbeat subject matter.
Rock Steady, after all, is a celebration of No Doubt's influences and appreciations combined with a forward-thinking inimitability. Though inventive, their native So Cal punk origins are still visible. While other members of the ska-punk community opt for re-creation, No Doubt continually pushes the supposed limitations of the genre and gerrymanders its boundaries.