Frequently Bought Together
What Other Items Do Customers Buy After Viewing This Item?
Special Offers and Product Promotions
-
Buy Used and Save: Get the "Rode VideoMic Pro VMP Shotgun Microphone" for a lot less. Amazon Warehouse Deals offers deep discounts on open-box or used versions of this item. Products are eligible for Amazon's 30-day returns policy and Prime or Super Saver Shipping. See all Used offers from Amazon Warehouse Deals.
Technical Details
- The RODE VideoMic Pro raises the bar set by the original RODE VideoMic, by combining broadcast quality audio with an ultra compact and lightweight ergonomic design. Incorporating new features specific to high end video, the VMP also evolves many of the features that have made the VideoMic so successful. Noise transference has been significantly reduced using both a revised, more elegant shock mounting system and a lightweight premium cable.
Product Details
Would you like to update product info or give feedback on images? |
Product Description
From the Manufacturer
VIDEOMIC PRO Compact Directional On-camera Microphone
Videomic Pro Key Features:
- Broadcast recording quality condenser microphone
- Compact form factor (150mm/6" length)
- Ultra lightweight (85g/3oz)
- 9V battery powered - over 70 hours use (alkaline)
- Integrated shock mounting
- Integrated foam windscreen
- 3.5mm stereo mini-jack output (dual mono)
- Two step High Pass Filter (fl at, 80Hz)
- Three position level control (-10dB, 0, +20dB)
- Camera shoe mount with 3/8" thread for easy boompole mounting
The RØDE VideoMic Pro is a true shotgun microphone designed for use with camcorders, DSLR cameras and portable audio recorders as a source of primary and reference audio.
At the heart of the VideoMic Pro is a high resolution 1/2" condenser capsule that provides broadcast quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels). A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.
An innovative suspension system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. A lightweight and flexible yet robust multi-strand cable provides significantly lower noise transference than traditional audio cable while ensuring a high definition signal.
Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone's native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.
Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras such as the Canon 5DMkII, Canon 7D, Canon 1D, Canon 550D/T2i, Canon 60D, Nikon D7000, Nikon D5100, Panasonic GH1 and Panasonic GH2. This boost in the microphone output allows the user to reduce the camera's preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera's comparatively low quality audio circuitry.
The microphone uses a standard sized shoe mount for on camera use, and features a 3/8" thread in the base of the mount for easy boom pole mounting. Note that cameras with proprietary shoe mounts will require an adaptor or alternative mounting solution.
The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery.
The RØDE VideoMic Pro compact directional on-camera microphone is covered by RØDE Microphones' industry leading 10 year warranty.
Specifications
Acoustic Principle: Line GradientActive Electronics: JFET impedance converter
Capsule: 0.50"
Polar Pattern: Supercardioid - Picks up the front and sides and rejects 150° to the rear
Address Type: End
Frequency Range: 40Hz - 20kHz
Output Impedance: 200Ω
Maximum SPL: 134dB SPL (@ 1kHz, 1% THD into 1KΩ load)
Maximum Output Level: 6.9dBu (@ 1kHz, 1% THD into 1KΩ load)
Sensitivity: 38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Power Options: 9V battery powered. (Over 70 hours operation from 9V alkaline battery)
Weight: 85.00gm
Dimensions: 95.00mmH x 43.00mmW x 150.00mmD
Output: Minijack/3.5mm Output
Similar Products to Consider
Rode Stereo VideoMic Pro On Camera Stereo Micrphone
Building on the success of the VideoMic Pro which became the standard for DSLR on-camera audio and the Rode Stereo VideoMic, the Rode SVMP Stereo VideoMic Pro Condenser Microphone provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.
Rode SVM Stereo Condenser Microphone
Now videographers can use true 'studio' stereo recording techniques in the field with ease. The X/Y configuration enables the StereoVideoMic to capture the true ambience of the recording space, while still offering a high level of rear rejection and low noise.
Rode NTG2 Condenser Shotgun Microphone
The RODE NTG2 is a new, lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.
Product Description
The Rode VideoMic Pro compact design is ideal for use with HDSLR cameras, camcorders and audio recorders. Noise transference has been significantly reduced using both a revised, more elegant shock mounting system and a lightweight premium cable. The microphone has a broadcast-quality condenser capsule with a supercardioid pickup pattern to capture audio from the front, while minimizing pickup from the sides and rear. An integrated shockmount and foam windscreen minimize handling and wind noise to keep your recordings crystal clear. On the rear of the mic, you'll find a 3-way level control that offers -10dB, 0dB, and +20dB modes. There is also a 2-step high pass filter with 0 and 80Hz settings, letting you minimize the impact of low frequency hum, camera motor noise, and similar distractions. The mic has a standard camera shoe and a 3/8 inch threaded mount for easy attachment to cameras and boom poles. The 1/8 inch (3.5mm) plug is compatible with a wide variety of different cameras and audio devices. The VideoMic Pro operates for up to 70 hours on a single 9V battery, allowing you to work in the field without constant replacements.
Customer Reviews
Most Helpful Customer Reviews
115 of 118 people found the following review helpful
Amazon Verified Purchase
I've been a Canon user and Canon fan for many years, but Canon video cameras always seem to have some sort of sound problem. In the case of Canon DSLRs with video capability, the problem is the loud and annoying hiss that occurs when you use an external microphone in a quiet setting. The first time I used my new Canon 60D to make a video, I quickly realized that the onboard microphone, while adequate for perfect circumstances, was not a good fit for outdoor use or pro-style interviews. I decided to buy an inexpensive $45 shotgun mic - big mistake - which produced the loudest ambient hiss I've ever heard on a recording. After a bit of research, I found that the 60D and other Canon DSLR cameras (and no doubt other brands as well) almost always produce a notable degree of "quiet room hiss" when used with most external microphones--and of course it's usually worse with a cheap mic. Further research led to further frustration, with all the "experts" suggesting that quality in-camera recording is just not feasible on DSLRs and you should buy an expensive independent recording system and then "sync" the sound to the video in post. What?!?!? I don't work for Sony Pictures, I just want to do some good quality commercial work for Internet posting. Then I ran across a YouTube video of a guy testing Rode microphones. He said that, after posting his video of a test with a Canon DSLR, Rode contacted him and told him that by setting the Rode Videomic Pro's dB switch to +20 and adjusting the manual sound level setting on the camera to about 20%, he could achieve a virtually hiss-free recording. Thus I ordered this mic from Amazon. It arrived on-time and in perfect shape, I ran a series of tests under various conditions, and I couldn't be more happy with my purchase. Interestingly, the suggested DSLR setting is right there in the Rode manual--perhaps they added it after the YouTube video was made. Bottom line, if you're shooting video with a DSLR and you want simple, high-quality sound for a reasonable price, this is your mic. Buy anything less, and in my opinion you will be unhappy with the results.
One small caveat: This is a professional mic with a 10 year warranty, but it's not for people who don't take care of their equipment. The mini-jack cable is thin and could easily catch on something and break or be ripped from the mic if you aren't careful. The "rubber band" shock mounting system--while clever and effective--is easily pulled from its mountings and could be easily lost. (One extra set of replacement bands comes with the unit.) In other words, be prepared to handle with care, and you'll no doubt get years of use from this excellent pro microphone.
One small caveat: This is a professional mic with a 10 year warranty, but it's not for people who don't take care of their equipment. The mini-jack cable is thin and could easily catch on something and break or be ripped from the mic if you aren't careful. The "rubber band" shock mounting system--while clever and effective--is easily pulled from its mountings and could be easily lost. (One extra set of replacement bands comes with the unit.) In other words, be prepared to handle with care, and you'll no doubt get years of use from this excellent pro microphone.
58 of 60 people found the following review helpful
Amazon Verified Purchase
Other reviewers have gone way more in depth and with much more eloquence than I ever could about this microphone. I won't even try to match it. However, I will give you the best info you will need on a Canon DSLR with manual audio control.
Turn on the microphone. Plug it into the camera. Set the top switch on the microphone to the high pass filer setting. Set the bottom swtich to +20 dB. Turn the camera on. Go into the audio settings and switch them to manual. Set it to the lowest setting possible, then increase it four notches.
You're welcome.
Seriously, out of the box, you're going to get a notable hiss (like in all Canon DSLR footage) and you're going to think this only adds slightly to your footage audio. If you use these settings, they are the best, and recommended from Rode (though not in the manual).
I actually made a video reviewing the mic and all the settings therein. In the video you can hear exactly what kind of output you get from each setting. You be the judged. As Amazon video reviews are 100MB or less, and mine is larger, and as they don't allow YouTube links, all I can say is to search YouTube for Alfeetoe and find my Videomic Pro review.
Hope this helps and streamlines the setup process a bit.
Turn on the microphone. Plug it into the camera. Set the top switch on the microphone to the high pass filer setting. Set the bottom swtich to +20 dB. Turn the camera on. Go into the audio settings and switch them to manual. Set it to the lowest setting possible, then increase it four notches.
You're welcome.
Seriously, out of the box, you're going to get a notable hiss (like in all Canon DSLR footage) and you're going to think this only adds slightly to your footage audio. If you use these settings, they are the best, and recommended from Rode (though not in the manual).
I actually made a video reviewing the mic and all the settings therein. In the video you can hear exactly what kind of output you get from each setting. You be the judged. As Amazon video reviews are 100MB or less, and mine is larger, and as they don't allow YouTube links, all I can say is to search YouTube for Alfeetoe and find my Videomic Pro review.
Hope this helps and streamlines the setup process a bit.
36 of 37 people found the following review helpful
By Audio Visual
I bought this Rode VideoMic Pro Compact Shotgun microphone to go with my Panasonic TM900 camcorder since I travel a lot shooting interviews etc. I needed something that was light and compact in keeping with the scale of the TM900. I had very bad experiences with the Sennheiser MKE300 - wow has that company gone downhill. The Sennheiser had a constant hum and static and I couldn't get enough volume out of it.
I have the Rode Videomic which is good but is too big for the TM900 and I've found it unwieldy for traveling (somehow its Z shape and those rubber bands don't give me a lot of confidence).
The Videomic Pro however is almost a perfect match for the TM900. It fits well into the bracket and there's no problem with fitting the plug into the camera's mic socket (which is set at an angle). I also fitted a larger ring wide angle adapter(the EXII HD7X46)and this does not interfere with the mic.
The audio from the mic is great - it's quite sensitive but reducing to -10DB is generally adequate for normal interview situations - relatively quiet room, one subject facing camera and mic. Setting the internal recording level to 0 seems to do the trick. For quiet voices you can up the mic to 0db or +20db. I have not had occasion to use the latter yet.
The mic also has a high pass filter (HPF) which cuts rumble. I am not sure if this cuts wind sound significantly but will try that later.
The mic does not seem to pick up motor noise from my camera but then I don't do a lot of zooming when I'm filming (and when I have, the mic hasn't picked it up). Like my other Rode mic, it is also suspended on "rubber bands" but this time only two (and they give you spares). The rubber bands can detach quite easily so it's something to be aware of.
I like the inclusion of a LED light to tell you that the mic is on and also to tell you if the battery is ok or not.
I did NOT like the difficulty of inserting the battery. You have to futz around with the front cover which latches onto a groove under the actual barrel of the (foam covered) mic itself and then push up to latch the bottom. The diagram in the instruction book conveniently omits the actual mic! I guess it's always difficult the first time and maybe I'll get used to it. Anyway it's lucky that one good battery will last for around 70 hours (at least that's what Rode claims) so I hope I don't have to change the battery a lot.
Also for this price it would have been nice to get a case of some sort but no such luck. Anyway I use small Pelicans or soft foam bags for packing.
I haven't tried them yet but this mic can also be fitted to a boom, and there is a pistol grip for it. The bottom has a screw thread so you can put it on a stand but you will need an extension cord to reach the camera as the cord that is attached to the mic cannot be removed and is short.
The mic weighs 0.18 lb (86 g) and its dimensions are 1.69"x6.02"x3.74".
Conclusion: if you need a small and light mic for a similarly scaled camcorder, this is a great purchase. I'm very satisfied with it and it does a good job.
I have the Rode Videomic which is good but is too big for the TM900 and I've found it unwieldy for traveling (somehow its Z shape and those rubber bands don't give me a lot of confidence).
The Videomic Pro however is almost a perfect match for the TM900. It fits well into the bracket and there's no problem with fitting the plug into the camera's mic socket (which is set at an angle). I also fitted a larger ring wide angle adapter(the EXII HD7X46)and this does not interfere with the mic.
The audio from the mic is great - it's quite sensitive but reducing to -10DB is generally adequate for normal interview situations - relatively quiet room, one subject facing camera and mic. Setting the internal recording level to 0 seems to do the trick. For quiet voices you can up the mic to 0db or +20db. I have not had occasion to use the latter yet.
The mic also has a high pass filter (HPF) which cuts rumble. I am not sure if this cuts wind sound significantly but will try that later.
The mic does not seem to pick up motor noise from my camera but then I don't do a lot of zooming when I'm filming (and when I have, the mic hasn't picked it up). Like my other Rode mic, it is also suspended on "rubber bands" but this time only two (and they give you spares). The rubber bands can detach quite easily so it's something to be aware of.
I like the inclusion of a LED light to tell you that the mic is on and also to tell you if the battery is ok or not.
I did NOT like the difficulty of inserting the battery. You have to futz around with the front cover which latches onto a groove under the actual barrel of the (foam covered) mic itself and then push up to latch the bottom. The diagram in the instruction book conveniently omits the actual mic! I guess it's always difficult the first time and maybe I'll get used to it. Anyway it's lucky that one good battery will last for around 70 hours (at least that's what Rode claims) so I hope I don't have to change the battery a lot.
Also for this price it would have been nice to get a case of some sort but no such luck. Anyway I use small Pelicans or soft foam bags for packing.
I haven't tried them yet but this mic can also be fitted to a boom, and there is a pistol grip for it. The bottom has a screw thread so you can put it on a stand but you will need an extension cord to reach the camera as the cord that is attached to the mic cannot be removed and is short.
The mic weighs 0.18 lb (86 g) and its dimensions are 1.69"x6.02"x3.74".
Conclusion: if you need a small and light mic for a similarly scaled camcorder, this is a great purchase. I'm very satisfied with it and it does a good job.
Most Recent Customer Reviews
4.0 out of 5 stars
Great Quality Mic, But...
I really wish that they could make a stereo version of this mic and it was a bit "sturdier" like some metal casing and bracket, but the gain function is awesome, the levels... Read more
Published 1 day ago by William B. Cartwright
4.0 out of 5 stars
Annoying battery compartment and flimsy suspension system
Rode VideoMic Pro VMP Shotgun Microphone
This has nothing to do with the sound which is fine, once you have taped the battery in place with some duct tape because the battery... Read more
This has nothing to do with the sound which is fine, once you have taped the battery in place with some duct tape because the battery... Read more
Published 6 days ago by Jay Wimer
4.0 out of 5 stars
Works as advertised.
I'm using this on either a canon 5dmk2 or 7d. It's an improvement over the in-camera mic for sure when audio levels are set manually. Read more
Published 12 days ago by Erock
2.0 out of 5 stars
Too fragile!
I like the sound from this Rode videoMic Pro much better than the sound from the built in5D MKIII mic but the flimsy wire and rubber springs are a huge disappointment. Read more
Published 16 days ago by Soundrider
4.0 out of 5 stars
Loving my Rode
This little mic has been put to work since i got it. It is now a mainstay in my camera bag. Thanks Rode!
Published 1 month ago by EarlyBird973
5.0 out of 5 stars
Good mic, good sound.
My only grip is that the rubber isolating mounts like to come off easier than I would like them to while rough handling. It does come with extra rubber mounts, nice.
Published 1 month ago by Samuel Matz
5.0 out of 5 stars
second rode mic, i will be buying more
this is my second rode mic, i also have the rode stereo mic pro, this one is mono, but it pipes audio into both channels, its small, light weight, and it sounds amazing. Read more
Published 1 month ago by keven
5.0 out of 5 stars
Amazing Shipment
So I order this Item for $209 from the company Helix Camera, Wednesday April 10 and was excited.
They said it will be arriving between the 17 and the 23 so it was far from... Read more
They said it will be arriving between the 17 and the 23 so it was far from... Read more
Published 1 month ago by Richard Cepeda
5.0 out of 5 stars
Works very well!
I've now had this for a year or so and used it in a variety of situations. I've had good luck doing video interviews with this on my DSLR. Read more
Published 1 month ago by Jeffrey L. Funderburk
5.0 out of 5 stars
Great Shotgun Mic!
Inexpensive for the quality. I've owned this microphone for several months and I've been very happy with it. I use it with a Canon DSLR.
Published 1 month ago by JayKay
