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1. Oscar Hammerstein was passionately against racism, (note his song "Carefully Taught" in South Pacific) and I was told by his daughter, Alice, at the premiere that he would have been overjoyed with this production.
2. Early on in the process of re-realizing this score, I felt skeptical when I was asked to tailor the music to the talents of R. & B. recording artists. In the midst of production, I received correspondence from both the R. & H. organization, as well as from Mary Rodgers herself (Richard's daughter) that they were "ecstatic" at the updated sound of the score. "My hero," were her words to me upon being introduced to her.
Imagine my delight at hearing the above, being that I was an AVID R. & H. fan as a child AND adult. I watched the 1965 version religiously year after year until it was no longer aired. I feel very privileged to have had the honor to have been able to tailor this magnificent score to a new generation of listeners. It was an experience I will not soon forget!
This time however, the score is augmented with three new songs, written by Rodgers and Hammerstein in their seperate early careers.
They include 'The Deepest Love In All The World', sung by Brandy and Paolo Montalban, 'The Music In You', sung by Whitney Houston, and, my personal favourite, 'Falling In Love With Love', sung by the incomparable Bernadette Peters, with additional vocals by Natalie Desselle and Veanne Cox.
The entire production is flawless, and I loved every minute of it.
It has previously been recorded live on television with Julie Andrews and again with Lesley Ann Warren. Both of those cast albums are still available.
One thing that I loved about this movie was the blending of the old and new. The Rogers and Hammerstein songs written for this movie were still on this movie (bravo to Disney for including them!!), but they were sung by Brandy, a "Cinderella" whose pretty "pop" voice gives them a modern twist. The stepsisters just can't get much funnier, and their outrageous ballgowns and ballroom blunders will leave you in stitches. Humor also comes in the form of the king and queen-their subtle one-liners will also make you laugh. A subtle yet wonderful new addition to this movie is the varied cast-creating a fairy tale world of every skin color.
The producers of this movie also knew what NOT to change. The prince as every bit as charming as a fairytale should be, and of course the glass slipper is present...and even the slight stiffness of Brandy's acting is forgivable doesn't spoil this otherwise wonderfully done fairy tale.
Brandy does not have near the voice to do a Rogers and Hammerstein. I still don't understand why she was cast as Cinderella. I hope she will not attempt another musical in the future. Whitney was Whitney. She succeeded in turning the fairy godmother into her image.
Fortunately, the rest of the cast more than make up for them. Overall, the acting was good. The singing (beside Brandy) was excellent. Whoopi Goldberg and Victor Garber were great as Queen and King. Whoopi was hilarious, but I wish she didn't have to sing. I agree with the other reviewers that Bernadette Peters stole the show as the wicked stepmother. Her singing and acting were superb. Jason Alexander was OK as the Prince's Valet, but why did he need that accent??? The two stepsisters were funny.
The real fairy tale is newcomer Paolo Montalban. He was exceptional in his TV debut and what a fantastic voice. I hope to hear him sing again. His prince was perfectly charming, and he could dance too.
Lastly, the mutlicultural casting is ingenious. All the actors and actresses were cast by their singing (except Brandy) and acting (except Whitney) ability. Disney didn't make this an all-white or all-black Cinderella so children of all races can enjoy it. For the people who think that this is not realistic, remember THIS IS A FAIRY TALE. If mice can change into horses and pumpkins into coaches that fly then why can't a white king and a black queen have an asian son. We don't need an scientific explanation to everything. Just enjoy the movie. ~