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This edition is based on the text first published by the Hogarth Press in 1940, amended to include corrections Woolf requested but which were never made in the impressions printed by the Press before her death. A relatively complete typescript version of the biography survives, as part of the Berg collection at the New York Public Library, and the results of a computer collation of this typescript with the first English edition are included in a list of substantive variants. These document Woolf's revising and editing process in response to stylistic concerns and to the actual or anticipated reactions of her readers, including Fry's family and friends.
In her introduction, Diane F. Gillespie traces Woolf's work on the biography, including the problems she faced and the solutions she found, and provides a history of its critical reception. Annotations identify sources as well as the historical and personal contexts of Fry's remarks and experiences. Other appendices contain previously unpublished materials: memoirs by Roger Fry and a further, brief, attempt by Woolf to sketch his portrait in words. --This text refers to the Hardcover edition.
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Most Helpful Customer Reviews
6 of 10 people found the following review helpful:
4.0 out of 5 stars
Roger Fry,
This review is from: Roger Fry: A Biography (Paperback)
This biography is written by one of the best writers of the 20th century and concerns one of the most influential art critics of visual art. Roger Fry loved traditional Italian art and was converted through a very gradual and natural process to become an advocate for modern art. Roger Fry came to see and apprecaite his contemporaries in visual art as making and having made important contributions. Time has proved Roger Fry correct and his critics wrong. Who among us doesn't not know that van Gogh, Gaugain and Cezanne are important artists? Virginia Woolf is a perceptive and excellent writer. This is her only bow to biography. It is a pleasure to read about a significant personality written by such a good writer.
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