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- Includes Parts and Labor coverage plus accidental damages caused by drops and spills
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Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) - Fixed
|Price:||$339.00 & FREE Shipping. Details|
- Enter your model number above to make sure this fits.
- Lens not Zoomable
- Minimum Focusing Distance of 10.8 inches
- This is the new updated UMC version
- 14 Elements in 12 Groups
- Aperture Rane: F/2.8 - F/22
- 6 Diaphragm Blades
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|Aperture Control Design||Includes aperture ring|
|Compatible Lens Hood Part Number||Built-in petal-type hood|
|Compatible Mountings||Canon EF|
|Item Dimensions||3.43 x 3.43 x 3.78 inches|
|Item Display Weight||3 pounds|
|Item Weight||1.22 pounds|
|Manufacturer Warranty Description||One Year Limited Manufacturer Warranty|
|Maximum Focal Length||14 mm|
|Maximum Format Size||35mm full frame|
|Minimum Focal Length||10.5|
|Real Angle Of View||115.7 Degrees|
|Shipping Weight||2.05 pounds|
|Zoom Type||motorized zoom|
Compare to Similar Items
This item: Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon (Black) - Fixed
Canon EF-S 24mm f/2.8 STM Lens B00NI3BZ5K
Canon EF-S 10-18mm f/4.5-5.6 IS STM Lens B00K899B9Y
Canon EF 50mm f/1.8 STM Lens B00X8MRBCW
|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Compatible Mountings||Canon EF||Canon EF-S||Canon EF-S||Canon EF|
|Dimensions||3.43 inches x 3.78 inches x 3.43 inches||2.68 inches x 0.91 inches x 2.68 inches||2.95 inches x 2.83 inches x 2.95 inches||2.72 inches x 1.54 inches x 2.72 inches|
|Item Weight||1.22 pounds||0.28 pounds||0.53 pounds||0.35 pounds|
|Lens||wide-angle-prime||Prime lens||wide-angle||Prime lens|
|Maximum Aperture||2.8||Information not provided||4.5 f||5.6 f|
|Max Focal Length||14 mm||24 mm||18 mm||50 mm|
|Min Focal Length||10.5||24 mm||10 mm||50 mm|
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Top Customer Reviews
- Manual lens, but you know that, right? Thankfully its depth of field at anything over f/5.6 is deep enough to cover most situations, those close-ups require patience. Perhaps it's my eyesight, but I have a hard time seeing the image clearly enough to gauge precise focus. I usually resort to a test shot or two.
- no range rings to assist with depth of field
- even with the fixed hood, its bulbous glass makes it a big target for rain; I hike in the Pacific Northwest, so you can understand the challenge to keep it clean
- the mustache distortion begs for post-process fixing on images with long horizontal lines
- great images -- crisp, but it gets a bit blurry right at the edges/corners
- only $350!
- fast @ f/2.8
- solid lens cap -- my lenses get bounced around a lot and I appreciate the extra protection.
I continue to believe this is one of the best lens values on the market. If you're a competent photographer and can handle a totally manual lens, you will be hard-pressed to own a better lens value for the price. I have some photos from this lens that rival or exceed the quality of Canon L-glass lenses.
1. This lens is cheaper by orders of magnitude over similar lenses. To get a fast prime lens like this usually costs upwards of $2000, for a mere fraction of that price this lens blows away the competition.
2. Sharp. This lens has great optics and takes sharp pictures corner to corner by f/8. Wide open it is is a little softer in the corners, but that is just how it goes, unless you want to spend $5000 that probably won't change.
3. Almost no Coma or Chromatic Aberration. For those who don't know, coma is when points of light appear as streaks or smears. The only time this is really encountered in a practical situation is when you are photographing stars. Even on the much more expensive canon and nikon lenses the corner stars appear as ugly streaks, this lens has some of the best coma correction available
1. Fully manual. This may or may not be a con for you, but in the age of auto-focus, and auto everything, it certainly takes some getting used to. My first 20 pictures with this lens all looked terrible because I was focusing wrong and underexposing. Once I spent some time learning how to properly use a manual lens those problems disappeared.
2. Distortion. This is not really a good lens for architecture. There is rather significant mustache distortion in this lens. This can be corrected in post processing by finding the correct lens profiles online, but that is not ideal if you are photographing buildings and man made structures for a living.Read more ›
After receiving the lens, I ran some tests against 16-35 2.8, and sigma 12-24, and was floored. The corner to corner sharpness of this lens is fantastic. I peaks at around 5.6, but the corners at 2.8 are better than the other 2 lenses at f11. the microcontrast and color is very good. The barrel distortion is hefty, and complex with a mustache distortion, however, often not well visible in landscape, but visible in architectural images. It is correctable using a $25 program called ptlens, and there is also a profile for acr 6.1 out there, which works great. It is an absolute bargain. I purchased a focus confirmation chip for 14 from ebay, glued it on, and I get focus confirmation too.
feb 2012 update
I have had this lens along side Nikon 14-24 2.8, adapted to canon with use on my 5d2, and at 2.8, the rokinon is sharper in the corners has less flare and less CA than the mighty Nikon. However the nikon has less distortion, and catches up by f 5.6 even in the corners. Additionally, do not rely on the distance markings on the focus ring. On my copy infinity focus is achieved at the 3 meter marking. 3 meters is achieved at 2m. for my style of shooting I dont find this troublesome at all. for landscape shooting I focus with live view anyway. for hand held, my focus is between 1 and 2 meters most of the time and it works fine.
For landscapes or seascapes, this lens is just an absolute must - especially when you frame your shot with objects in the foreground, this lens will grab all the foreground subjects and set the stage for the scenery in the background. You will NOT get the "look" you get from this 14mm on a 24mm lens. You just can't. If you think your 24mm is the ideal landscape lens, you will be shocked at what you've been missing with the 14mm.
The lens is very sharp. I would say the sweet spot is somewhere between f/8 and f/11 but I tend to set mine at f/16 for landscape shots.
This lens is a manual lens. It does not have an "autofocus" feature. If you are looking for an ultra-wide lens with an autofocus feature, please just buy a point-and-shoot camera because any professional landscape photographer will tell you you must manually focus your landscape shots in order to get the sharpest pictures. There's just no need for autofocus for this type of lens so stop using this as a reason to not get this lens.
The only downside I see about this lens is the inability to put a filter on it. I can't even use my Cokin filter adapter on it and it's mainly due to the "bulb" shaped glass in the front. For seascape shots, this may be a tough call especially when you're trying to cut through the water in order to capture rocks, etc. Don't get me wrong.Read more ›
Most Recent Customer Reviews
This was an amazon whse deal. Not such a good deal. All the shots i took had a group of halo blobs running thru the photo. Read morePublished 7 days ago by Kindle Customer
I have been using this lens for over a year now, and it is pretty much awesome! It takes some of the BEST astrophotography photos because of the higher apertures. Read morePublished 12 days ago by Amazon Customer
I read A LOT of reviews on this, as well as watched several YouTube vids. Some (Ken Rockwell) gave this lens a bad rap. Almost caused me to not take a chance on it. Read morePublished 12 days ago by Alan
Paired this with my [full-frame] A7S as an affordable astrophotography option. This baby lets me get the full 30" exposure out of the sensor without resorting to Bulb mode,... Read morePublished 16 days ago by Aaron_MT
This Is a amazing lens for the price and it has aperture changing feature which is pretty nice. I decided to return it though because I went with the nikon f/2. Read morePublished 16 days ago by andyman