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Roland Barthes [Paperback]

Roland Barthes (Author), Richard Howard (Translator)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

September 28, 1994
Roland Barthes was one of France's leading literary critics and cultural commentators who died in 1980. This work, first published in 1977 has come to be seen as one of the author's key works. It is a kind of autobiography, both personal and theoretical, giving an account of his tastes, his childhood, his body then and later in life, his education, his passions and regrets. Other works by Roland Barthes include "Writing Degree Zero", "The Pleasure of the Text", "S/Z", "On Racine", "Elements of Semiology" and "Mythologies" and "Camera Lucida".
--This text refers to an out of print or unavailable edition of this title.

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Editorial Reviews

Review

"[Barthes] realizes that his greatest achievement is not what he is, nor even what he has done, but rather how he has done it. So his self- portrait is not primarily a recollection of events or earlier works. It is, rightly, a delineation of the method rather than the man. And so persuasive or provocative are its assertions and associations that it is impossible to read this portrait of a style passively." -- Jacob Stockinger, San Francisco Review of Books

Language Notes

Text: English (translation)
Original Language: French

Product Details

  • Paperback: 186 pages
  • Publisher: University of California Press (September 28, 1994)
  • Language: English
  • ISBN-10: 0520087836
  • ISBN-13: 978-0520087835
  • Product Dimensions: 7.9 x 5.3 x 0.6 inches
  • Shipping Weight: 7.2 ounces
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,198,199 in Books (See Top 100 in Books)

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9 of 10 people found the following review helpful:
4.0 out of 5 stars Strange and Brilliant, March 30, 2000
This review is from: Roland Barthes (Paperback)
For the Roland Barthes fan--or any budding postmodernist--an absolute must read. Strange, often baffling, Barthes uses the "autobiographical" form to write what is part criticism, part poetry, part myth and part "true story"--if its not too unpostmodern to even use the word true. The title suggests it all--Barthes becomes his text, and vice-versa. Not a beach read, for sure, but very interesting nonetheless.
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