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1 of 1 people found the following review helpful:
5.0 out of 5 stars THE Monitor System for Singing Drummers On a Budget!
Over the years, I have transistioned from loud, hearing-wrecking wedge monitors to isolating full headphones to in-ear monitors. As a singing drummer, monitoring vocals (mine and everyone else's) as well as whatever else I can get from a monitor mix has always been a challenge. A few years ago, I started using a Mackie 1202-VLZ mixer, with an old DBX compressor/limiter...
Published 8 months ago by T. Goodrich

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2 of 3 people found the following review helpful:
1.0 out of 5 stars Degrades sound quality
I'll keep it short.

1) Plugged headphones into laptop
2) Listened to music
3) Sounded BAD@$$

4) Plugged laptop into line level input on Rolls Amp
5) Plugged headphones into rolls
6) listened to same material
7) Sound Like: Lost low end response and signal degradation (distortion)

<==== I'm an audio...
Published 23 months ago by E. de Moya


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1 of 1 people found the following review helpful:
5.0 out of 5 stars THE Monitor System for Singing Drummers On a Budget!, June 7, 2011
This review is from: Rolls PM50S Personal Monitor Amplifier System
Over the years, I have transistioned from loud, hearing-wrecking wedge monitors to isolating full headphones to in-ear monitors. As a singing drummer, monitoring vocals (mine and everyone else's) as well as whatever else I can get from a monitor mix has always been a challenge. A few years ago, I started using a Mackie 1202-VLZ mixer, with an old DBX compressor/limiter and a complicated system of patch cables to get the desired audio (which sometimes included a click track) into my Shure in-ear monitors. This worked well, but required a lot of stuff to carry around, and a lot of time to set up and tear down.

About a year ago, I began to look around for an easier solution, and found the Rolls PM50S Personal Monitor Amplifier System. I was familiar with the Rolls line, as I have worked at radio stations that used their other headphone amplifiers, AM/FM receivers and other gear. I ordered one, and when it arrived, I was amazed at how compact--yet well-built--the unit is! The box is metal, not plastic. At first, the "jumpers" for changing inputs from stereo to mono, turning phantom power on/off, etc., seemed a little strange, but after reading more on their website about why they use jumpers instead of switches (the recessed jumpers are much less prone to breaking compared to switches), it made sense. I just carry some small needle-nosed pliers with me, in the rare event that I might need to alter a setting.

As a singing drummer, being able to quickly use the "more me" feature to boost or cut my vocal level balance against the monitor input is a God-send! The Line Input uses a 1/4-inch jack, but I have an XLR female-to-phone plug male adapter, allowing me to get a mix back from the board regardless of the output configuration. For some gigs, I also use a click track (which comes from the Tempo app on my iPhone these days!). I simply plug the 1/8-inch-to 1/4-inch stereo patch cable from my iPhone output into the Instrument input on the Rolls, and with the input on that set to mono, I get a great click track feed with its own independent level!

As for set-up/tear-down, I have gone from carrying around the Mackie (in a carry-on suitcase bag!) and a bunch of cables, to a very compact rig: I bought one of those aluminum briefcases they sell for around $25 at Harbor Freight Tools that has the customizable foam rubber cushioning on the inside. I created places to store the PM50S, AC adapter, a few cables, my Shure SM-58 bag, and a 20-foot XLR cable (coiled up after the gig). The case only weighs about 5 lbs., and it has everything in one case for my entire monitoring setup! Talk about easy!

I have had to get used to not having any compression or limiting, but that just requires some careful level-setting on my part. I believe Rolls makes a similar-sized compressor/limiter unit to work with the PM50S, and I may order one down the road; but for now, I give this 5 stars. It does what I need it to do, the sound quality is great, and the ease of carrying, setup and tear-down has made a big difference in the amount of time I spend assembling and disassembling my monitoring system. I highly recommend it to any gigging musician who doesn't have the big $$$ to spend just to be able to hear properly on stage!
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Great Little Box For A Great Little Price!, May 2, 2011
This review is from: Rolls PM50S Personal Monitor Amplifier System
I'm a working musician with a tiny budget, who needed a very inexpensive and simple solution to hearing my own vocals and the total music mix at gigs. Forget the wireless systems, which start in the mid-hundreds and go into the thousands. I work with backing tracks which, along with my vocal and sax mics, are fed into a pre-amp, power amp, and a PA speaker. The headphones jack on my preamp feeds the Rolls' "monitor" input, and I listen to the Rolls' output via a single combined-stereo right earbud. (You can also monitor the mike separate from the mix, as the PM50S has a dedicated mic input with it's own output volume control.) I just started using the system last weekend and it works fabulously. Instead of straining to hear my voice and my tracks, and wondering if I'm singing in tune, I now have a crystal-clear mix going into my right ear and I can just relax and concentrate on my performances. Now I must say, I stand in 1 spot when I perform, so for me the wire is not an issue-- If your performance involves bopping around on stage or mixing with your audience, obviously a wired monitor ain't gonna cut it. But it's a God-send for me: It's a small box, just sits on top of my equipment stack and takes 10 seconds to plug in, set up and go. If you're a working musician and want a simple, cheap solution to hearing yourself on stage, and you don't mind a wire, this will be the best $50 you'll ever spend!
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2 of 3 people found the following review helpful:
1.0 out of 5 stars Degrades sound quality, March 18, 2010
Amazon Verified Purchase(What's this?)
This review is from: Rolls PM50S Personal Monitor Amplifier System
I'll keep it short.

1) Plugged headphones into laptop
2) Listened to music
3) Sounded BAD@$$

4) Plugged laptop into line level input on Rolls Amp
5) Plugged headphones into rolls
6) listened to same material
7) Sound Like: Lost low end response and signal degradation (distortion)

<==== I'm an audio engineer and I've been in the business for quite a while. I know enough about gain structure to know that i was not driving the rolls input too hard. This headphone amp is not right for you if you're looking for a quality reference signal in your headphones.
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5.0 out of 5 stars Good Solid Product, February 8, 2012
This review is from: Rolls PM50S Personal Monitor Amplifier System
I really like these products. I bought the PM50S and the larger PM351. The nice thing about these units is that they act as a DI box for longer cable runs(just switch the jumpers to lift). Our church uses these personal monitors on a 120' cable run back to the board and they work great. The construction of the unit itself is sturdy, and the knobs have a decent feel to them. The stand clamps are super useful. I would recommend them. Remember to buy a stereo cable extension. Most ear bud cable don't have enough slack to give you the freedom to perform and be comfortable on stage.

This product has really helped control our bands volume. Now we don't need to blast sound out of our floor wedges, we just bring a pair of ear buds.

Good Product.
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5 of 14 people found the following review helpful:
5.0 out of 5 stars works great, February 7, 2007
Amazon Verified Purchase(What's this?)
This review is from: Rolls PM50S Personal Monitor Amplifier System
I got this for my husband and he says it's excellent. I'm not even sure what it is, but it works great for him. Some of the other members of his band were impressed and will order one as well.
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Rolls PM50S Personal Monitor Amplifier System
$70.00 $47.94
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