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7 of 9 people found the following review helpful:
5.0 out of 5 stars
Prose from the underground, September 13, 2001
This review is from: Roman Poems (City Lights Pocket Poets Series) (Paperback)
Pier Paolo Pasolini was most remembered as a controversial filmmaker -- Salo;120 days of Sodom is his most notorious, famous because it proceeded his tragic death. Likewise, Pasolini possessed others talents: painting, which was undermost and, as already proved on this site, writing. Pasolini began writing prose/poetry at an early age but soon developed his talent as a fiction writer (some of his films were originally novels). Roman Poems, beautifully translated by Lawrence Ferlinghetti, is a collection of Pasolini's scribblings: mainly prose, eulogies, odes, and long-poems. These compositions were compiled from different sources: some books dating from Pasolini's teenage years, others sometime before his death. Roman Poems presents many themes but usually centers around Pasolini's lifestyle as a street hustler and derelict; his poems are generally set in his Roman homeland --hence the titled. Moreover, Pasolini has created a ideology all his own, attacking groups as the aristocracy, Fascist Italy, Capitalism, and sympathizing the proletariat and the underdog. Of all the pieces in the book, the ones that stands out the most is "A Sentimental Education," and "The Resistance and its Light;" both exhibiting intense imagery and spirit for which Pasolini was known for. Unfortunately, Pasolini was persecuted and despised by many people: indeed an untimely death for an artist of his time. It's sad to say that people still have a hard time comprehending Pasolini, and this incomprehension usually manifests itself as deep-seated hatred. Roman Poems presents Pasolini as a man who anticipated a change in politics as well as a change in art. Those who will read are taking a great step.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
A passionate and politically charged voice from Italy, August 9, 2005
This review is from: Roman Poems (City Lights Pocket Poets Series) (Paperback)
"Roman Poems," by Pier Paolo Pasolini, is a bilingual edition with Italian and English versions of the poems on facing pages. The translations are by Lawrence Ferlinghetti and Francesca Valente. The book includes a preface by Alberto Moravia, who describes Pasolini as "a civil poet," by which Moravia means "a poet who sees his native land in a way that the powerful of the country do not and cannot see it." There are a number of recurring themes and motifs in this book: the urban environment, poverty, politics, the life of a poet. Many of the poems have a strong autobiographical or confessional flavor; a number of them deal with death.
Another thing that struck me about these poems was that many of them evoke a gritty, down-and-dirty sense of life. Pasolini's words evoke a world of "sweaty delivery boys," "the sticky smell of coal," "ancient whores," and "alleys choked with darkness and garbage." Much of the book is very rooted in specific places; Pasolini cites such geographic names as the Viale Marconi, Trastevere Station, the fields of Aniene, Piazza Bologna, and the Garibaldi Bridge. Pasolini creates a particularly powerful and mesmerizing portrait of the city. He takes the reader from "the bourgeois quarter" to "a poor people's house at the city's far edge," and vividly appeals to the senses as he describes what he encounters on the journey.
Some of the poems that appealed to me the most are as follows. "The Privilege of Thinking" offers the speaker's thoughts and observations while on a train ride; the poem is very down-to-earth, yet also has a transcendent quality. "Sex, Consolation for Misery" is a darkly prophetic vision of a "new world" being born; the poem offers a paradoxical message and hallucinatory imagery. "I Work All Day. . ." combines a playful touch with a political edge as the speaker reflects on his role as a poet. "But It Was a Naked and Swarming Italy" offers a vivid and passionate portrait of a young poet living in poverty in Italy in the 1950s and 1960s. But my favorite piece in the collection is "Toward the Caracalla Baths," which combines deliciously rich and evocative language with an effective parallel structure as the poet describes a diverse group of characters heading towards the title baths.
The back cover of the book notes that Pasolini was born in 1922 in Bologna, and was murdered in 1975 near Rome. I found this book very hard to get into on my first reading. But as I re-read the poems, Pasolini's language and vision began to really come alive for me; he may be one of those poets whose work rewards patience and attentiveness. In "Roman Poems" Pasolini is very introspective and psychological, but also casts a penetrating cinematic gaze on 20th century Italy in both its beauty and its pain.
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1 of 2 people found the following review helpful:
5.0 out of 5 stars
One of the many shades of Pasolini...., July 14, 2008
This review is from: Roman Poems (City Lights Pocket Poets Series) (Paperback)
Many here in the US know Pier Paolo Pasolini as a filmmaker, and many know him solely for his last film, Salo or the 120 Days of Sodom, arguably the most disturbing, disgusting, and controversial movie ever made. He was a multi-faceted man to say the least. He was an essayist, a political activist, a playwright, a novelist, and a poet (in addition to being a filmmaker). This is a small but vital collection of some of his most famous poems. My favorite one is "But It Was a Naked and Swarming Italy", along with "The Wealth of Knowing". This is a reasonably priced, tiny collection of Pasolini's poetry, and is definitely worth picking up for anyone who is interested in this brilliant, controversial artist.
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