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Roman Spring of Mrs Stone [Paperback]

Tennessee Williams (Author)
4.6 out of 5 stars  See all reviews (5 customer reviews)


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Product Details

  • Paperback
  • Publisher: Bantam Books (1976)
  • ASIN: B000UOA1QO
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #9,327,958 in Books (See Top 100 in Books)

More About the Author

Tennessee Williams (1911-1983), one of the 20th century's most superb writers, was also one of its most successful and prolific. His classic works include Cat on a Hot Tin Roof, A Streetcar Named Desire, The Glass Menagerie, Summer and Smoke, Camino Real, Sweet Bird of Youth, Night of the Iguana, Orpheus Descending, and The Rose Tattoo.

 

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Average Customer Review
4.6 out of 5 stars (5 customer reviews)
 
 
 
 
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16 of 16 people found the following review helpful:
4.0 out of 5 stars Vintage Williams, August 1, 2000
By A Customer
Tennessee Williams is, of course, one of the country's master dramatists. So much emphasis is placed on his plays, however, that it is easy to forget that Williams--poet, novelist, essayist--was a true man of letters. While it lacks the intensity of "Streetcar" or the heartbreaking tenderness of "The Glass Menagerie," "The Roman Spring of Mrs. Stone" is vintage Williams just the same. Williams once said that he was interested in characters who "were frightened of life. . .who were desperate to reach out to another person." Karen Stone, a lonely, fragile woman who is desperate to "stop the drift" following the death of her husband and her own fading youth and beauty, is such a character. It will never be considered one of his masterpieces, but it will touch your heart in a way that only Williams can.
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9 of 9 people found the following review helpful:
4.0 out of 5 stars "What's talent but the ability to get away with something?", July 17, 2005
Two-time winner of the Pulitzer Prize for Drama, Tennessee Williams abandons his southern roots by setting his fascinating first novel (1950) in Rome, just after World War II. An American actress, recently widowed, decides to live in Rome after retiring from the stage. Karen Stone, now in her fifties, is still nursing her ego after attempting but failing to be a convincing Juliet, the critics having cruelly pointed out her advanced age. Sensitive about the loss of her beauty and her plummeting career, Mrs. Stone plans to lead a less visible life in Rome.

Making the acquaintance of the Contessa, a friendly but cruelly manipulative and impoverished woman who introduces her to a series of beautiful young men, Mrs. Stone allows herself to be escorted but refuses the young men's other favors. Even with Paolo, the most attractive of her escorts, she maintains her dignity, until, after a particularly bitter argument, she realizes that she can use him for sexual pleasure, without guilt or remorse, since there is no possibility of unforeseen biological consequences.

As Mrs. Stone explores her sexuality in an effort to prove her desirability, Williams is remarkably candid about the characters' relationships. Sensitively, and with an expert eye for the vulnerability of women of a "certain age," he explores Mrs. Stone's relationship with a long-time female friend, her seemingly passionless marriage to Tom Stone, her budding sexual liberation, and Paolo's relationships with other men and women. Gradually, Mrs. Stone becomes more dependent on Paolo for emotional support while Paolo demands more of Mrs. Stone's financial support, until they both reach breaking point.

Williams's vibrant dialogue successfully reveals the tensions and expectations of Mrs. Stone, the Contessa, and Paolo through their conversations, but Williams is also startlingly adept at incorporating symbols which add to the intensity of the internal action. The seasons, the imagery of birds, and even Mrs. Stone's name enhance the plot and themes, while the action ironically mimics the Romeo/Juliet tragedy. Small details add to this irony--a handsome young man follows Mrs. Stone, and as she gazes at him from the top floor of her apartment near the Spanish Steps, the Romeo/Juliet balcony scene comes to mind. Though the novel is sometimes melodramatic, it never becomes maudlin, and the conclusion, totally different from the two films based upon it, involves an emotional resolution, rather than dramatic action. n Mary Whipple
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8 of 8 people found the following review helpful:
5.0 out of 5 stars Woman Power, Menopause and Nihilism, July 6, 1998
By A Customer
Mr. Williams has managed, yet again, to create a tragic, flawed and brave heroine who stands unique amongst his other memorable female portrayals.

Newly widowed, the over-indulged and aging socialite Mrs. Stone travels to Rome where, amongst her circle of charmed and wealthy peers, she discovers truths about her own inner life as well as the seedy underbelly of the society in which she'd til now played a prominent and sneering role.

A developing, doomed relationship with a young Italian call-boy (controlled by an equally memorable female pimp) uncovers Mrs. Stone's latent passion and lonliness, leading ultimately to a melodramatic submission to the nihilism of anonymous sex.

The depth of Mrs. Stone's passion combined with her reserved dignity represent (to me) the singular beauty and subtle power increasingly inherent in women as we grow older. A beauty and power that are still tragically devalued and discouraged by our society today, more than 30 years after this timeless prose was written.

Read this book for yourself, and for all of the women in your life.

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First Sentence:
At five o'clock in the afternoon, which was late in March, the stainless blue of the sky over Rome had begun to pale and the blue transparency of the narrow streets had gathered a faint opacity of vapor. Read the first page
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Signora Coogan, Miss Bishop, Meg Bishop, King On The Mountain, Jamison Walker, Villa Borghese, Via Veneto
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