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Romancing: The Life and Work of Henry Green
 
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Romancing: The Life and Work of Henry Green [Hardcover]

Jeremy Treglown (Author)
3.7 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

March 20, 2001
Henry Green led a double life. As Henry Yorke, a descendant of the earl of Hardwicke and Baron Leconfield, he was a wealthy aristocrat, with a family fortune and an engineering plant in the British Midlands. As Henry Green (the pseudonym he settled on after trying out Henry Browne), he wrote nine of our century's most original novels, including Living, Party Going, Caught, and Loving all of which, with daringly experimental techniques, capture the psychological truths of ordinary life in dramatic, sometimes poignant, and often hilarious ways. Green also formed friendships and rivalries with many of his time's leading literary figures, including Evelyn Waugh and Anthony Powell, Eudora Welty and Terry Southern. And he led an extravagantly messy personal life.

Jeremy Treglown, the highly praised biographer of Roald Dahl, discusses Green's novels in close connection with his life his unusual camaraderie with factory workers, his sympathy for servants, his ambivalence about his peers, his drinking, and his extramarital affairs. Treglown also shows how Green's portrayal of everyday uncertainties mirrored his efforts to understand his weaknesses and the chaotic conduct of his life efforts whose literary results, John Updike has said, bring the rectangle of the printed page alive like little else in English fiction of this century.

Editorial Reviews

From Publishers Weekly

When the enigmatic English novelist Henry Green (1905-1973) wrote his prewar partial autobiography, Pack My Bag, he approached his life with characteristic obliqueness, refusing to drop the names of his famous friends, such as Evelyn Waugh and Anthony Powell, or even his real name, Henry Yorke. Treglown, professor of English at the University of Warwick and former editor of the Times Literary Supplement, was at one time Green's official biographer. That position was later retracted, but he continued to receive a great deal of help from friends and family. Treglown takes a direct approach to the Green/Yorke identity split and how central it was to this profoundly divided man and his writing. Born into a wealthy aristocratic family, Green was both a dutiful and disappointing son. He published his first novel while still at Oxford but failed to take his degree. He would later head the family engineering firm but first joined as a laborer in its Midlands foundry. Terrified of death, he spent the Blitz in London as a firefighter. His many novels include Party Going, Living, Loving and Nothing, which, Treglown shows, were notable for their stylized yet colloquial dialogue and their combination of High Modernism, like that of Virginia Woolf and Gertrude Stein, and social satire, like that of Waugh and Powell. While Treglown approaches Green with greater sympathy than he gave his prior biographical subject, Roald Dahl, he does not shy from his subject's serial extramarital romances with much younger women or his decline into alcoholism, which finally crippled both his business and literary careers. Terry Southern, a friend of Green's, called him "a writer's writer's writer," and Treglown does a fine job of establishing the previously blurred distinctions and connections between Green's personal and professional identity and his literature. Agent, Amanda Urban, ICM. (On-sale date: Mar. 20)

Copyright 2001 Cahners Business Information, Inc.

From Library Journal

"Henry Green" was the pen name of Henry Yorke, an upper-class British businessman who between 1926 and 1952 produced 13 of the most innovative novels of the century, among them Blindness and Party Going. Born in 1905, Green was educated at Eton and Oxford but periodically made unconventional job choices e.g., factory worker and then volunteer fireman in London during the Blitz. Although a well-known figure both in high society and avant-garde literary circles, he led almost a double life and became fanatically protective of his writing persona. Sadly, his later years were eclipsed by alcoholism, and it has only been since his death in 1973 that he has been considered "a writer's writer's writer." Treglown (English, Univ. of Warwick) is the first to integrate Green's life and writing, using extensive interviews, some family papers, and other archives not previously available. Lack of formal approval from Green's son makes this an unauthorized biography and might ultimately explain why Treglown doesn't quite explain this most elusive man. Nevertheless, this volume, as the first full-length biographical study, is an essential starting point for understanding Green's amazing creations. For general and specialized libraries. Shelley Cox, Southern Illinois Univ., Carbondale
Copyright 2001 Reed Business Information, Inc.

Product Details

  • Hardcover: 352 pages
  • Publisher: Random House; First U.S. Edition edition (March 20, 2001)
  • Language: English
  • ISBN-10: 0679433031
  • ISBN-13: 978-0679433033
  • Product Dimensions: 9.3 x 6.4 x 0.8 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #2,008,326 in Books (See Top 100 in Books)

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9 of 9 people found the following review helpful:
3.0 out of 5 stars ..., April 18, 2003
This review is from: Romancing: The Life and Work of Henry Green (Hardcover)
Henry Green was due for a biography, any biography, that would bring his name and his work back before a wider public. Treglown's mechanical and strangely flat portrait of this fascinating writer is better than nothing, but not by much. He dutifully moves through each of Green's books tracing the surface resemblances between the plots and the outward circumstances of the author's life. Apparently he didn't have a whole lot more to go on: letters, drafts, diary entries, family remembrances and contemporary memoirs are all in short supply. Green's ambivalent feelings towards his aristocratic family, his lifelong fascination with the manners and speech of classes other than his own, his attraction to younger women, his voluntary servitude in the office of the family business and his punishing drinking get almost no analysis from Treglown; they're used more for anecdotes than for a fuller understanding of the novels. Treglown lost the cooperation of Green's son and literary executor, Sebastian, early on. That's not really his fault, but the sloppy writing surely is. Words like "labyrinthinely," "slapdashness" and "shockingness" along with awkward constructions such as "can't not have been relieved" abound. Wherever he is, Green can't not have been appalled.

In a way though, the biography's thinness fits with Green's notorious evasions while he was alive: few photos (many from the back), rare interviews, the mystifying 'Who's Who' entry Treglown opens with. "A fuller biography awaits" as they say--a fact Treglown himself all but admits in his Introduction--but would Green have really wanted one? The books are all back in print and his reputation as a 'writer's writer's writer' is secure. Would this elusive, self-deprecating author have asked for anything more?

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4 of 4 people found the following review helpful:
4.0 out of 5 stars A highly readable biography of a great original, February 8, 2003
This review is from: Romancing: The Life and Work of Henry Green (Hardcover)
Henry Green always hovers somewhere at the margins of the British modernist canon, just as he did during his own lifetime. Despite the exceptional admiration expressed for his strange novels by writers as diverse as Eudora Welty, terry Southern, John Ashbery and John Updike, as Green himself bemoaned in his later years he never received any of the major British writing awards nor is he taught with the consistency his beautiful novels deserve. Here is the first real biography of Green, and the fine critic and biographer Jeremy Treglown appreciates the inherent glamor of Green's career. Born Henry Yorke, the son of a wealthy industrialist's family with aristocratic connections, Green went to school with Anthony Powell and Evelyn Waugh. He and his well-born wife "Dig" were considered among the most goldenhaired of the "Bright Young Things" beloved by London gossip columnists in the Thirties, and during his lifetime he enjoyed relationships with women as talented and diverse as Rosamund Lehmann and Kitty Freud.

Treglown may focus perhaps too much on the more gossipy aspects of Green's life, to the detriment of an understanding of his writing process. Although the novels are each given extensive (and intelligent) analysis, one wishes more space had been given to how Green originated his distinctive writing style. (The withdrawal of assistance and authorization from Green's only son, Sebastian Yorke, may explain some of this brevity.) But for all of that, the biography is one of the most readable and enjoyable of a modernist British writer I've encountered in some time: Treglown has a lovely sense of narrative direction and impulse which makes the book genuinely involving.

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4.0 out of 5 stars Slapdashness?, January 23, 2010
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Michael P Mccullough "moik" (Klamath Falls, Oregon, USA) - See all my reviews
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This review is from: Romancing: The Life and Work of Henry Green (Hardcover)
After recently reading *Pack My Bag,* a detached memoir written by a fairly young Henry Green, I felt I didn't know too much more about this fascinating author than I did before I started it. So I was delighted to hear that there was a recent biography of Henry Green.

Treglown clearly gathered together a tremendous amount of information for this project and picked out what he thought would be appropriate for this biography. I think he did a good job and I learned a great deal about one of my favorite writers. One other reviewer complained that Treglown made up words for this book. Well, so what? Isn't that appropriate for a book about Green? If Green didn't make up words he certainly made up grammatical constructs.

One thing I liked about this biography was how it placed Green's life and his novels within their historical setting and the one regret I have regarding *Romancing* is that there wasn't more of this. Also, the structure and style of *Romancing* is not exactly what I would call intriguing - this is no "page-turner" - and this book encourages a certain amount of skimming and speed reading.

Overall, however, this book is required reading for fans of Henry Green - the "writer's writer's writer."
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