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Romantic Readers: The Evidence of Marginalia
 
 
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Romantic Readers: The Evidence of Marginalia [Hardcover]

H. J. Jackson (Author)

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Book Description

0300107854 978-0300107852 July 10, 2005 annotated edition

When readers jot down notes in their books, they reveal something of themselves—what they believe, what amuses or annoys them, what they have read before. But a close examination of marginalia also discloses diverse and fascinating details about the time in which they are written. This book explores reading practices in the Romantic Age through an analysis of some 2,000 books annotated by British readers between 1790 and 1830.
This period experienced a great increase in readership and a boom in publishing. H. J. Jackson shows how readers used their books for work, for socializing, and for leaving messages to posterity. She draws on the annotations of Blake, Coleridge, Keats, and other celebrities as well as those of little known and unknown writers to discover how people were reading and what this can tell us about literature, social history, and the history of the book.


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Editorial Reviews

From Publishers Weekly

Before there were television and movie screens to talk back to, people vented, pontificated and waxed poetic in the margins of their books, leaving heaps of material for Jackson, an English professor whose Marginalia was a general survey of this practice, to cull and study. She focuses here on the years between 1790-1830, when she says a "reading boom" occurred. Her goal, she writes, is to use marginalia to understand the inner workings of the Romantic-era reader. After a lengthy, fascinating introduction to period's "reading environment" and the then-nature of the publishing industry, she presents three major spheres of Romantic marginalia: everyday markings by students and businesspeople, annotations for friends and lovers, and inscriptions by collectors and writers. Unfortunately, the majority of her lengthy case studies involve literary figures both major and minor (Samuel Coleridge, John Keats and Horace Walpole figure prominently among them), leaving largely unexamined the "ordinary" reader she initially intended to describe. The book is aimed at a narrow audience of bibliophiles and academics, and Jackson's scholarly tone and obscure references make it unlikely to appeal to anyone outside that circle.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

"I wish I had read this book years ago, when I was setting out to be a scholar of the Romantics. This book’s richnesses are manifold. Like its forerunner, Marginalia, this is scholarship of the highest distinction.”—Harold Bloom


“I am sure that no one knows as much about Romantic marginalia as Jackson; this book will be welcomed by everyone working in the field. It offers a wealth of intriguing material and insight.”—William Keach, Brown University


"I wish I had read this book years ago, when I was setting out to be a scholar of the Romantics. This book’s riches are manifold. Like its forerunner, Marginalia, this is scholarship of the highest distinction."—Harold Bloom


(Harold Bloom )

"I am sure that no one knows as much about Romantic marginalia as Jackson; this book will be welcomed by everyone working in the field. It offers a wealth of intriguing material and insight."—William Keach, Brown University
(William Keach )

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Inside This Book (learn more)
First Sentence:
The case for the centrality of print in British culture in the Romantic period does not rest on the impact of a handful of great works or popular best-sellers but on the widespread everyday service of publications of all kinds. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
British Library, Lady Mount Cashell, Duke of Sussex, Strawberry Hill, Crabb Robinson, Hester Piozzi, British Museum, Horne Tooke, Peter Pindar, William Blake, Fanny Brawne, John Horne, Temple Church, English Botany, Francis Hargrave, Lady Mary, Political Justice, Tristram Shandy, Charles Burney, Dawson Turner, Flora Britannica, Francis Douce, John Lidwill, Linnean Society, Town Eclogue
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