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Putting Modernism Together by Daniel Albright In Putting Modernism Together, the author argues human culture can best be understood as a growth-pattern or ramifying of artistic, intellectual, and political action. Going beyond merely explaining how the artists in these genres achieved their peculiar effects, he presents challenging new analyses of telling craft details which help students and scholars come to know more fully this bold age of aesthetic extremism. Learn more | See similar books
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Michael Ferber is a Professor of English and Director of Graduate Studies at the University of New Hampshire. His research interests include romantic poetry, western literature from the Greeks forward, and war and peace studies.
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Romanticism refers to the variety of primarily artistic movements that spanned the end of the eighteenth and the first half of the nineteenth century. It is a very broad development, and many have argued if it refers to just a single trend or a variety of different ones that had only in retrospect been conflated by later critics. Nonetheless, a single classification of various works in many artistic mediums as romantic has withstood the test of time. Even so, it can be dauntingly hard to have a single definition of romanticism that can be applied across the board.
This short introduction aims to introduce the reader to some of the most prominent romantic poets, writers, musicians and painters. It emphasizes certain themes that occur in many romantic works or amongst the romantics as a perception of themselves. Nonetheless, there is no single work that encompasses all of these different disparate themes.
The book is aimed at general readership, but it in no ways compromises the solid scholarly work that lays behind it. The reader will get a better sense of the time period and the cultural, philosophical, and historic forces that have shaped the romantic period. There are also numerous excerpt from the romantic poetry, which for the book of this size would need to suffice to give a flavor of this movement. The book contains several illustrations that show some of the more characteristic romantic paintings, but unfortunately due to the fact that all of them are reproduced in black and white in a very small format it is not possible to get a very good idea of the quality of these works.
Overall this is a very readable and informative short introduction to romanticism.
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It's too easy in an English course to limit one's understanding of romanticism to the Anglo-American versions of it. This informative, interesting book provides essential background information as to the roots of romanticism which developed in Europe.
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