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“In his engrossing, passionately written new book, Rome: A Cultural, Visual, and Personal History, Robert Hughes, the former art critic for Time magazine and the author of critically acclaimed works like The Fatal Shore, gives us a guided tour through the city in its many incarnations, excavating the geologic layers of its cultural past and creating an indelible portrait of a city in love with spectacle and power . . . The reader need not agree with Mr. Hughes’s acerbic assessments or even be interested in Rome as a destination on the map to relish this volume, so captivating is his narrative. Although his book is a biography of Rome, it is also an acutely written historical essay informed by his wide-ranging knowledge of art, architecture and classical literature, and a thought-provoking meditation on how gifted artists (like Bernini and Michelangelo) and powerful politicians and church leaders (like Augustus, Mussolini and Pope Sixtus V) can reshape the map and mood of a city. . . . razor-sharp portraits . . . intriguing asides . . . vigorous, pictorial prose.” —Michiko Kakutani, New York Times
“A fascinating personal history of the Italian capital, “Rome” begins with an exegesis on the founding myth of Romulus and Remus and ends with a rant about how the city has lost its “Dolce Vita”-era glory.” —Stephen Heyman, New York Times Magazine blog
“. . . freewheeling, massive, magisterial . . . It’s very much, as billed in the subtitle, a “personal” history—one animated by historical persons and personalities as seen through the personality of the author. . . . our guide conjures up a well-known work of genius and makes it new, moving effortlessly from biography to art to engineering as he illuminates its every detail.” —Will Heinrich, New York Observer
“Ever since Livy dipped his quill and Gibbon marked his proofs, histories of Rome have been a dime a dozen. But there is only one Robert Hughes—only one writer, it’s safe to say, who would describe the ancient city as ‘Calcutta on the Mediterranean’ and then convince you of the rightness of that vision. . . . This is vintage Hughes, and reading his strenuous, argumentative, vitally impassioned prose you are reminded just how insipid, prim, and nervously conventional most history and art history writing is. Hughes could be writing about Lady Gaga’s choice of nail polish or manuals of plumbing and it would still be tonic. In fact, being the kind of writer whose head—even when communing with Michelangelo—is never lost in the stars, he does write about Roman plumbing, and reminds us that the word itself has everything to do with the lead from which its engineering masterpieces were fashioned. So although the ostensible subject of his book is the Eternal City, the real tour d’horizon it offers is a walking tour of the hard-structured, brightly lit, and capacious expanse that is the Hughes brain. It’s an organ that is Olympian—in that it can survey, in a unified vision, the rolling sweep of the centuries—but without any other sort of lofty detachment. . . . [N]o one will put this book down feeling deprived of historical company, for it is essentially history as portrait gallery—almost all of it painted with unforgettable sharpness. . . . Without laboring the point, Hughes catches in this exhilarating, rambunctious book something that has eluded more solemnly exhaustive accounts.” —Simon Schama, Newsweek
“Robert Hughes wastes no time luring readers into his love affair with Rome. . . . Like the Rome of his description, Hughes is driven by appetites and passions. His big books are feasts of information, opinion and fascinating detail—too much to digest but nourishing even in small bites. Rome is one of those. It’s a sweeping, personal history that races from the city’s beginnings to its current state as a woefully crowded tourist attraction. Fortunately, the author pauses for Hughes-style reflection. No ordinary tour guide, he makes the story compelling by focusing on art. With typical bravado, wit and rage, he puts art and architecture in sharp social, political, religious and historical context.” —Suzanne Muchnic, Los Angeles Times
“With elegance and beauty, Hughes majestically conducts us through the rich history of Rome . . . In a delightful guide, Hughes—whose The Shock of the New was recently named by Britain's Guardian one of the 100 greatest nonfiction books of the 20th century—provides a sometimes cantankerous but always captivating tour through the remarkable depth and breadth of the ancient city.” —Publisher’s Weekly (starred)
A hugely impressive oeuvre. Anyone interested in Italian history, its art, its suffering, and its glory. should not fail to read this remarkably book.Published 2 months ago by Esther M. Brooks
Robert Hughes is an amazing writer. Rome is his last book and he is as creative, faithful to history, accurate, using a combination of his journalistic style with his profound... Read morePublished 2 months ago by Liliana Ch De Costa
At 500+ pages a long read. Best to read this book before your 2nd trip to Rome; many of the art objects and churches are not well known and unlikely to be visited on a short trip... Read morePublished 5 months ago by Mark Wuschke
Some excellent art history and criticism -- see in particular Chapters 7 and 8 on Baroque Rome. But also, especially in the opening chapters, astounding historical ignorance, from... Read morePublished 5 months ago by DSM
It is written in a nice way, it is easy to read, and enjoyable. But it starts as a story of Rome, then it turns to be a story of christianism, then it is the story of painting. Read morePublished 5 months ago by Ana Isabel Segovia
I bought this book for at least 4 friends after I'd read it. Hughes is a wonderful writer. This is an awesome way to learn about the history, architecture and art of Rome- from... Read morePublished 6 months ago by Steven Mays
A real opus. I've even given it to a Rome-lover as a gift. Rose MariePublished 6 months ago by Reviews
Totally wonderful. A must read if you are going to Rome or are just interested.Published 6 months ago by Wayne A. Simpson