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Room On Fire

The StrokesMP3 Download
4.0 out of 5 stars  See all reviews (394 customer reviews)

Price: $8.99
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Album Savings: $2.50 compared to buying all songs

  • Original Release Date: October 28, 2003
  • Format - Music: MP3
  • Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
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  Song Title Time Price  
Play   1. What Ever Happened? 2:51 $0.99 Buy Track  - What Ever Happened?
Play   2. Reptilia 3:39 $1.29 Buy Track  - Reptilia
Play   3. Automatic Stop 3:27 $0.99 Buy Track  - Automatic Stop
Play   4. 12:51 (Album) 2:33 $1.29 Buy Track  - 12:51 (Album)
Play   5. You Talk Way Too Much 3:06 $0.99 Buy Track  - You Talk Way Too Much
Play   6. Between Love & Hate 3:16 $0.99 Buy Track  - Between Love & Hate
Play   7. Meet Me In The Bathroom 2:56 $0.99 Buy Track  - Meet Me In The Bathroom
Play   8. Under Control 3:07 $0.99 Buy Track  - Under Control
Play   9. The Way It Is 2:21 $0.99 Buy Track  - The Way It Is
Play 10. The End Has No End 3:05 $0.99 Buy Track  - The End Has No End
Play 11. I Can't Win 2:42 $0.99 Buy Track  - I Can't Win
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Customer Reviews

394 Reviews
5 star:
 (180)
4 star:
 (108)
3 star:
 (49)
2 star:
 (27)
1 star:
 (30)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (394 customer reviews)
 
 
 
 
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100 of 110 people found the following review helpful:
5.0 out of 5 stars No sophomore jinx for these guys, January 24, 2004
This review is from: Room on Fire (Audio CD)
Look, I saw Television live in the seventies (as well as the nineties and in 2001), caught Iggy Pop, the Buzzcocks, the Feelies, Eleventh Dream Day, the Mekons, the Replacements, the Pixies, the dB's, Pere Ubu, Yo La Tenga, and a host of other indie, alternative, and punk acts at their peak. Although I didn't catch them live, I discovered Big Star a lot earlier than most, and the same with Richard Thompson (who I have seen often in the past twenty years). I think my indie credibility is intact. I am baffled by the negative reactions that these guys inexplicably generate. I personally consider them to be the best band to come out of New York since Television (qualification: on record; though they weren't a good studio band, the Feelies were as good live as anyone I have ever seen). No, they aren't as good and are definitely not as brilliant as Tom Verlaine and Co., but they are still one of the most gripping new bands of the past few years in my opinion.

So why do so many people hate the Strokes? I think the explanation is simple: they were overhyped. Or if not overhyped, hyped to a degree that many people found objectionable. I only gave their first album a listen after being put off by the absurd overreaction to their debut. Once I gave them a try, however, I was stunned and delighted at what a delightful and exciting band they were.

I liked this second album an awful lot even on first listen, but upon repeated listenings, I have come to like it as much as the first album. It starts off great with some enormously catchy songs in "What Ever Happened?" and "Reptilia," but then does something extraordinary: it gets better! "12:51" and "You Talk Way Too Much" are among the best songs they have ever done, and "Under Control" (with its Television-like guitar lines) and "The End Has No End" later on are just as good. I love the tightness of the band, and the delightful guitar work that adorns each cut. I have never seen the Strokes live, so I don't know who of the two guitarists is responsible for what, but there is some truly superb guitar work on this album, with the guitars often playing their own gorgeous melodies in contrast to the central vocals. No, the guitar work isn't as breathtaking as when Tom Verlaine and Richard Lloyd would battle it out in Television, but it is still quite superb.

I think it is great to be discriminating. And it is important to resist mere record company hype. But it is also important to give a band its due, and this is a crackerjack band, with great songs and tight musicianship. And now, after a great sophomore effort, I'm definitely looking forward to their third album.

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12 of 13 people found the following review helpful:
5.0 out of 5 stars One of the best albums ever!, August 26, 2004
This review is from: Room on Fire (Audio CD)
Let me start off by saying I am a HUGE Strokes fan, so this is way biased. Also, if you hate The Strokes, than this album won't change your opinion, because it's vintage Strokes. The best way to review for me is to break it down, so here it is:

Whatever Happened?: Great opener, the short guitar riff sounds like an instant classic, it has that timeless quality that makes you think it's been around forever. You wonder why somebody didn't come up wit it earlier.

Reptilia: One of the best songs they've ever done. It's a pure energy track that will get you pumped. This is the Definition of rock and roll. 2nd favorite song.

Automatic Stop: The sleeper track. It is really an awesome track. This is the first track we hear Nick's synth-guitar sound, and luckily not the last. See next track.

12:51: The best song on here, and that's saying something. Nick's synth-guitar hook is the catchiest thing you'll ever hear. It stil hasn't left my head, and I'm glad.

You Talk Way Too Much: This sounds the most like something off their first album, and you can't go wrong there. Julian's vocals are really good.

Between Love and Hate: Upon first listen of this album, this track stood out. It doesn't have as much depth than the other songs, but it's catchy and fun. You won't find me skipping over this track. (or any of them for that matter)

Meet Me in the Bathroom: One of my favorite songs. The sad guitar hook is emotional, like a feeling of loneliness. Like I said, it's one of my favorite tracks.

Under Control: This song gets a lot of attention, and there's a reason. It has the best lyrics Julian's ever written. The words to this somewhat ballad reek of failure in a relationship, and simply put is one of the best/saddest songs they've ever done. Wow is all I can say.

The Way it Is: Sounds like nothing else on the album. This is maybe the weakest track, but it is still awesome. This song should not be overlooked or taken lightly, it would be the best song on most other albums out there.

The End Has No End: They pick up where they left off here, what a great song. The hook during the chorus reminds me strongly of Sweet Child O' Mine. It's their third and final single off of the album, and no one can argue with that decision.

I Can't Win: Maybe the other sleeper. This is probably my 3rd favorite song behind "12:51" and "Reptilia". It's also the perfect way to end an incredible album. Everyday I am on the edge of my seat waiting for their third album, and I don't know how much longer I can stand it.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars Just as good as IS THIS IT and better than FIRST IMPRESSIONS, July 22, 2006
This review is from: Room on Fire (Audio CD)
I'm not going to tell you how much I loved the song Reptilia because a lot of people have already done that, even know it's a great song. I have had this CD for a long time, infact this was my first Strokes CD. Now that I have listened to FIRST IMPRESSIONS OF EARTH and IS THIS IT a whole bunch, I find myself going back and listening to this one the most even know I own all three.

I absolutely love the part in Between Love & Hate when "Never needed anybody" is sung along with catchy yet mellow twang guitar follow through.
12:51 is one of the most styled songs on this CD. I wish the strokes would go back to writing a couple more songs that sound more similar to 12:51.
This CD makes me look forward to the next Strokes album more than any of the others.
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SoundUnwound - the personal music encyclopedia

The Strokes' album Room on Fire was produced by Gordon Raphael.
Julian Casablancas, Nick Valensi, Albert Hammond, Jr., Nikolai Fraiture, and Fabrizio Morettihave been a member of The Strokes.

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