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A Room of One's Own Paperback – April 4, 2012

ISBN-13: 978-1614272779 ISBN-10: 1614272778

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Product Details

  • Paperback: 114 pages
  • Publisher: Martino Fine Books (April 4, 2012)
  • Language: English
  • ISBN-10: 1614272778
  • ISBN-13: 978-1614272779
  • Product Dimensions: 9 x 6 x 0.3 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (116 customer reviews)
  • Amazon Best Sellers Rank: #5,348 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Surprisingly, this long essay about society and art and sexism is one of Woolf's most accessible works. Woolf, a major modernist writer and critic, takes us on an erudite yet conversational--and completely entertaining--walk around the history of women in writing, smoothly comparing the architecture of sentences by the likes of William Shakespeare and Jane Austen, all the while lampooning the chauvinistic state of university education in the England of her day. When she concluded that to achieve their full greatness as writers women will need a solid income and a privacy, Woolf pretty much invented modern feminist criticism. --This text refers to an alternate Paperback edition.

Review

"Juliet Stevenson's narration is perfect."  —Oldie on A Room With a View
--This text refers to the Audio CD edition.

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Customer Reviews

An excellent insight into the writing of Virginia Woolf, the time period, and the discourse of gender.
Austin
Her writing style is fluid, beautifully and flawlessly transitions between facts, observations, thoughts and insight.
whj
Therefore, in this book she encourages women to have a room of their own and a stable income to ensure a career.
Eric Chuang

Most Helpful Customer Reviews

156 of 159 people found the following review helpful By A Customer on November 8, 2000
Format: Paperback
In 1928, Virginia Woolf was asked to speak on the topic of "women and fiction". The result, based upon two papers she delivered to literary societies at Newnham and Girton in October of that year, was "A Room of One's Own", an extended essay on women as both writers of fiction and as characters in fiction. And, while Woolf suggests that, "when a subject is highly controversial-and any question about sex is that-one cannot hope to tell the truth," her essay is, in fact, an extraordinarily even-handed, thoughtful and perceptive reflection on the topic.
Woolf begins with a simple and enigmatic opinion: "A woman must have money and a room of her own if she is to write fiction; and that, as you will see, leaves the great problem of the true nature of woman and the true nature of fiction unresolved." From this spare beginning, Woolf deftly explores the difference between how women had been portrayed in fiction, and how they actually lived in the world, during the preceding centuries. "A very queer, composite being emerges. Imaginatively, she is of the highest importance; practically she is completely insignificant. She pervades poetry from cover to cover; she is all but absent from history. She dominates the lives of kings and conquerors in fiction; in fact she was a slave of any boy whose parents forced a ring upon her finger."
The source of dissonance between how women were portrayed in fiction, and how they actually lived, was the fact that most fiction prior to the nineteenth century was written by men. As Woolf astutely points out, "[i]t was strange to think that all the great women of fiction were, until Jane Austen's day, not only seen by the other sex, but seen only in relation to the other sex.
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78 of 78 people found the following review helpful By Peggy Vincent on June 5, 2003
Format: Paperback
Some of Virginia Woolf's writing is difficult for the modern reader to plough through - loooong sentences, convoluted construction, excessive naval gazing (in fictional form). But A Room of One's Own, a very long essay about feminism, independence, writing, and becoming one's own person, is actually quite readable, quite educational, and quite wonderful. The reader, at least this one, feels she's in the presence of a great mind at work as it ruminates on and on about these topics in a somewhat rambling but engaging personal reflection. Although written in 1929, the situation for women artists hasn't changed all that much, so it's far from dated.
A must-read.
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72 of 78 people found the following review helpful By A Customer on October 11, 1998
Format: Paperback
In "A Room of One's Own," Virginia Woolf says that in order for a woman to write fiction, she must have money and a room of her own; I believe that to be, or to understand, an intellectual woman in this century, one must read this book. Unlike a sad number of feminist writers, Woolf does not make the mistake of tearing down the accomplishments of men in order to make room for those of women. Indeed, she speaks eloquently against just that danger throughout "A Room of One's Own," which is partly what allows it to stand not only as a feminist classic, but also as a classic piece of both literature and literary criticism. It is not often that an essay reaches creative heights great enough to establish itself equally as a work of art and an intellectual effort, but Woolf has done it here. She does not waste her words or her energy on destructive, angry prattling. She writes with a depth of humanity that challenges us to be better writers, better thinkers, and better people.
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36 of 37 people found the following review helpful By "botatoe" on April 13, 2002
Format: Paperback
In 1928, Virginia Woolf was asked to speak on the topic of "women and fiction". The result, based upon two papers she delivered to literary societies at Newnham and Girton in October of that year, was "A Room of One's Own", an extended essay on women as both writers of fiction and as characters in fiction. And, while Woolf suggests that, "when a subject is highly controversial-and any question about sex is that-one cannot hope to tell the truth," her essay is, in fact, an extraordinarily even-handed, thoughtful and perceptive reflection on the topic.
Woolf begins with a simple and enigmatic opinion: "A woman must have money and a room of her own if she is to write fiction; and that, as you will see, leaves the great problem of the true nature of woman and the true nature of fiction unresolved." From this spare beginning, Woolf deftly explores the difference between how women had been portrayed in fiction, and how they actually lived in the world, during the preceding centuries. "A very queer, composite being emerges. Imaginatively, she is of the highest importance; practically she is completely insignificant. She pervades poetry from cover to cover; she is all but absent from history. She dominates the lives of kings and conquerors in fiction; in fact she was a slave of any boy whose parents forced a ring upon her finger."
The source of dissonance between how women were portrayed in fiction, and how they actually lived, was the fact that most fiction prior to the nineteenth century was written by men. As Woolf astutely points out, "[i]t was strange to think that all the great women of fiction were, until Jane Austen's day, not only seen by the other sex, but seen only in relation to the other sex.
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