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Rope, based on a play of the same name, which was in turn based on a real murder case in 1924, opens with two friends - played by John Dall and Farley Granger - strangling a classmate with a length of rope. The body is then stuffed in a trunk that the two use as a buffet table during an upcoming dinner party - a party partially in their murdered friend's honor.
As the movie progresses, the friends' professor - played exceedingly well by James Stewart in one of his best-acted roles - eventually begins to suspect the crime. As the two students engage him in a discussion about Nietzschian philosophy, and specifically philosophy of the ubermensch (overman or superman), Stewart's character puts two and two together. The tension is so tight you hold your breath for the last half-hour, wondering if Stewart knows, and if he does, what he's going to do about it - and, more importantly, if he's in danger, too.
Much has been made of the technical side of the film - Hitch wanted it as close to a stage play as possible, and the entire movie has only nine (well-hidden) breaks - as well as the homosexual overtones, but the real genius in Rope comes from the acting and direction. As opposed to today's "roller-coaster ride" action movies, Rope builds slowly, layering tension upon tension until the viewer just can't wait anymore to find out what happens.
... Read more ›Rope explores Nietzsche's concept of the "übermensch" or "superman" in which society's people are divided into two groups. Those who believe in the concepts of right and wrong and behave accordingly are deemed inferior beings and therefore unnecessary. While those who are enlightened enough to realize that one is free to act according to their own volition because there are no such primitive or external constraints on behavior are deemed superior. In this worldview, homicide is justifiable because the intellectually superior are actually bettering society by eliminating the inferior and their drain on its resources. The story comes to a head when Professor Cadell who taught Phillip and Brandon these nihilistic concepts begins to suspect that they practiced what he preached by killing David.
Rope was shot with eight; 10-minute reels to give the illusion of one seamless, continuous take.
... Read more ›ROPE's final rating: 9 out of 10
Philip (Farley Granger)and Brandon (John Dall)have committed the murder of an old classmate for the thrill of it. They invite over mutual friends, the father and mother of the victim and their old prep school master Rupert (Jimmy Stewart)who first introduced them to Nietzche's theories. They drape a table cloth over the trunk where the dead body rests.
Written by Arthur Laurents and Hume Cronyn from the play Rope's End by Patrick Hamilton, Rope allows Hitchcock to indulge in a number of unusual cinematic experiments. It was Hitchcock's first movie to be shot in color and the entire 80 minute film is shot on one set with the skyline gradually changing. If Hitchcock had gotten his ideal cast the film might have been quite different; originally Hitchcock wanted Carey Grant for the role Stewart player and Montgomery Clift as Brandon.
The transfer is good although there is some edge enhancement and some analog and compression artifacts (although they aren't a huge problem). The vivid 3 strip Technicolor process comes to life on this DVD. The colors are pretty close to the version I saw screened. I should note, though, that I originally saw Rope at the UCLA Theater Arts Archive in black and white (a color copy wasn't available) on a Movieola and it was a nitrate print so I'm comparing it to versions that were released much later than the original.
... Read more ›