Product Details

• Actors: Joan Chandler, Constance Collier, John Dall, Douglas Dick, Edith Evanson
• Format: Closed-captioned, Color, DVD, Full Screen, NTSC
• Language: English (Dolby Digital 2.0 Mono), French (Dolby Digital 2.0 Mono), Spanish (Dolby Digital 2.0 Mono)
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: Warner Bros. Pictures
• DVD Release Date: March 6, 2001
• Run Time: 80 minutes
• Average Customer Review: 4.1 out of 5 stars  See all reviews (161 customer reviews)
• ASIN: B000055Y11
• Amazon Best Sellers Rank: #31,578 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "Rope" visit the Internet Movie Database (IMDb)

Customer Reviews

Most Helpful Customer Reviews

111 of 115 people found the following review helpful:

5.0 out of 5 stars An Overlooked Classic Finally Given Its Due, May 23, 2001

By 

Jason N. Mical (Bellevue, WA, USA) - See all my reviews
(REAL NAME)   

This review is from: Rope (DVD)

Alfred Hitchcock's Rope, the first film that the Master of Suspense filmed in Technicolor, has languished in largely undeserved mediocrty since its release in 1948. The film didn't do well theatrically in the US, and subsequent versions (VHS) were made from terrible-quality originals. Finally, Universal has seen fit to release on DVD a marvelously restored version of a truly fine film.

Rope, based on a play of the same name, which was in turn based on a real murder case in 1924, opens with two friends - played by John Dall and Farley Granger - strangling a classmate with a length of rope. The body is then stuffed in a trunk that the two use as a buffet table during an upcoming dinner party - a party partially in their murdered friend's honor.

As the movie progresses, the friends' professor - played exceedingly well by James Stewart in one of his best-acted roles - eventually begins to suspect the crime. As the two students engage him in a discussion about Nietzschian philosophy, and specifically philosophy of the ubermensch (overman or superman), Stewart's character puts two and two together. The tension is so tight you hold your breath for the last half-hour, wondering if Stewart knows, and if he does, what he's going to do about it - and, more importantly, if he's in danger, too.

Much has been made of the technical side of the film - Hitch wanted it as close to a stage play as possible, and the entire movie has only nine (well-hidden) breaks - as well as the homosexual overtones, but the real genius in Rope comes from the acting and direction. As opposed to today's "roller-coaster ride" action movies, Rope builds slowly, layering tension upon tension until the viewer just can't wait anymore to find out what happens. Anyone can toy with an audience, using special effects, explosions, and fast cars to create action, but true suspense - that hourglass feeling of grains of sand building a mountain - takes talent, and Rope readily uses that effect, thanks largely to the preformances of the three main characters.

In addition, Stewart's ultimate conclusions on Nietzschian philosophy offer a refreshing step away from those who would indict it solely on the basis of notions (and books) like the Will to Power - people who can see no further than the two murderers. Like Hitler and Dall and Granger's characters, some people cannot see past these passages, often taken out of context from the rest of Nietzsche's thought. Thankfully, Arthur Laurentis' screenplay ultimately deals with these ideas in a mature manner - and shows the horrifying effects of the hubris so many undergraduate-level students get when they don't bother to read and conside Nietzsche in context.

Universal's DVD is excellent - the picture and sound quality are top-notch, especially considering it's been more than 50 years since Rope was filmed. The full-frame presentation isn't a problem, since widescreen movies didn't exist at the time. The half-hour long featurette offers some interesting insights and interviews with a couple members of the cast and crew, and isn't your usual "so-and-so was great" pieces. Hume Cronyn offers some genuine - and well-founded - criticisms of both Hitch and the finished product. Also included is Rope's unique theatrical trailer, a kind of "mini-short" featuring the soon-to-be-murdered lad discussing a marriage proposal with his girlfriend in Central Park, in surprisingly decent quality considering the film's age.

If you are a fan of Alfred Hitchcock, or just like great acting and pianowire-tight tension, then you can't go wrong with Rope.

25 of 27 people found the following review helpful:

5.0 out of 5 stars ROPED IN, October 13, 2001

By 

newtonbosswell (Winter Park, FL United States) - See all my reviews

This review is from: Rope (DVD)

Based on an actual murder case and directed by legendary director Alfred Hitchcock, Rope tells the story of two very close, well to do roommates Phillip and Brandon who strangle David, an old school chum, just for kicks. To further increase the exhilaration of their dastardly deed, the duo deem it delicious to desecrate the dead by placing his body into a chest and serving their dinner party guests a banquet on its decorated top. The guests of honor at this most perverse soirée include their former prep school professor Rupert Cadell (James Stewart), the murder victim's parents, his fiancé, and her former boyfriend. This tapestry provides tension for Phillip as he is nervous about being caught and questions abound as to David's whereabouts. Interestingly, Brandon feels smug even justified as he views the act of murder to be relegated to a select superior few.

Rope explores Nietzsche's concept of the "übermensch" or "superman" in which society's people are divided into two groups. Those who believe in the concepts of right and wrong and behave accordingly are deemed inferior beings and therefore unnecessary. While those who are enlightened enough to realize that one is free to act according to their own volition because there are no such primitive or external constraints on behavior are deemed superior. In this worldview, homicide is justifiable because the intellectually superior are actually bettering society by eliminating the inferior and their drain on its resources. The story comes to a head when Professor Cadell who taught Phillip and Brandon these nihilistic concepts begins to suspect that they practiced what he preached by killing David.

Rope was shot with eight; 10-minute reels to give the illusion of one seamless, continuous take. This forces the viewer to pay attention to every word and provides an eerie feeling that he/she is a witness to the murder and is a guest at the dinner party. What also drives the film is its witty if not macabre dialogue that is punctuated with puns, innuendoes and double entendre. It is also interesting to watch the professor engage Phillip and Brandon in the proverbial game of cat and mouse. Likewise, the characters are richly developed and deep.

Rope is Hitchcock's most underrated and unappreciated film. Which is a shame because I believe Rope poses some very provocative questions. Is there sanctity to human life? Are all human beings equal? Is murder ever justifiable? Is there right and wrong? Is moral absolutism an outmoded idea in which only the weak and dumb subscribe? Is a teacher responsible for his/her students' actions? Ultimately, the viewer must decide.

18 of 19 people found the following review helpful:

5.0 out of 5 stars "Nothing has ever held you like Alfred Hitchcock's ROPE!", January 1, 2001

By 

S. J. West (Eads, TN United States) - See all my reviews
(REAL NAME)   

This review is from: Rope (DVD)

ROPE is a very experimental-and highly underrated-Hitchcock film. The film (based on the play ROPE'S END and, although loosely, the Leopold-Loeb murder) begins when two young men (John Dall and Farley Granger) murder a college student for fun and because he is a "lesser" man. As a celebration they throw a party inviting the victim's parents, his girlfriend, her ex-boyfriend who Dall would like to put her with, and their old college teacher (James Stewart). ROPE is a highly entertaining and suspenseful film. The experimental angle comes as the film was shot entirely in eight ten-minute takes, (or was that ten eight-minute takes?) giving the impression that it was all one shot. The casting is great, with Dall perfect as the psychotic murderer, Sir Cedric Hardwicke memorable as the victim's father, and Stewart...well, you can't say too many good things about him, though it takes him a while to appear. While not as good as some of Hitchcock's earlier (THE 39 STEPS, REBECCA) or later (VERTIGO, NORTH BY NORTHWEST) masterpieces, ROPE is very well made film, perfect for fans of Hitchcock, Stewart, or suspense films in general.

ROPE's final rating: 9 out of 10