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Rosencrantz and Guildenstern Are Dead [Paperback]

Tom Stoppard
4.4 out of 5 stars  See all reviews (113 customer reviews)

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Book Description

January 21, 1994
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.

Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the “Notable Books of 1967” by the American Library Association.

Frequently Bought Together

Rosencrantz and Guildenstern Are Dead + Waiting for Godot (Eng rev): A Tragicomedy in Two Acts (Beckett, Samuel)
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Editorial Reviews

Review

“This is a most remarkable play. Very funny. Very brilliant. Very chilling.” –The New York Times

Rosencrantz & Guildenstern Are Dead [is] verbally dazzling…the most exciting, witty intellectual treat imaginable.” –Edith Oliver, The New Yorker

About the Author

Tom Stoppard was born in 1937 in Czechoslovakia. His early years were spent in Singapore, India and, from 1946, England, after his mother married an officer in the British Army. Leaving school at seventeen, Stoppard worked as a reporter in Bristol, before moving to London to work as a theatre critic and feature writer. During this period he began to write plays for radio and for the stage and published his only novel, Lord Malquist and Mr Moon. His first major success, Rosencrantz and Guildenstern are Dead, was produced in London in 1967 at the Old Vic after critical acclaim at the Edinburgh Festival. Subsequent plays include Enter a Free Man, The Real Inspector Hound, Jumpers, Travesties, Night and Day, Every Good Boy Deserves Favour (with Andre Previn), After Magritte, Dirty Linen, The Real Thing, Hapgood, Arcadia, Indian Ink, The Invention of Love, the trilogy The Coast of Utopia and Rock 'n' Roll. His radio plays include If You're Glad, I'll Be Frank, Albert's Bridge, Where Are They Now?, Artist Descending a Staircase, The Dog It Was That Died and In the Native State. Work for television includes Professional Foul and Squaring the Circle. His film credits include Empire of the Sun, Rosencrantz and Guildenstern are Dead, which he also directed, Shakespeare in Love (with Marc Norman) and Enigma.$$$In August 2002 the Royal National Theatre in London premiered Stoppard's trilogy - Voyage, Shipwreck and Salvage - three sequential self-contained plays that comprise The Coast of Utopia. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 128 pages
  • Publisher: Grove Press; Reprint edition (January 21, 1994)
  • Language: English
  • ISBN-10: 0802132758
  • ISBN-13: 978-0802132758
  • Product Dimensions: 5.5 x 0.4 x 8.3 inches
  • Shipping Weight: 1.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (113 customer reviews)
  • Amazon Best Sellers Rank: #6,256 in Books (See Top 100 in Books)

More About the Author

Tom Stoppard is the author of such seminal works as Rosencrantz & Guildenstern Are Dead, Travesties, Every Good Boy Deserves a Favor, Arcadia, Jumpers, The Real Thing, and The Invention of Love.

Customer Reviews

Most Helpful Customer Reviews
132 of 141 people found the following review helpful
4.0 out of 5 stars Excellent on Several Levels February 17, 2001
Format:Paperback
R&G Are Dead has much to recommend it. It is the story of two of the bit players from Hamlet, Rosencrantz and Guildenstern. If you haven't read or seen Hamlet, the book will probably not be of much interest, but, in a nutshell, R&G are Hamlet's school chums who are called to Denmark by Hamlet's uncle, the King of Denmark, given the task of cheering him up and, when this fails, and the King realizes that Hamlet is a threat to his life, are given the task of sending Hamlet to his death. Hamlet turns the tables on this plot and has R&G killed instead.

R&G, although bit players, are actually in a surprising number of scenes (most of which are cut out from stage and film productions of Hamlet) and this play, interweaving these scenes with others, produces a rich picture of these two characters, entirely missing from Shakespeare's epic play.

The most obviously interesting part of this work is its attempt to explain why these characters die. When you learn at the end of Hamlet that R&G have died, you are left with a nagging sensation that something is wrong. This play fleshes this out. All of Shakespeare's tragedies are, by definition, bloody (as the Players in this work make evidently clear) but R&G's deaths are not demanded by the plot or by the passions of any of the characters.

We do not dwell on R&G's deaths in Hamlet because more important and tragic events consume us. This book makes us focus on the gratuitousness of R&G's deaths. In addition, it makes their deaths as tragic as those of the main characters in Hamlet by putting them the center of the story. Of course, we do not get any real answers as to why these characters die. Other than by changing the story of Hamlet, there can be no answer to this question. However, simply dwelling for a longer time on these characters' fate at least gives their deaths importance, if not meaning.

On another level, this book deals with themes of fate and luck. R&G have been swept up in events beyond their understanding and/or control. This book takes a philosophical approach to these issues (and definitely is reminiscent of Waiting For Godot). Since we can all identify with this to some extent, R&G's deaths become compelling and as tragic as Hamlet's death.

Finally, much of this work is comedic. R&G do provide comic relief at various points in Hamlet, so this play does well to play up the comedic aspects of their lives. Even if you have no interest in the deeper meanings of this work, you will enjoy it for the comedy.

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49 of 53 people found the following review helpful
5.0 out of 5 stars It takes a certain outlook March 14, 2000
Format:Paperback
A previous reviewer condemned this book as being derivative, poorly written, and -- most scandalous of all -- unfunny. This play, however, takes a certain kind of outlook to enjoy. It would be nice if everyone could get the same benefits from the play as everyone else. That's not going to happen, however. One thing we CAN depend on is that the point remains the same. This is the only existentialist play apart from _Waiting For Godot_ that even has pretensions of wit. Since it's a known fact that people learn more when they're laughing, it makes it easier to convey the play's inner message of whether we are free as individuals, whether we are capable of making our own decisions apart from our society, and whether that freedom even matters once a decision has been made by (for?) us. Worth reading, but not everyone will be equally entertained.
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22 of 23 people found the following review helpful
5.0 out of 5 stars Stoppard does what Shakespeare did not August 23, 1999
By A Customer
Format:Paperback
In Shakespeare's Hamlet, Rosencrantz and Guildenstern are unnecessary characters. Everything they do in the play could have been done by already existing characters. Rosencrantz and Guildenstern are not individual characters in this play. There is no Rosencrantz; there is no Guildenstern. There is only Rosencrantz and Guildenstern. Shakespeare put them in to resemble the outside world, not to establish actual characters to add to the depth of the play. Tom Stoppard wrote "Rosencrantz and Guildenstern Are Dead" in order to give the duo their own separate personalities. He, just as Shakespeare did, has them resemble our own world. R&G are modern men in a very modern play. Stoppard contradicts Shakespeare by justifying Hamlet's death just as Shakespeare had Hamlet justify R&G's deaths, "He is a man, he is mortal, death comes to us all, etcetera, and consequently he would have died anyway, sooner or later . . . he's just one man among many" (Stoppard 110). Shakespeare uses the same words only to justify the murderous actions of Hamlet, "Thou wretched, rash, intruding fool, farewell!" (3.4.32). Through Rosencrantz and Guildenstern, Stoppard tells of the reality of death how "death is . . . not. Death isn't. You take my meaning. Death is the ultimate negative. Not-being" (Stoppard 108). Whereas Shakespeare creates a fantasy about death, as Hamlet says, "To die, to sleep-to sleep, perchance to dream" (6.3.64-65). In direct opposition with Hamlet's "to be or not to be", Stoppard writes, "Rosencrantz: Where's it going to end? Guildenstern: That's the question" (Stoppard 44). The beauty in this writing is found in its existentialistic views, whether or not Stoppard intended his play to portray life in that manner. If you enjoy "Rosencrantz and Guildenstern are Dead", you will love "Waiting for Godot" by Samuel Beckett. ~ anthea
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Most Recent Customer Reviews
5.0 out of 5 stars Yes!
Absolutely wonderful play. Quite charming. You need to pay attention because the language is written in such a way that you can't just skim it. Quite funny. Charming play.
Published 29 days ago by Julie E Asta-Ferrero
5.0 out of 5 stars Brilliant and witty postmodern of Hamlet
As his title tells us, Stoppard has created a play that never strays from the inevitable death of Hamlet's two schoolmates, Rosencranz and Guildenstern, mere pawns in the palace... Read more
Published 2 months ago by Helane Levine-Keating
5.0 out of 5 stars Exquisite
This is one of those plays you can pick up again and again...and I do. I particularly love the tennis match! Perfect. Exquisite.
Published 2 months ago by If Jedlica
5.0 out of 5 stars Excellent Read!!
A well written story told from the perspective of not-so-minor characters. Even they have a personal stake in the story, and an interesting one it is!
Published 2 months ago by rosycat
5.0 out of 5 stars Rosencrantz and Guildenstern Are Brilliant
One of the best plays I've ever read, and a model of postmodern literature. It's heartwrenching, hilarious, and smart. Shocking and so so good.
Published 2 months ago by Allison
5.0 out of 5 stars Beautiful
This play is fantastic. Its pace draws you in and often leaves you feeling as confused and lost as the eponymous characters (in the best way possible). Read more
Published 3 months ago by Kate
5.0 out of 5 stars Pure Stoppard
From true British farce to the meaning of life, Stoppard covers it all.
It will make you reread Hamlet, then read this again.
Very funny and thought provoking. Read more
Published 3 months ago by James Lipscomb
4.0 out of 5 stars Great play on free will.
Rosencrantz and Guildenstern show us the problem with free will is that humans are potentially completely reactionary, despite our attempts not to be. Read more
Published 4 months ago by Alex Kamote
5.0 out of 5 stars GOOD BOOK
This book was a required read for my daughter's high school/college class. She enjoyed reading it very much. She even purchased the video of this book so she def liked it. Read more
Published 4 months ago by Brenda Hook
3.0 out of 5 stars For the Waiting for Godot lover
Don't expect a story like Hamlet. Instead, this intelligent play takes these two characters and turns them into Waiting for Godot-esque philosophers. Read more
Published 4 months ago by Ariel
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