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Summer Reading
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"Three-year-old boy, the father, a nanny," Kyle said one more time before he left the party. He was about to go through the door in the sun porch when he turned to me and said, "You're the right person for this. They murdered a family, Alex."Which leaves Cross free to hunt the Mastermind, the barbarous brains behind a widening series of bank robberies in which employees or their family members are held hostage and, when instructions aren't followed to the finest iota, slaughtered. Given the cases' glaring and unfathomable inhumanity, Cross's long- time DCPD partner (the wonderful giant, John Sampson) gives way to the warm, attractive, and fiercely intelligent FBI Agent Betsey Cavalierre.As soon as Kyle was gone, I went looking for Christine. My heart sank. She had taken Alex and left without saying good-bye, without a single word.
The longer and harder Cross and Cavalierre remain on his trail, the bolder and more brutal--and shiveringly close to home--the Mastermind's strikes become. And, thanks mostly to lightning-short paragraphs and a point of view that rappels from the first-person Cross to the third-person Mastermind, the tale progresses at hot-trot speed to a bona fide doozy of a denouement. It'll be over before you know it, so sit back, hold your breath, and enjoy the show. And stay tuned for the next one. --Michael Hudson --This text refers to an out of print or unavailable edition of this title.
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In this suspenseful drama, there is a lunatic out on the loose in the DC area. He is called the Mastermind. He truly is masterful, because he leaves no clues and is meticulous about everything he does. His reasons are understood by no one. He definitely enjoys the killing and preying on of innocent people. Nothing he does adds up to Det. Cross and the FBI. We are swept into a world of crime, where nothing makes sense. I was on edge wanting to know what will happen next. And believe me, some of you will be shocked by the outcome. (although I had my suspicions)
This book was better than I expected. I was a little annoyed with the page and a half chapters (125 chapters in a 300 page book,is a little extreme), but that seems to be Patterson's writing technique. He is a good author, and I suggest giving him a try.
I'm serious about stopping on page 398. In fact, cover page 399 with a sheet of paper so you don't accidentally see anything on it. Reading the last two pages of Roses Are Red will reduce the attractiveness of this story to you, and eliminate most of the potential pleasure you can experience in Violets Are Blue, the next Alex Cross novel. The last two pages of Roses Are Red simply should have been edited out! Be cautious about which reviews you read of this book also, because some reviews reveal the material on those two pages . . . the ultimate in giving away a spoiler!
Mr. Patterson's strength is writing plots that are well paced, varied, surprising, and unusual. I thought that his plotting in Roses Are Red was unusually good. You will find yourself racing through the book, wanting to find out what's going on and who's behind it all.
The book's main theme is crime as a work of art expressing the ingenuity of a brilliant, but twisted criminal. As a result, the crimes are mentally very challenging to understand. You will think that you are reading about the criminal plans of Dr. Moriarty, Sethos, and the Riddler combined.
The weaknesses of Mr. Patterson's Alex Cross novels are also present here. He doesn't really show any detection, just detectives chatting with each other interspersed with developments driven by the criminals. The characters are about as little developed as they could be and still be differentiated from one another. The dialogue often reads like detective fiction rather than real dialogue.
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