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13 of 15 people found the following review helpful:
5.0 out of 5 stars
Remembering Frank Sinatra On His 90th Birth Anniversary, December 12, 2005
On this day of December 12th ninety years ago, a baby boy was born to become the Entertainer-of-the-Century, the most-loved singer of all-time, the greatest singer ever lived and the most prolific interpreter of Great American Songbook. He left lasting impressions on each and every song he sung, making them his own and leaving the magic of his voice glued to every listener's ears. And I'm proud to say that I'm one of those listeners who caught the magic of his voice and his style of singing, I would say "The Sinatra Charisma."
My first exposure to his music was when I was growing up and constantly hearing from my late parents' collection of Sinatra's LP records. So his music is not new to me when I started my very own ever-growing collection. I have reviewed a number of his CDs and realized that I haven't written one for this recording of Academy Award winning songs, which is one of his greatest albums of all-time. Of course, its greatness was magnified not only by the legendary singer's superb interpretations but also by the simple fact that it was Nelson Riddle who arranged and conducted this awesome recording.
What do Jerome Kern, Richard Rodgers, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Henry Mancini, Hoagy Carmichael, Sammy Cahn, Jim Van Heusen have in common? They were all great and each of them had made a name in the field of composing and songwriting. Likewise, they all have the much-coveted "Academy Awards Winning Songs" to add to their impressive credentials. And these winners are compiled in this CD starting off with two of my all-time favorites from Johnny Mercer and Henry Mancini "Days Of Wine And Roses" (1962), and "Moon River" (1961).
The most enchanting tracks include a swing version of "The Way You Look Tonight" theme song from the 1936 movie "Swing Time." It's an achingly beautiful ditty that brings back a lot of fond memories to me. (Sigh). This song was composed by Jerome Kern and the lyrics were penned by Dorothy Fields.
"With each word your tenderness grows
Tearing my fears apart
And that laugh that wrinkles your nose
Touches my foolish heart."
One of the winners is "All The Way" (1957), my number one favorite song penned by the most eloquent songwriter America ever produced and Mr. Sinatra's very favorite lyricist, Sammy Cahn, and its music was composed by Jim Van Heusen. What a gem of a song - simply put, a sheer beauty.
The rest of the winners are "It Might As Well Be Spring" (State Fair, 1945), "The Continental" (Gay Divorcee, 1934), "Secret Love" (Calamity Jane, 1953) and "Love Is A Many Splendored Thing," from the 1955 movie of the same title.
What makes this CD a real winner? Frank Sinatra's superb singing, Nelson Riddle's sublime arrangements and orchestration and the Academy Award winning songs. It deserves a special spot in your music library.
Happy Listening!
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
Don't Miss This One, September 11, 2004
This album is another example of why Sinatra and Riddle worked so well together. You might think you that this is just a warmed over collection of show tunes but you would be wrong. This is a collection that shows how the exceptional can make even the familiar special. Frank is strong and clear and Nelson has the Band playing in a creative style throughout. Enjoy!
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4 of 5 people found the following review helpful:
4.0 out of 5 stars
Better than the movies., April 23, 2002
This collection, released as "Academy Award Winners" as well as "Days of Wine and Roses," is valued by most Sinatra fans for one reason only: Sinatra's singularly swinging treatment of "Just the Way You Look Tonight." As satisfying as that performance is, the other interpretations, despite what some critics have said, are practically on a level with the Jerome Kern classic. Sinatra's the only singer I can think of who sensed, as do practically all jazz instrumentalists, that the best way to do "Days of Wine and Roses" is up-tempo. And to compare his version of "Moon River" to Andy Williams' hit version, or of a popular period piece like "Love is a Many Splendored Thing" to the hit record by The Four Aces, is to come closer to the secret of Sinatra's greatness. Neither version is simply a soaring melody transporting us to some never never land. Sinatra finds the moments of poetry and drama in the material, bringing it to life in a way that is authentically personal and unmistakably real. The only misjudgement, and a minor one, is the ballad-like treatment of "Secret Love." Granted, the song works fine that way when addressed to the heavens by the innocent voice of Doris Day. But here's where Sinatra and Riddle should again have followed the lead of jazz instrumentalists and gone with a straightahead swinging arrangement. Had they done so, there would have been not one but at least two singularly swinging reasons for owning this album.
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~ Frank Sinatra
~ Frank Sinatra
~ Frank Sinatra
~ Frank Sinatra
~ Frank Sinatra
by Frank Sinatra 
