Rossini: String Sonatas 1-6

Gioachino Rossini (Composer), Gaetano Donizetti (Composer), Luigi Cherubini (Composer), Vincenzo Bellini (Composer), Neville Marriner (Conductor), Academy of St. Martin-in-the-Fields (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Academy of St. Martin-in-the-Fields
• Conductor: Neville Marriner
• Composer: Gioachino Rossini, Gaetano Donizetti, Luigi Cherubini, Vincenzo Bellini
• Audio CD (April 11, 1995)
• Number of Discs: 2
• Label: Decca
• ASIN: B00000425K
• In-Print Editions: MP3 Download
• Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #106,045 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

5.0 out of 5 stars Beyond the Overtures, November 20, 2004

By 

Michael B. Richman (Portland, Maine USA) - See all my reviews
(TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)    (VINE VOICE)    (REAL NAME)   

This review is from: Rossini: String Sonatas 1-6 (Audio CD)

If you think all there is to Rossini is Overtures, then you are in for a treat with this Double Decca title. Collected on this two-disc set are Rossini's 6 String Sonatas, lovely three movement works written in the composer's youth and only rediscovered after WWII. They are not the most complex of works, but are thoroughly enjoyable nonetheless. Neville Marriner leads the Academy of St. Martin-in-the-Fields in these analog recordings from the mid-1960s, which also include works by Donizetti, Bellini and Cherubini. There is a competing Philips Duo title of the String Sonatas, but I opted for this one because one of my favorite recordings of Rossini's Overtures is also by Sir Neville (recently reissued in UNI's "Trio" series). Marriner once again shows that he is more than just Mozart.

3 of 3 people found the following review helpful:

5.0 out of 5 stars best version available, August 11, 2008

By 

YIP Alex - See all my reviews
(REAL NAME)   

This review is from: Rossini: String Sonatas 1-6 (Audio CD)

I long cherish this version in LP days. Now in the CD format the sound is still impressive and the performance has splendid character. Most enjoyable CDs.

1 of 1 people found the following review helpful:

4.0 out of 5 stars Charming works by a youthful prodigy, July 27, 2011

By 

Ralph Moore "Ralph operaphile" (Bishop's Stortford, UK) - See all my reviews
(TOP 500 REVIEWER)   

This review is from: Rossini: String Sonatas 1-6 (Audio CD)

There seems to be some doubt about when exactly these works were written: the manuscript in Washington states that it was in 1804 which means that Rossini would have been an incredible twelve years old at the time of composition, although Rossini claimed that he was fourteen when he wrote them and Neville Marriner believes it to be more likely that Rossini was seventeen when they were finished - or perhaps revised. However, circumstantial evidence indicates the earliest date owing to the fact that Rossini gave such a prominent part to the double bass, as he was in the summer of 1804 staying in the house of a wealthy patron and gifted amateur bass player. Whatever the truth, he joins Mendelssohn in the ranks of child prodigies. (Mendelssohn's brilliant string symphonies were written when the composer was between eleven and fourteen years old and are included as a bonus in the box set of his symphonies conducted by Sawallisch on the bargain Brilliant label, played very neatly and expressively by the Amsterdam Sinfonietta directed by Lev Marke.)

Theses sonatas were originally for only two violins, a cello and a double bass; in this arrangement, Marriner here bulks out the middle voices with two violas and adds numbers to the violins. The violas only double up whereas the other instruments frequently have solo passages. Although they sometimes sound almost like admirable pastiches of Mozart's divertimenti and despite Rossini's evident indebtedness to him, his own voice frequently emerges in witty little curlicues and ironic, mock-melancholy descending figures.

This is not first-rate music, but, to paraphrase Richard Strauss, it is first-rate second-rate music. It is brilliant, bright, breezy and charming, requiring precision in ensemble, subtly graded dynamics and purity of tone to make its mark - qualities brought by the ASMF in abundance. I rarely treat music as background noise but I can envisage playing this at a dinner party or to provide a diversion while accomplishing some repetitive task; it doesn't demand deep concentration.

The fillers are just that and really rather negligible although I like the surprising modulations in the Donizetti and the lyrical horn solo in the Cherubini piece provides welcome tonal variety. The student work by Bellini gives a clear indication of the flowing melodic gift he would exploit to advantage in his operas.

All these recordings were made in the 60's; this double Decca offers a collection of elegant music in clear, warm, full sound at a bargain price.