Product Details

• Actors: Simone Alaimo, Bruno de Simone, Myrto Papatanasiu, Antonino Siragusa, Antonella Nappa
• Directors: Egisto Marcucci
• Format: AC-3, Classical, Color, Dolby, DVD, Widescreen, NTSC
• Language: Italian (Dolby Digital 5.1), Italian (PCM Stereo)
• Subtitles: Italian, English, German, French, Spanish
• Region: All Regions
• Aspect Ratio: 1.77:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: Arthaus Musik
• DVD Release Date: January 26, 2010
• Run Time: 162 minutes
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• ASIN: B002YOJBX2
• Amazon Best Sellers Rank: #152,312 in Movies & TV (See Top 100 in Movies & TV)

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars Dazzling.... A GREAT BUY., April 10, 2011

By 

Satish Kamath (India) - See all my reviews
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This review is from: Rossini: Il Turco in Italia [Blu-ray] (Blu-ray)

Why is (or was) this one of the most neglected Operas of Rossini for over a century? Perhaps the hypothesis that I propound here may be the reason(s) why such a tuneful masterpiece was neglected and not really performed to its potential for over a century. Even when it was revived by Callas, it did not become a huge hit (except for Callas herself probably) for a few more decades. Oh yes. Some of the arias etc have always been in the repertoire of some singer or the other, but the Opera as such never took off.

I think it is about to, because the staging of this Opera in this production not only pleases, but such a fantastic recording of such balanced sound (in PCM that I heard it in) is going to make it go a long way. To top it all, the picture is almost perfect as a showpiece for a blu ray recording, although lights are harsh at certain places. To make it even more alluring, not many would fail to be smitten by Myrto Papatanasiu in the role of Fiorella. Let me assure you, a less pretty (or let me be brutally honest, an unattractive or plain 'fat') Soprano could just not have pulled it off, especially with the kind of personality that Fiorella portrays.

So, again according to me, why was this Opera neglected so far?

The incredulous plot (please read it elsewhere on the net, wont waste time elaborating it here) that falls to smithereens after a very solid beginning right up to slightly after the middle of the opera. I will not go into that in detail, it is to be experienced.

The plot is not just incredulous, but extremely daring for the beginning of the 19th century, whatever the truths about the 'morality' of the era may have been, even given the hypocrisy of both the nobility and the peasants alike.

Just about every Commandment has been broken or threatened to be violated in this plot, and that may not have been really acceptable as a laudable theme for the Italians and indeed the rest of Europe at that point time of history. At the end, the reconciliation comes not because of true repentance, but owing to the fear of Fiorella being cast back into poverty by her cuckold husband. Not even Offenbach could have succeeded with that kind of a plot and theme. I am not surprised at all that the Opera was not performed much after the initial forays.

I would also hypothesize that the Opera may have failed because the Male Audience probably found it a little unsettling and felt insecure. Who knows...

It is also noteworthy that no reputed composer ventured into such daring plots about cuckolds - not Donizetti, not Verdi or even Wagner. The sole exceptions may have been the operettas of the late 19th century, but even there, the portrayal of a weak hearted cowardly cuckold was never attempted.

BUT

The Music!!! Wow... So Tuneful and so masterly orchestrated and without overly relying on the usual Rossini trademarks makes for a stupendous score. It is not as predictable as most other popular Rossini scores for Operas, and I am surprised at that too. Maybe I should get hold of the more obscure Rossini and do another study. You will not find too much resemblance with respect to the coloratura passages in say, Barber of Seville or Cenerentola or even Italien in Algiers. It is quite different.

The staging is simply superb, and thankfully they have not chosen to update the time and kill the production.

All the singers do justice to their parts, although I have noticed that all the male singers with the exception of Alaimo (Selim) have had a few problems with the tempo and rapid diction, especially in the first act where they even fall behind the conductor and orchestra. But that is bordering on nitpicking, I must admit.

To nitpick further, I the downsizing of the 7.1DTS to 5.1 loses a hell of a lot (thats why I listened to it in Stereo). I wish there was a bonus of the work being discussed by those who produced and sang in it. It was sorely missed. The trailers too, were rather puzzling. The first three had only the audio (!) I have a Sony BD and it is quite adequate for ALL the other blu rays that I own.

5 Stars definitely. I am sure this particular production will hopefully revive and restore this masterpiece to its deserved place in the Opera houses of the world and bring out more dazzling performances of the work. In this century, I am sure it will not prove to be as unsettling to men as it probably was in the last two centuries...or am I wrong? LOL.. Whatever, but...BUY IT. It is so instantly appealing and tuneful that one will overlook whatever the reasons for it not being a smash hit so far.

6 of 7 people found the following review helpful:

5.0 out of 5 stars Great entertainment!, July 15, 2010

By 

F. Fairfield (Michigan) - See all my reviews
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Amazon Verified Purchase

This review is from: Rossini - Il Turco in Italia (DVD)

Beautiful production. Not just sung but well acted too. No "updating" to the 21st century, no "message" added! If you liked The Italiana in Algeri with Marilyn Horne, you will like this one too! Enjoy!