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24 of 36 people found the following review helpful:
1.0 out of 5 stars
ROUGH RIDER IN THE WHITE HOUSE: THEODORE ROOSEVELT, September 22, 2003
By A Customer
This review is from: Rough Rider in the White House: Theodore Roosevelt and the Politics of Desire (Hardcover)
This is absolutely the most scandalous, revisionist, psyco-babble, biography I have ever encountered. TR's life, utterances, and actions are consistently taken out of context, as are those of his contemporaries. The author psycho-analyzes TR by present day values, making him sound like a hopeless warmongering deviant, anti-feminist, racist, and a cruel father who drove a 10-year old TR jr. to a nervous breakdown. She quotes "experts" whose credentials are not established, and totally fails to grasp TR's pivotal role in establishing his crendentials as a progressive, polymath genius, who authored 38 books, thousands of magazine articles, and wrote 18 million words in his comparatively short life. Nowhere does she give him credit for any of his lasting accomplishments such as the aggressive application of the Sherman Anti-Trust Act, the Pure Food and Drug Act,the creation of a world class navy, the Panama Canal, the creation of our incomparable system of national parks and monuments...the list is endless. Instead she focuses on his imperial ambitions (TR did not want American colonies!!) and his "blood thirsty" propensities! This book is so biased, so defective, so pitifully "PC" that is does not warrant purchase by any reasonable student of history. I pity her students at Wake Forest.
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7 of 13 people found the following review helpful:
1.0 out of 5 stars
Terrible Historical Revision, December 17, 2004
This review is from: Rough Rider in the White House: Theodore Roosevelt and the Politics of Desire (Hardcover)
Having read only brief publications about TR, I can only claim partial qualification for this review. That said, I found this book to be highly insulting and disrespectful to the memory of Theodore Roosevelt. The author paints a picture of a man that was emotionally disturbed at best. How can she come to such far fetched conclusions when she has never even spoken to the man? The analytical process the author uses is abstract. Nearly every page is filled with modern feminist language that I found to be very out of place in a book that is supposed to be about an important American icon.
I'm truly sorry and ashamed that I even picked up this book, let alone read it. This is revisionism at it's most rank.
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7 of 13 people found the following review helpful:
5.0 out of 5 stars
Cowboy Soldier Sets The Stage, December 10, 2003
This review is from: Rough Rider in the White House: Theodore Roosevelt and the Politics of Desire (Hardcover)
In ROUGH RIDER IN THE WHITE HOUSE Sarah Watts unravels the contradictory strands of Theodore Roosevelt's character, a character forged at the first flexing of America's imperial muscle, and in so doing uncovers the roots of the United States' bipolar political discourse of the twentieth century. She amply proves her thesis that "Although Roosevelt was progressive and optimistic his political vision encompassed his darker, emotional, anti-liberal worldview of men and nations struggling against the forces of evil" (page 2). This political vision would serve, and to an unlikely extent, still serves as America's domestic and foreign policy, she suggests. Watts makes this argument implicitly throughout most of the work, however, late in the book she does allow this ghost assertion to manifest itself: "For the remainder of the twentieth century, modernism continued to deprived men of viable lives and to force them into compromises that many consider feminizing and emasculating. As the middle class searched for meaning in a world of bureaucracy and consumerism, and as purchasing power and real wages began their long decline after 1972, men still needed a muscular proving ground on which to inscribe their anti-modern revolt, and the appeal of violence on an official level never diminshed" (page 240). Indeed, she suggests that the conservative backlash of the past 25 years has borrowed much of the bellicose rhetoric and militaristic ethos of Roosevelt, as well as the sorting of citizens into the deserving and undeserving groups by wealth, ethnic and racial background, and social position. As Watts says with respect to non-white, non Anglo-Saxon males, "Roosevelt's exclusionary language had helped to create an intolerant social milieu and a punitive psychological one" (page 240). As Watt's points out, "(Roosevelt's) vision of manhood rested on the notion of a once strong, but now fragile and ever weakening male self, a notion that arose from his own emotional preoccupations, particularly his disgust for his own and other men's physical inferiority, his pervasive sexual priggishness, his anxiety about future sexual and racial degeneracy, and his fears of an interior cowardice that might be exposed to the outside world" (page 4). And, further, she notes that "Throughout his life, Roosevelt met every appearance of this weakened self with aggressive disciplines and punishments," and that ""No matter how he toughened himself, however, he could not escape living in a Victorian world in which normalcy was at stake and monstrosity was everywhere" (page 4-5). This Victorian world, she claims, has been recently been resuscitated as a political dreamspace in our political discourse. Watts clearly shows that "Roosevelt was the first president to articulate the shared anxieties of his generation, and he provided its first seemingly coherent response to the current dislocations of modern society" (page 2). In retrospect, the bipolar extremes that Roosevelt practiced as the embodiment of its new "manifest destiny," from gentleman Patroon and cowboy soldier, now seem so extreme that they could not have co-existed in one man. Indeed most modern biographers have difficulty explaining these extremes and tend to focus on one side or the other. And so most accounts are usually are just recitations of his activities, while this most contradictory of all presidents, who led us out of the era of the frontier and into the American Century seems lost to our comprehension. Watts makes TR make sense because her contextualization of his life in his times is completely convincing. Excellent illustrations.
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