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  • Round About Midnight At The Cafe Bohemia: Complete
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Round About Midnight At The Cafe Bohemia: Complete Original recording reissued, Original recording remastered


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Audio CD, Original recording reissued, Original recording remastered, January 29, 2002
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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         


Disc 1:

Samples
Song TitleArtist Time Price
listen  1. K.D.'s Blues (Live-Set #1) (Alternate Take) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham10:41$1.29  Buy MP3 
listen  2. Autumn In New York (Live-Set #1) (Rudy Van Gelder 24-Bit Mastering) (2001 Digital Remaster)Kenny Dorham 4:38$1.29  Buy MP3 
listen  3. Monaco (Live-Set #1) (Alternate Take) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 5:33$1.29  Buy MP3 
listen  4. N.Y. Theme (Live-Set #1) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 5:39$1.29  Buy MP3 
listen  5. K.D.'s Blues (Live-Set #2) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 9:30$1.29  Buy MP3 
listen  6. Hill's Edge (Live-Set #2) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 8:16$1.29  Buy MP3 
listen  7. A Night In Tunisia (Live-Set #2) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 9:31$1.29  Buy MP3 
listen  8. Who Cares? (As Long As You Care For Me) (Live-Set #2) (Alternate Take) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 4:59$1.29  Buy MP3 
listen  9. Royal Roost (Live-Set #2) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 8:41$1.29  Buy MP3 


Disc 2:

Samples
Song TitleArtist Time Price
listen  1. Mexico City (Live-Set #3) (Rudy Van Gelder 24-Bit Remastering) (1998 Digital Remaster)Kenny Dorham 6:02$1.29  Buy MP3 
listen  2. 'Round Midnight (Live-Set #3) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 7:44$1.29  Buy MP3 
listen  3. Monaco (Live-Set #3) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 6:38$1.29  Buy MP3 
listen  4. Who Cares? (As Long As You Care For Me) (Live-Set #3) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 6:21$1.29  Buy MP3 
listen  5. My Heart Stood Still (Live-Set #3) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 7:49$1.29  Buy MP3 
listen  6. Riffin' (Live-Set #4) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 7:50$1.29  Buy MP3 
listen  7. Mexico City (Live-Set #4) (Alternate Take) (Rudy Van Gelder 24-Bit Mastering)Kenny Burrell 6:33$1.29  Buy MP3 
listen  8. The Prophet (Live-Set #4) (Rudy Van Gelder 24-Bit Mastering)Kenny Dorham 6:20$1.29  Buy MP3 

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Product Details

  • Audio CD (January 29, 2002)
  • Number of Discs: 2
  • Format: Original recording reissued, Original recording remastered
  • Label: Blue Note Records
  • ASIN: B00005UOKS
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #196,987 in Music (See Top 100 in Music)

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41 of 41 people found the following review helpful By G. Schramke on March 19, 2002
Format: Audio CD
Kenny Dorham was such a great trumpet player, but even considering the fact, that his recording period spanned about 20 years, starting with important contributions in the forties, when he played with Charlie Parker, Bud Powell and others, it quite seems, that he largely was taken for granted by the wider audience, which paid most of the attention to more glamorous players, namely Dizzy and Miles. But listening to Kenny Dorham's Blue Note recordings you will notice, that he had it all: A beautiful, slightly bittersweet sound, really nice, long lines and a great knowledge about chord-progressions. Of course, he also was a great composer. This latest reissue from the RVG-Series offers for the first time the possibility to really listen to all recorded material from that live-date. You will love it, especially if you already own the two Art Blakey CDs "Life at Café Bohemia", which also feature Dorham at his best. About the personnel of this date, I'd like to notice the presence of Kenny Burrell on some of the tunes. He had finished his first own album ("Introducing Kenny Burrell") just the day before and he sure was in a playing mood. the choice of J.R. Montrose is also a very interesting one. this relatively obscure tenorist really has nice ideas and a pleasant, light sound, somehow similar to Stan Getz or Zoot Sims and he really takes care of business. Bobby Timmons on piano already had his block-chord style, which later would become famous when he was part of Blakey's Jazz Messengers. Sam Jones on bass and the to me completely unknown Athur Edgehill on drums contribute everything necessary for a good groove, so let's say, that I really enjoy this music: The tremendous swinging versions of "K.D.Read more ›
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15 of 15 people found the following review helpful By Todd M. Stellhorn on August 13, 2007
Format: Audio CD
As much as I like Dorham's collaborations with Joe Henderson (una mas, in'n out, trumpet tocatta, page one) and Hank Mobley (whistle stop, afro-cuban) you really have to tip your porkpie hat to Dorham's own working group, as documented on this album. Here is one of the most interesting lineups in all of the blue note catalog, it's a mix that challenges itself, yet is cohesive in a smoothly angular way (think of a sharp sword submerged under running water), and above all interesting. Some players seem to come out of nowhere and just blow your mind with the uniquness of their playing; J.R. Monterose is on of these (do yourself a big favor and check out his "The Message", or the self titled blue note offering that is only available as a japanese pressing unfortunately) he had a Rollin's like sound but his phrasing was absolutely his own, and to me something of a revelation. Monterose can come from behind the beat, snort out choppy phrases, or blow with a constrained and lyrical intensity, but whatever he's doing it is absolutely his own sound. Besides Monterose we have a young blocking Bobby Timmons, who in his pre-fame at this point is a bit more restrained but nevertheless perfect for the group sound. Throw in the Adderley inclined Sam Jones, Kenny Burrell for a few songs, and a drummer I can't recall ever hearing of, and you have a very eclectic line up, and then of course there's Kenny Dorham himself. The words: "Kenny Dorham" are usually followed by the words "underrated", and "Miles Davis". The first was sadly his lot in the jazz life, one he shared with many other fine players, and the later I suppose is because Dorham doesn't belong to the Clifford Brown red hot blowing school of trumpet, and when the casual jazz fan thinks of lyrical cool blowing on trumpet the words Miles Davis pop up.Read more ›
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18 of 19 people found the following review helpful By David Thomas on February 25, 2002
Format: Audio CD
I just picked this album up today and I was blown away. First of all, despite being a mono recording, the sound is awesome; clarity and depth are excellent. I have shied away from previous mono recordings, as they tend to get muddied, but this music suffers no such fate. Kenny Dorham sounds as good as I've ever heard him, and Bobby Timmons was just beginning to shine. If you are a fan of classic jazz, this is a must-have for your collection.
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4 of 4 people found the following review helpful By Eric C. Sedensky VINE VOICE on March 15, 2009
Format: Audio CD Verified Purchase
This is not only a great value-for-money CD set, it is arguably one of the greatest jazz trumpet works ever, and it is a historical set in its own right. Oh sure, jazz trumpet is all about Louis Armstrong, Dizzy Gillespie, Fats Navarro, Clifford Brown and Miles Davis, but leaving Kenny Dorham out of that line-up is like leaving Joe Dimaggio out of the baseball hall of fame. He may not be the top of the heap, but he is way up there. One of the things I like most about this set is the wide range of standards that Kenny tackles. From (Autumn in) New York to (Night in) Tunisia, Kenny displays his chops in diverse and interesting ways. All of his solos sparkle. And speaking of Kenny, what about the minor coup of getting Kenny Burrell to play guitar? Talk about heading up a support band! Burrell is a big name in his own right, and he brings a special brand of "fill" and wonderful musical dimension to Dorham's work. The Rudy Van Gelder production is remarkably clean for a live work, and the audience is subdued and virtually silent for the majority of the tracks, so the music and performances are always front and center. (It helps that Kenny is as laid back as he is, never "inciting" the crowd. He's like: "Now I'm going to play..." and he does. That's it. Simple and soft.) It is no surprise that this is one of the CDs of the core collection in The Penguin Guide to Jazz Recordings: Eighth Edition. It is pretty much indispensable for anyone who is serious about jazz. If you want more Dorham after you listen to this (and you probably will), let me suggest Afro-Cuban.Read more ›
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